I can’t believe that people are trying to defend this with: “Hey, so what if they made a main character a rapist even though he is not a rapist in the books and abhors rape! That doesn’t change things much, does it?"People are upset because a) it adapted a scene from the book but totally changed its nature and b) people like Jaime partly because of his "redemptive" arc.
Personally, I think Jaime's redeemableness is overrated. He's done good things and bad things but let's not forget some of his bad things are especially bad--like trying to murder Bran and actually murdering his cousin. I don't think those are moments of moral weakness but rather the essence of his character: he always does what needs to be done to serve his own ends, whether it's preserving himself, escaping captivity, or convincing himself he has something more than shit for honor.
They don't have a solid grasp on the Hound's character, either. The writing in this episode was an example of that. It's also a 100% change from what he is actually did in that situation in the book. What's worse, they've made him look like a hypocrite, with making him talk about a 'code' (which he never does in the books) and then having him break it two episodes later, when his defining trait in the book, or one of them, is that he hates hypocrisy. They're basically writing random anti-hero material for him rather than something that stems from the book characterization.Haven't yet graded it as I think I'll need to rewatch to decide. Coming after two exceptionally strong episodes,this one had a hard act or two to follow.
My first thought is that I still really, really dislike Aiden Gillen's performance. He is, if anything, getting worse and is basically a pantomime baddies at this stage. It's strange, as I've liked him in anything else I've seen him in. I'm also not sure that the writers have a solid grasp on Jamie's character.
On the other hand, I loved the Tywin/Oberyn scene and the Tyrion/Pod one. Rory McCann continues to shine as the Hound and new-Daario still beats old-Daario in my book. I also liked the ambiguity of the final scene.
The fact that it's a change from the books, and one that muddles a character arc that had previously been clear, is certainly a big factor in the controversy, but it's not the whole story. The thing about being a show that takes huge risks is that in doing so you open yourself up to criticism, and people have always questioned the way Game of Thrones (and for that matter A Song of Ice and Fire) walks the line between portraying violence against women for valid, important thematic reasons and portraying violence against women for the sake of being gritty and shocking. At what point has there been enough rape, murder, and other violation of women's agency for the message to have been fully communicated? At what point does it become grossness for the sake of grossness?
The story is set in a fictional mid evil setting. Women had virtually zero rights in this fictional time period. But I still don't get why this is any more disturbing then say, Lord of Rings which averaged one violent death after another on average every 4 minutes of the film
Rape scene = bad
Mass murder = well that's entertainment.
What is "TWD"?
The Walking Dead, which of course is another cable drama based on print source material, in this case an ongoing comic book.
8. "Edgy" stories
This is especially an issue in horror fiction. In general, VanderMeer sees a lot of "forced" stories where someone tries to "cash in on a popular subject." But stories feel especially forced when the author "adds in some extremely dramatic event in order to bring conflict and drama into the story, such as rape, incest, suicide, etc." When VanderMeer sees edgy stuff thrown in for no reason, she starts to suspect that the writer doesn't know how to hook the reader without using these tricks. VanderMeer sums it up: "false drama = bad story."
Adds Thomas, "My other pet peeve was a tendency to include massive amounts of rape, misogyny, racism, ableism, etc. in an attempt to shock in horror stories through a really obvious taboo that didn't actually serve a purpose in moving the story forward."
And Ellis, her successor at Apex, says even more succinctly: "If you ever tell someone your story is edgy, I probably won't publish it."
The writers may have clearly messed up when it came to this scene, but I don't think we should go overboard here. Regardless of what the book readers may think, I'd say the writers have gotten FAR more right with this series than they got wrong.
If they want to chart a slightly different course with Jaime than what was in the books, then I'm willing to give them the benefit of the doubt on it. I think they've definitely earned it by this point.
That's going to go over so well with the audience and the public, judging by the fact that so many people still go on about Spike's attempted rape of Buffy and treat it as Moral Event Horizon, even though he didn’t have a soul at the time, even though the guilt over it prompted him to get a soul, and even though other soulless vampires, including Spike himself when he was a villain, committed all sorts of crimes, including on-screen and off-screen murder and mental and physical torture, presumably off-screen rape of mostly anonymous characters, plus an attempt to bring hell on Earth, literally.The writers may have clearly messed up when it came to this scene, but I don't think we should go overboard here. Regardless of what the book readers may think, I'd say the writers have gotten FAR more right with this series than they got wrong.
If they want to chart a slightly different course with Jaime than what was in the books, then I'm willing to give them the benefit of the doubt on it. I think they've definitely earned it by this point.
I find it disturbing that in order to be "adult" therefore serious entertainment excessive amounts of sex, violence and profanity have to be used.
I don't think GoT has excessive sex, but rather other shows have a huge lack of it happening. Same with profanity, really.
I don't think GoT has excessive sex, but rather other shows have a huge lack of it happening. Same with profanity, really.
I can't think of any gratuitous violence (if we discount this scene as an example of gratuitous sexual violence) on the show, but there is a certainly a lot of gratuitous sex and nudity, mostly in brothel scenes... and the problem I have with them is that they are taking up precious screentime that could have been used better. But I feel the same about the gratuitous and repetitive scenes of people snarking at each other in King's Landing. I liked the first scene between Littlefinger and Varys back in season 1, but then next time they had a scene together, in the season 1 finale, I was thinking: "So, what did we find out? That they're rivals, that Varys is a eunuch, and LF is an asshole. Eh, we already knew all that. "Without question a lot of the violence and sex on GoT is gratuitous, lacking in any narrative function other than maybe setting tone (if we're being really generous), and the same can be said of other premium series. But gratuitous and excessive aren't the same thing. Even where it is obviously only there to shock or titillate (basically porn-lite, if we're being honest), it's rarely done without restraint.
I tend to see explicit sex more as part of the palette with which writers and directors can paint the landscape their characters live in. It's sometimes illuminating, rarely poignant, but can all too easily become garish. This show runs the entire spectrum.
And lest we forget, the majority of these random whoring scenes take place in KL. It's sometimes (most of the time) tasteless, but also goes to show what a charming little seaside villa that place is. In other words, tasteless but not pointless.
I'm inclined to agree with Devileyes re the Hound's character and the writers' grasp, or lack of, on it. I thought the same thing when I watched but couldn't remember what he'd done in a comparable situation in the books. So I didn't put it in my review.
It's as if they will do anything to soften Tyrion but are afraid to show too much redemption or nobility for these characters.
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