Favourite Starship Set

[Ryan Thomas Riddle]

The bridge of the Enterprise as it appears in the early first season of Star Trek (the original). I also love it for the rest of the series, but it really looked good in those early episodes because of the dramatic lighting.

On a side-note, I loved some of Andy Probert's earliest designs for the Enterprise-D bridge; especially the larger command center that he envisioned as being in the middle of the ship as opposed to the top.

 

[Temis the Vorta]

I prefer DS9 overall to any starship design. Love that Cardie aesthetic!

But if we're limited to starships, you just can't beat the colored-lights-on-tinfoil look of TOS.

 

[cardinal biggles]

Enterprise-refit bridge, TWOK/TSFS
Enterprise-A bridge, TUC
Enterprise-D bridge, GEN
Enterprise-E bridge, NEM
DS9 Promenade

 

[RyanKCR]

Every set of the Enterprise from TMP. I kinda liked some of the interiors of Voyager.

 

[Rhaenys]

Definitely the Ent D bridge.
And there is no starship set that is even close to that.

 

[Space Cowboy]

Ent-E Bridge NEM
Defiant Bridge
Ent-A Bridge TUC
Promenade DS9

 

[Garth Rockett]

Enterprise bridge - TOS and TWOK
Ent - D Main Engineering
Ent - D Ten Forward
DS9 Promenade (particularly the Quark's part of the set)

 

[JayTheTrekkie]

My favorite sets is:

Enterprise D's bridge (TNG and the movie version and the stellar cartography from the movie version), main engineering and Ten Forward

Enterprise E's bridge, main engineering

Voyager's main bridge, ready room, conference room, main engineering and mess hall

The Defiant's bridge

 

[Ryan Thomas Riddle]

My favorite sets is:

Enterprise D's bridge (TNG and the movie version and the stellar cartography from the movie version)...

The Enterprise-D bridge looked really good with the lighting they used in that movie. As Andy Probert said, they finally lit the turbolift alcoves correctly to showcase the grill above since that was his throwback to the TOS turbolift alcove. That bridge always looked better when it had a less bright lighting, see "The Child" for how I feel it should've looked through all seven-years. I always felt the set was over lit.