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Essential Sci-Fi components!

amickschl15

Cadet
Newbie
I'll make this one short and sweet, I'm attempting to (well, when I find the time..) write a sci-fi story of sorts, and I want to know all of your opinions. What are some essential elements that would be crucial to make sure this story contains? I'm no author, but I thought I would give it a shot! Thanks! :lol:
 
I'm not a writer, either, but... IMO, The essential component of a science fiction story is simply asking the question "what if?".

What if an alien landed on Earth?
What if you sent a manned mission to Mars?
What if sentient computers became commonplace?
What if a cure for the common cold was discovered?

Basically, pick some aspect of science and/or society and extrapolate something about it. If X happens or exists, what happens next?

Etc., and so on. You do not need to have aliens or spaceships, or have your story set in the future to have science fiction.

Everything your english teaches taught you in school about grammer, spelling, and story structure applies. :)

Good luck in your writing! Have fun!
 
make sure you put in some really inexplicable product placement, so in the future when they've gone bust nerds can say ''hohoho he thought [insert product] would still be around!"
 
I'll leave you with a quote from Isaac Asimov:

Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.

True science fiction stories explore humanity, who we are, who we want to be and where we are headed and wrap it up in a future scenario that poses some interesting possibilities.

Things like Star Wars or Star Trek are adventure stories who happen to be set in some high tech, futuristic world for the added cool factor.

Me personally would start with the basic idea.. what do i want to tell, do i have a message i want to relay to the reader or do i want just some cool stuff to happen.
 
Science Fiction is about the extrapolation of science or technology (i.e., applied science) and its effect on an individual or society. The most famous SF story of the 20th century was probably 2001: A Space Odyssey, which was about the first encounter between Humanity and a more advanced alien civilization. But good SF does not need to be epic. One of my favorite SF short stories, published in Analog back in the 80s, was about a genetic engineer's conversations with a Rabbi, trying to determine if a genetically engineered pig, which chewed its cud, was kosher. Classic SF can be very subtle. The best SF stories, like the best stories of any genre, are about people-- their feelings, their lives, their beliefs, all the things that are important to them. But what makes real SF important is that it makes people think and, just possibly, see the world in a different way by the time they've finished reading.

And, of course, a good SF story needs all the usual stuff: Interesting characters, well-written prose (which can mean either straightforward and clear or poetic and captivating), catchy dialogue, painless exposition, a guiding structure and a captivating ending.

Good luck. I'd love to read the story when you finish it.
 
There isn't a list of what elements a story should contain, your story should contain no more elements than it needs. Be they Sci-Fi elements or non Sci-Fi elements.
 
Science Fiction is a mirror of what we find in our current state. The human animal is capable of more and more advanced thought and technology. The last 150 years is proof of that. But the animal itself--the need to be loved, to be fulfilled, to find peace and happiness, food, shelter--are as true of our caveman ancestors as they are of ourselves. Science Fiction is the juxtaposition of those two realities. They can be in tension. For instance, cellphones are mini computers and keep us connected through the written word, but less connected to the people we are around when the cellphone is taking up our attention.

With all stories, start with what you want to say. It can be complex and focused (your opinion of an aspect of human society), or a more universal concept (like finding love and the barriers we face when pursuing that love). Build characters that are realizations of this vision, contrast each other when compared, and make sure it is a true and interesting story. The best fiction--whether set in the past or the future--connects to those needs I described above.

From there, tone is important. Edgar Allan Poe, the founder of the modern gumshoe stories and the macabre science fiction, was able to have definite changes in the tone of each story when compared to another. Stephen King is good at this as well, the unbelievable representing a monster we find in our real world. Joss Whedon, contrasting that, built a backdrop that is dark, but a hero that shone light on it in Buffy the Vampire Slayer and used those stories to be allegories of aspects of growing as an adolescent into adulthood (and he managed to infuse a lot of humor into his backdrop). Gene Roddenberry saw humanity evolving into its technology and outgrowing our painful emotional states in Star Trek.. Pick a tone, one that fits with the story and what you want to say, and stick with it.

There's not much difference between good science fiction and other literature except for the need to explain the world because it is foreign to us. Some ways to explain, like having each character guess and come up with a theory, is outdated and not good fiction.

And example for all of what I see as good Sci Fi: Take, for instance, Super 8. We don't know the monster's motivation until we see the Scientist that was killed at the crash site talking about his psychic abilities with this creature. He just wants to go home. What the movie is about is loss. Without the main character losing his mother, he never makes a connection with the monster telling him "bad things happen." Losing his mother saved his life. That was momentous synergy in the script. They managed to write a scary story from the eyes of a child, and an interesting one, without beating us over the head with the fact that bad things happen, and people need to be forgiven for doing terrible things to you. That's the best JJ Abrams film I have ever seen, including the Star Trek movies.

I don't feel like I've got all my ideas down in this post. I feel something is missing, but know that I tried to write science fiction in the Fan Fiction section. The story that I did spoke to me, even if it didn't speak to anyone else. It talked about our current political climate, the nature of freedom and what it truly means, and growing into yourself (and feeling the loss of that character when her life is snuffed out. She left her life unfinished). I don't know if it was any good, but it felt good writing it. Other people determine whether it connects with them or not.
 
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ray guns
spaceships
aliens
robots
any, all or none of the above

There is no list of what needs to be in or not in a science fiction story. Merely ask yourself "what if?" and go from there.
 
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