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Discovery Showrunners fired; Kurtzman takes over

No, he doesn't. Whedon cheated on his wife; he didn't harass anybody. That's a personal matter, not a legal one.

She accused him of utilizing the casting couch, and not one of his female actresses defended him. I didn't say he was in legal trouble, I said he has his own #metoo issues, which is the case.
 
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She accused him of utilizing the casting couch, and not one of his female actresses defended him. I didn't say he was in legal trouble, I said he has his own #metoo issues, which is the case.

There is also Whedons abysmal treatment of Charisma Carpenter when he found out she was pregnant
 
It is tough when anyone loses their job, but I would welcome a new direction for the show that is less reliant on TOS for its storytelling.

At this stage in the game I'd be surprised if there is any real story telling changes. There are only 13 episodes and five are already filmed. Got to assume scripts for another couple are finished and the overall arc is done.

Although I'd love if they cut the TOS connections out. I know some people here love it but I hate the small universe syndrome.
 
It is tough when anyone loses their job, but I would welcome a new direction for the show that is less reliant on TOS for its storytelling.
I still feel that possibillity to connect everything with TOS is the main reason why the studio greenlit this kind of prequel in the first place.
 
Of course that was the idea of season 1 but it also felt uneven like you didn't know what was a Fuller idea or something they came up with much later. The black badges going away being one big example.

Jason

The Black badges didn't "go away", though; they just weren't focused on for more than 3 seconds.

I also don't see what the source of this "uneven tone" argument is, at least based solely on what we were shown.
 
someone yelled on a TV production? Goodness! I guess the knives are out. To hell with all of them and their central nervous system canon thingie.
 
This is not good news. Turmoil in the writing staff doesn't create great results. It is kind of like early seasons of TNG.

Goldsman is not a big loss, they may be better off without him.

I was neutral about Harberts & Berg. I liked them in interviews but didn't see any great writing from them.

Kurtzman is OK but not great.

What is Manny Coto doing these days?
 
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I have mixed feelings. On one hand, something needed to change in terms of showrunning, because it was clear the writer's room didn't work right in Season 1 given the mess we saw onscreen. On the other hand, Kurtzman is a mediocre hack. As long as he acts primarily as the showrunner and not the head writer I think it will be a step up however. It seems like Kurtzman's real "skill" is basically he's really good with budgets and timelines in production. He doesn't deliver a quality product, but he's reliable. Kurtzman is also a real Trek fan, so I think he'll understand how to do this better than Berg and Harberts did.

It won't happen but I'd love to see Ron Moore as the showrunner for Discovery.

I'd rather have Ira Steven Behr come back. It's more likely, considering he exited Outlander back in 2016, and isn't working on much other than the DS9 documentary now. Moore's busy with Electric Dreams, IIRC.

I'm starting to think a behind-the-scenes drama focusing on the making of Discovery would make for a good series some day. Nothing like this since early-TNG.

Have to wait for the seventy-five year mission book to come out I think. What a shame.

As we've seen today, sometimes showrunner departures are more about management style or budgetary issues or office politics than the quality of the actual shows. Bryan Fuller is definitely a good writer, but he seems to have a hard time keeping a job regardless.

I do find it a bit funny that in Hollywood the track to be a showrunner seems to always start with being a successful writer. I mean, if you're a good writer I can see leading the writer's room eventually, but there are so many other parts of successful shows, such as direction, budgeting, visual design, etc. Why would anyone presume a great writer would have the skills to produce?

Fuller's career is most likely going to have issues because in the last 2 years he has left or been fired from: Star Trek: Discovery, American Gods, Amazing Stories, and the Vampire Chronicles.
http://www.digitalspy.com/tv/ustv/news/a856604/bryan-fuller-exits-the-vampire-chronicles-tv-series/

I'm beginning to wonder if he has a drug/alcohol problem or something. It seems a pretty epic meltdown for a guy who seemed to be relatively competent until recently.
 
I wonder what the actors are thinking. Are they wanting to get away from the show as quick as possible or do they approve of the changes. I could see some major cast changes going into season 3, maybe even this year.

My understanding from past Treks at least is the writer's room is very, very divorced from the direction/acting side of things. So they might not have had any idea what was going on at all.

On the other other hand, whatever the real issues on the show, it's bizarre that the PTB at CBS are insisting they're not creative ones at the moment they have the best possible excuse to admit that creative issues exist(ed). This suggests that the folks in charge unfortunately still remain either oblivious or deeply in denial about the real problems with the show's writing. Indeed, if they had been cognizant of them, the obvious time to make a change would have been between seasons.

The proper sci-fi reference here is "on the gripping hand."

Regardless, when do shows ever admit they have weak writing during their run? Occasionally, years after they air, writers will admit that individual episodes were crap. That's about as open as it gets.

Who exactly is left on the DSC writing staff at this point? Ted Sullivan, who penned what was IMHO S1's single worst episode, the Lorca heel turn? What about the evangelical Christian hacks hired between seasons, presumably by Berg and Harberts — are they still around? If so, then again this suggests that no one in power actually grasps (or cares about) the creative problems of this show. If there's any reason to believe it's a group of "amazingly talented people," I haven't heard about it.

Bo Yeon Kim and Erika Lippoldt are still on staff. Into the Forest I Go was a legitimately good episode. Kinda shallow, but good. They need to do more work.
 
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