And besides, I don't think many here realize just how near-impossible it would've been to make such a different Trek show like that back when Paramount was in full cash-cow mode. The only reason S4 was allowed as much freedom was because there was a changeover in UPN management that didn't care about the show anymore and backed off.
So comparisons to NuBSG and Farscape (neither of which are cash-cows) aren't as simple as people think.
And besides, I don't think many here realize just how near-impossible it would've been to make such a different Trek show like that back when Paramount was in full cash-cow mode. The only reason S4 was allowed as much freedom was because there was a changeover in UPN management that didn't care about the show anymore and backed off.
And besides, I don't think many here realize just how near-impossible it would've been to make such a different Trek show like that back when Paramount was in full cash-cow mode. The only reason S4 was allowed as much freedom was because there was a changeover in UPN management that didn't care about the show anymore and backed off.
So comparisons to NuBSG and Farscape (neither of which are cash-cows) aren't as simple as people think.
TOS was hardly consistent with itself, you could say TOS defaced TOS.
I too never saw S4 as being much better than the rest of the series. I think that simply not seeing B&B's names anymore created a sort of placebo effect on the audience.
What Farscape and BSG had that ENT and VOY didn't was an incredibly controlling network, nor the stigma of being a cashcow (cashcows are not allowed to deviate from prior established formulas and be pioneer shows). Paramount themselves never would have allowed ENT to be visually that different from other Modern Trek shows.
It was only when their cashcow formulas finally collapsed with ENT's cancellation that Paramount went "Aw Sh*t, it finally happened. Oh well, go hire a guy, leave him alone and give him REAL money to work with and see what happens."
Enterprise is obviously the better of the two
None of the characters are that interesting (with the exception of the EMH)
but Enterprise had some good episodes.
I think you have it all backwards. Star Trek has a built-in audience.
If anything, it would allow the production staff to be more creative and deviate from an established formula. DS9 did it, and Paramount never meddled during its entire 7 year run.
It was Berman and Braga's idea to scrap Star Trek from the title when the made ENT. if anything, that should've made TPTB anxious. They let it happen.
New shows like Farscape and BSG are and have been subject to network control. BSG had to change it's theme tune for season 1, and SyFy urged the writers for more episodic stand alone stories in season 3.
You make it sound like Trek XI was some kind of indie movie. You can bet that with a budget of 150 million, TPTB at Paramount were closely following the production's progress.
We use essential cookies to make this site work, and optional cookies to enhance your experience.