I always thought The Cage gets called "cerebral" because the aliens heads were so big.
There is quite a difference between the Berman-era Trek universe and the TOS one. In TOS, Kirk met androids and shapeshifters, journeyed to the edge and the centre of the galaxy and kicked a ton of ass along the way. Then, in BermanTrek, the only android known is Data (+family) and the only shapeshifters are the Changelings (because apparently "The Dauphin" and "Aquiel" didn't really happen, or someone would have told Odo that he's not alone in "The Emissary")
It's confusing, and I think fair to say that there's nothing they can do to please everybody.
If you were a reptilian race and had seen a handful of mammal species over the years and you found a new mammal species that had never been seen before wouldn't you, when talking about his uniqueness to him, reference the other mammals you knew of who shared similar qualities?
Remember that at the time when Gene Roddenberry et. al were creating Star Trek, the written science fiction genre was undergoing a change. The '60s was a time when there was a trend toward publishing whole novels or anthologies in paperback form, instead of in the pulp magazines. However, it wasn't yet so prevalent that Roddenberry would have been that familiar with anything but the pulp magazines (and of course SF wasn't the only genre that had its own magazines - crime and western stories had theirs too).Could be. A few of Roddenberry's ideas were great, many were goofy, many were truly awful, I'd question how many of them were that indebted to pulp.It's probably 75% pulp. Roddenberry's idea of what constitutes SF seems to come more from the pulps than the more "sophisticated" branches of the genre.
Or at least to strictly sci-fi pulp. Mixtures of different grades and types of pulp are also definitely in there; he was open about wanting to basically do Gunsmoke and/or Naked City and/or Wagon Train in an SF setting, all of which arguably had their own particular admixtures of different brands of pulp. Indeed even when he was doing call-outs to the "classics" or to Shakespeare... when you really think about it, Shakespeare was the pulp of his day, it was only the craftsmanship of his poetry that ultimately elevated him above his peers. So you could maybe say that Trek was 75% mongrel pulp.
This is most of the reason I can't stand nuBSG. The pointless sex changes for some of the characters made it seem as though all the producers wanted was the character names as a hook to get the original BSG fans to tune in, and otherwise they'd make up any damn thing whether it had to do with the original characters or not.I wouldn't mind the Prime Timeline coming back on Television - provided that the show be given the Battlestar Galactica reboot treatment. I would love to see a Girl J. T. Kirk and girl Spock and all that ... set in the universe we otherwise know and love. Having said that, I think J.J. Abrams was the right man for the right job, as far as the movies are concerned. Nicely done ...
This is most of the reason I can't stand nuBSG. The pointless sex changes for some of the characters made it seem as though all the producers wanted was the character names as a hook to get the original BSG fans to tune in, and otherwise they'd make up any damn thing whether it had to do with the original characters or not.
In the case of Boomer, a new character (actually, many new characters) were created to occupy the spot of an original character, who basically had no character at all.
And, similarly to the situation with oldBSG, the fact that certain fans of oldTrek aren't satisfied isn't really hurting nuTrek, either at the box office or in the overall critical reception.
Anyway, since the timeline was already messed up by First Contact, ST09 didn't *actually* reboot anything. *THE REBOOT WAS ENTERPRISE*.
^Plus Enterprise's last (and sad excuse for a last) episode.
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