nuKirk is a zombie now.I enjoy Into Darkness more. But I've never been much into zombie movies.
I love both. They're hugely enjoyable.
Why, where's the difference between RLM and any other critic?Using Red Letter Media as some sort of reference point for intelligent, considered film critique is akin to adding wikipedia links to your dissertation's footnotes. It's a bad idea all around.
Why, where's the difference between RLM and any other critic?Using Red Letter Media as some sort of reference point for intelligent, considered film critique is akin to adding wikipedia links to your dissertation's footnotes. It's a bad idea all around.
And regarding Wikipedia... it's looked down upon by old fashioned people because it's online and not printed in heavy books. It basically comes down to that. It's up to date, the crowd intelligence principle works, it is a great source to cover the basics and cites the references. You wouldn't cite it as reference because you should never cite a deriving source to begin with. But it's a legitimate source of base knowledge and a good starting point. And on some contemporary subjects it has also become the only source, because all other old fashioned source can't keep up with the pace.
The RLM reviews are only worthwhile as some sort of comedic experiment, so no, I don't find that they hold any merit as intelligent criticism. He basically sets out these arbitrary rules that all films must follow in order to be successful, in his opinion, when I find his "rules" completely subjective, restrictive and unimaginative. He forgets that films are art that is meant to make us feel something, not a process of crossing every 't' or checking every box each time. And our response to films is entirely colored by our own subjective experiences in life, who we are as people determines whether a specific movie works for us or not. It's not a matter of getting the wrong answer on a test and therefore you receive a failing grade. RLM's "worst" can be my "best" simply because who I am as a person is different and therefore something in me responded positively to the movie in question.
The RLM reviews are only worthwhile as some sort of comedic experiment, so no, I don't find that they hold any merit as intelligent criticism. He basically sets out these arbitrary rules that all films must follow in order to be successful, in his opinion, when I find his "rules" completely subjective, restrictive and unimaginative. He forgets that films are art that is meant to make us feel something, not a process of crossing every 't' or checking every box each time. And our response to films is entirely colored by our own subjective experiences in life, who we are as people determines whether a specific movie works for us or not. It's not a matter of getting the wrong answer on a test and therefore you receive a failing grade. RLM's "worst" can be my "best" simply because who I am as a person is different and therefore something in me responded positively to the movie in question.
But isn't that true for any critic?
I can't count how many times I disagreed with an Ebert review, positive or negative. And while Ebert wasn't checking boxes on a list, there are many reviewers out there that do.
Using Red Letter Media as some sort of reference point for intelligent, considered film critique is akin to adding wikipedia links to your dissertation's footnotes. It's a bad idea all around. I find RLM puerile, frustrated, antagonistic, petulant, self-indulgent and seemingly unable to understand that all movies are "speculative fiction" and not required to meet his personal subjective tastes and demands.
I'm not at all familiar with RLM, but isn't that what most so-called "critics" do these days?re: the debate about RedLetterMedia... I'd argue that RLM is a film student first and foremost, and he approached his reviews more as an entertainment product in themselves than as serious reviews of the movies under the microscope.
I'm not at all familiar with RLM, but isn't that what most so-called "critics" do these days?re: the debate about RedLetterMedia... I'd argue that RLM is a film student first and foremost, and he approached his reviews more as an entertainment product in themselves than as serious reviews of the movies under the microscope.
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