Glad you liked.I have to say watching it from beginning to end was a real thrill. The final act put a nice bow on the package. I was also pleased that my hope that a couple of editing issues would be addressed was achieved. Just some very subtle changes that may not have entirely solved the issues, but definitely smoothed them over. It's also interesting that tighter editing had the effect for me of making the acting better. I'd be interested in the production team's thoughts on that.
In summary: well done all! Great stuff that shows what can be achieved with vision, talent and determination.![]()
What do you mean about editing issues? Such as?
What do you mean about editing issues? Such as?
Three come to mind. In the teaser, that awkward moment where Richards appears to try to shake hands with Garrovick and he hands her the memo pad instead seems a little tighter. In the Kongo engine room, the engineer's line where he's saying they can't tow it all the way back to earth space, a cutaway to Garrovick seems to have been added. When B'fuselek apologizes for his weakness, it looks like that's been tightened up a little. Just minor stuff lasting maybe a couple of seconds total, but to me they make a big difference in the smoothness of the flow. In such a tight, fast-moving story, any breaks in the pacing really show up and I think while most people may not consciously notice them, I do think the overall effect is going to be much smoother. Just two cents worth from the peanut gallery.
The one thing that this episode really tells me is that it is indeed possible to create an episode of Star Trek that has the look, heart and soul of the original series, but has the action and tempo of the more modern movies and TV shows, and make it all work, and work well. And it can be done without doing the "Everything and the kitchen sink" type of episode as well.
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