But yeah, on reflection, Jay Chattaway's sweeping orchestral score and the shots of the Voyager soaring through fantastic space vistas is the one to beat for me.
Totally agree. That departure from Earth is what made it epic. And the new FX look dated now compared to S1/2.The first two seasons of STAR TREK: The Next Generation had a very cool opening sequence that was very well-done. It showed a sort of "departure" from Earth orbit, through and out of the Solar System. It was obviously meant to represent the Enterprise "D" making this trip, but you didn't see it, until we passed Saturn (the last planet shown). So, to me, this scenic route more represented the audience, symbolically leaving Earth, for Space-bound adventures, which I'm sure was the intent, anyway. And it was just very fitting, I thought and almost understated, in a way. I'm very fond of that. Then, in Season 3, it's like, how many Space FX can we shoehorn in, here, before Sir Patrick Stewart's awesome reading of "Space ... the Final Frontier"? It was too busy-looking ... too pretentious ... and looks incredibly artificial, as well ... which I've never liked.
.. Agreed!I'm surprised how much support the VOY credit sequence is getting. I always found it moderately pleasant but dull.
I'm glad you can vote for more than one. It's allowed me to make both my sentimental choice (Later TNG) and more objective one (VOY). I wasn't a huge fan of the series, but credit where due.Never really understood voting for more than one choice so, despite being a lover of TOS first, and despite really loving a few of the opening credits, I ended up choosing DS9 seasons 4-7 as my best of the best.
By that logic, however, the more upbeat, more percussive version of the Enterprise title sequence from season 3 and 4 is missing from your list. For me personally it's superior to the version from season 1 and 2.I tended to only included separate categories for a show only if there was a major difference, such as a change in the music and/or the visuals. I didn't think minor changes like fonts or changes in the cast list necessitated a separate listing.
I loved the Enterprise visuals showing a quick montage of human exploration. I loved the Goldsmith TMP theme.
Today was actually the first time I heard the TAS theme! Very 70s. If they'd got Barry Gray to write it, it might actually have been good.
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