Simply stated, this was Star Trek's finest hour. 10 out of 10.
Simply stated, this was Star Trek's finest hour. 10 out of 10.
Kirk has lost his ship, his co-workers, his family, his world, and he's in danger of losing the one person he's brought with him. With all that on his mind, I don't care how nice Edith Keeler is, it just seems as if his attention and his emotions would both be fully occupied elsewhere.
Yes, that minor plot hole always bugged me. We've seen that the tricorder is a stand-alone device capable of playing back the data it records, so why would Spock need to build a primitive mnemonic circuit using "stone knives and bearskins"? That could have been fixed with a single throwaway line from Spock -- something to the effect that the tricorder's playback circuits got fried by the temporal distortion field when they jumped through the Giant Time Bagel.What I don't accept as shown is Spock's tricorder difficulties, or the source of most of the tension (rather than the tragedy) of the episode. I feel that, even though really well done, it seems like an artificial limitation that you can see what is recorded in your own tricorder without the ship. I mean the damn thing has a little screen, if Spock had to build a custom TV because the tricorder had no veiwscreen or something of that nature, I think it would have been better than long boards of wires and insulators to let the thing do what is seems to be designed to do already.
Yes, that minor plot hole always bugged me. We've seen that the tricorder is a stand-alone device capable of playing back the data it records, so why would Spock need to build a primitive mnemonic circuit using "stone knives and bearskins"? That could have been fixed with a single throwaway line from Spock -- something to the effect that the tricorder's playback circuits got fried by the temporal distortion field when they jumped through the Giant Time Bagel.
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