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Discovery Showrunner Promises Season 2 Character Exploration And Tying Up Canon Loose Ends

Sure there's a lot to be critical about with Discovery. I won't deny it. But criticizing it for "fanwank" is another way of people saying they just don't want to see what was introduced previously further developed. Story structure, pacing, questioning some of the creative decisions and the decisions the characters make, I get. But fanwank? Come on. Previous series are "guilty" of the same and some have done a lot worse. So those people are like the pot calling the kettle black.

Yeah, there's a lot to dislike about DIS in terms of execution, but in terms of the basic structure of the show, I think it got most things right. I agree with the choice to serialize the show, and I think it was wise for it to not go full-on "no episodes" serialization ala GoT. I agree with the decision to not feel bound by the TOS-era visuals. I agree with the decision to reference elements of earlier Trek series - because why else would you even use the Trek setting?

The one structural thing I think DIS did wrong was making the show too protagonist-focused. But honestly, this was an attempt to do something new with Trek which hadn't been done before, so I can't fault them. It probably would have worked better if it followed Fuller's original format, where each season told a new story as well, because we'd shift to another POV character in the following seasons, which would keep it fresh.
 
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The problem, however, is if we define fanwank as being "serialization we don't like" then your opinion on whether or not something is fanwank will rest on it being good. For example, ENT Season 4 is (relatively) beloved by Trek fans compared to the remainder of the series, but essentially every mini-arc or episode either directly deals with Trek canon or makes offhanded references to it.

If you're going to make a distinction between fanwank and just general development of plotlines from other series in the Trek mythos, I think the best line to make wouldn't be if it's effective, but if it's plot critical. Hence the ENT two-parter which exists more or less to just explain away the Klingon ridge mystery cannot be fanwank, because it's intimately wrapped up in the plotline of the arc. On the other hand, the episode Observer Effect has fanwank - they make the aliens Oregonians (and reference the Cardassians) but it wasn't really needed from a story perspective. They just did it to give the canon nerds teh feels.

I think you got me wrong there: I think there is a difference between "serialization" and "fanwank". A BIG one.

ENT season 4 is (IMHO) a great example of fanwank done right: The klingon two-parter for example. It is a pretty good klingon episode in it's own right, which plot depends on the ridges/no ridges scenario. But! It's also pretty entertaining in it's own right. Good fanwank. The aliens in "Observer effect" though? Episode stands much on it's own. They don't have to be Organians. In fact, it doesn't add anything. Unnecessary fanwank.

But pure serialization IMO doesn't qualify as fanwank on it's own. The Xindi that appeared in ENT S4 episode "Home" in Archers dream, after the Xindi-plot of S3 had already finished and wrapped up, wasn't fanwank for example, but a logical progression of Archers' arc dealing with them. The first time the Andorians appeared on ENT was surely fanwank. But later on, Shran became it's own character and storyline completely independand from the references. Thus not fanwank. The same holds true for the klingon storyline on TNG, the development of Seven of Nine on VOY, Worf on DS9 and so on.

The line is a bit blurry: In a shared universe, it often isn't too obvious from the beginning wether it's a logical progression of things that have already happened in this universe, or purely a marketing stunt for fans. Sometimes it's both. Sometimes, what starts out as fanwank (the introduction of the Romulans to TNG) becomes it's own, independant storyline.

But for it to be called "fanwank" it has to be excessive, and essentially the references being more in focus than the actual storyline. It has to be entirely self-serving and self-referential. Bigger than an Easter-egg (which is a blink-and-miss it thing), but also different from pure "serialization", which is natural in storytelling (e.g. everytime Q appeared on TNG wasn't "fanwank", despite his appereances oftentimes being fan-favourites - it was simply a progression of his character arc. While his appereances on VOY definitely was fanwank - self-serving as a reference to the original material - but IMO good fanwank, because it was fun to watch).
 
I think you got me wrong there: I think there is a difference between "serialization" and "fanwank". A BIG one.

Agreed.

Angel still feeling pain over the loss of his relationship with Buffy years after is serialised characterisation.
Buffy appearing in an episode of Angel, but only being seen from behind and having no dialogue because it's not the same actress, is heinous fanwank.
 
So things like this are why I really have to agree to disagree with a lot of detractors of DSC. We just don't see eye-to-eye at all. Especially if they also like ENT.

The best I can figure is if you like something you'll look the other way. If you don't, you'll criticize it or outright trash it for things other series have done before. It's less a reflection of the show in question and more a reflection of people's biases. And what people will let slide or come down on due to those biases.
I'm not about to defend double-standards or hypocrisy... those things are annoying, no matter which side of a debate someone is on. But it's disingenuous to attribute them to all critics of DSC.

For my part, I try to be reasonably consistent about my critical standards for Trek shows (and otherwise). I thought STID was atrocious, for lots of reasons, its (mis)use of Section 31 and Khan among them but hardly the most significant ones. I thought both VOY and ENT were mostly dull and forgettable, and occasionally downright awful, for reasons which have lots to do with lazy formulaic writing and nothing to do with whether they were revisiting existing aspects of Trek canon (call it "fanwank" or not) or adding new ones. Ditto Insurrection and Nemesis. I thought the 4th season of ENT was the only watchable one, not only because it finally started using Trek continuity in a way that made sense for a prequel but also (and mainly) because the new writing staff offered a huge improvement in story quality.

I have mixed opinions about DSC, as I've posted before (at length). I think it was probably the best first season of a Trek show other than TOS, but that's grading by an exceptionally low standard. I dislike its approach to continuity, whereby it nominally "fits" into canon but disregards the spirit, the details, and (certainly) the look of the TOS era. The way it throws in random Easter eggs (list of famous captains, anyone?) and uses past Trek concepts (e.g., the MU) as jumping-off points — call it what you will; I personally dislike the word "fanwank" — comes across as superficial, skin-deep, and occasionally pandering. But the show's worst sin remains still the wildly uneven writing... I think of the Lorca heel-turn episode as being as close to a shark-jumping moment as I've ever seen in a Trek series.

I think that's all reasonably consistent. Using elements of existing continuity is not inherently either a virtue or a vice. The question is whether a story uses them well.
 
Pardon my impertinence, but do please explain further why you dislike this wondrous and uncommon declension?
I must admit I’m not a fan of that term either.

But, it does a wonderful job of conveying the semantics of what’s happening when a gratuitous “wink” to the fans is added in just to say “hey, member that thing you like? Well here’s an Easter egg!” (Essentially - I know I’m simplifying).

I can’t think of a better term for it, but “fanwank” just seems... icky.
 
I think fanwank [in VOY] was just less overbearingly noticeable for people at the time because nerd culture (or at least a bastardisation of) wasn't mainstream culture, and nowadays it is pretty common for big budget nonsense to be part of an extended universe and self-referential.
Come again? Do you remember the late 1990s? Nerd/geek culture had definitely gone mainstream by then.

However, this complaint about fan-service totally undermines the other main criticism of Discover, which is the constant whinging about canon violations. You can't really have it both ways (Excepting huge things like the protagonist being Spock's adoptive sister).
I don't follow your reasoning here. It's fair to criticize a show for throwing in gratuitous references to past continuity just to (supposedly) gratify fans. It's also fair to criticize a show for abusing and undermining its own past continuity. The two things are not related.

...it's kind of ridiculous to be comparing my knee-jerk reaction to one season of 15 episodes of a show that came out when I was 27 years old to 30 seasons of TOS, TAS, TNG, DS9, VOY, and ENT... It's never going to be as exciting for me as it was being 10 years old and renting First Contact from blockbuster.
Ah, okay. You're 27; you don't remember the '90s. :whistle:

As the old saying from SF fandom goes, the golden age of (fill-in-the-blank) is whatever came out when you were 12. Anyone except the most hard-hearted nostalgia-proof aesthete is going to have soft spots and sentimental attachments to stuff of that particular vintage, and that's perfectly reasonable.

However, that's not an excuse for the people making the material to aim it at 12-year-olds. It should be written for discerning audiences. The intelligent 12-year-olds will find it on their own anyway, and that's where new fans come from.

Which is part of the reason they shouldn't really care to much about people nitpicking on the internet. If they want to make money and keep themselves on the air than aiming for our liminal Trek-message-board-user demographic is not the way to do it.
As I've commented before, we fans are not CBS; there's no particular reason we should care whether the owners of the property "make money and keep themselves on the air." What we want is quality material, not just any old thing they can slap the brand name on.

They keep setting themselves up for failure. They talk about Canon all the time, and so raise expectations from those who truly care about it. But whatever explanation they choose to go with wont actually satisfy.
Truth. The DSC producers have made their own bed here, and now they have to lie in it. If they'd announced from the beginning that the show was a reboot, I wouldn't have any complaints about its continuity. (I'd still have plenty of other complaints, but that's another discussion.)

...by now, mirror universes are such a well-worn trope (even Smallville had one, with Ultraman Clark Luthor) everyone gets it.
Just an aside, for the sake of accuracy... but that Smallville story was (loosely) inspired by the original Justice League of America #29, which introduced the idea of an alternate universe with evil doppelgangers of our heroes, including the Crime Syndicate of America and its leader Ultraman... way back in 1964, well before "Mirror, Mirror" ever aired.

There is a stark difference between "fanwank" and merely "serialization". It is absolutely okay to continue previous plot elements or even characters. It only becomes "fanwank" when the references outweigh the original material. In the case ot TWOK, the whole movie is essentially an original story.
I think this point is really important. There's nothing wrong with making logical use of continuity, including in-universe crossovers and sequels and so forth — indeed, that's what we expect from a shared universe, part of what makes it so nifty. The problem is with gratuitous insertions of dribs and drabs of continuity, things that are devoid of context and add nothing to the story.

By way of analogy, it's akin to the difference between a genuine conversation involving mutual friends and common interests, and an obnoxious exercise in name-dropping.

Anything that acquiesces to irrelevant nerd debate is fanwank to me, regardless of how successful or entertaining it is. An explanation was not really needed, and we weren't owed one. "We do not discuss it with outsiders" was enough of an explanation.
It baffles me whenever anyone asserts that ENT's Augment storyline "wasn't needed." The appearance of the Klingons was the most obvious longstanding unresolved mystery in the Trek universe. How was making a story out of it a bad thing? The story itself worked just fine, and it settled a question a lot of people had been debating for a long time.

[Spoiler about underwear]
:hugegrin:
To be fair, what Superman wears on the outside of his tights are trunks, not underwear. The real problem with the costume you posted is all the gratuitous "Jim Lee lines" on the costume, making it look like some sort of weirdly plated armor — not the red trunks, which help to maintain a nice color balance. (If there's one character in comics who should obviously never need to wear armor, for heaven's sake, it's Superman.)

Pardon my impertinence, but do please explain further why you dislike this wondrous and uncommon declension?
Because as @XCV330 posted, it's a term with no agreed-upon definition, hence just arbitrarily derogatory... and moreover as @Groppler Zorn posted, it just sounds icky. (Kinda like "postmodernism" except with prurient connotations.)
 
I'm not about to defend double-standards or hypocrisy... those things are annoying, no matter which side of a debate someone is on. But it's disingenuous to attribute them to all critics of DSC.

I'm not applying them to all critics. In the post you're quoting I ended up going into Vent Mode. I have no idea what triggered it, it just happened. Like I said later on, a lot of the criticisms I get. Creative choices, choices the characters make, pacing, etc. But I can't stand when I perceive people being hypocritical.

Though, for anyone (not you) who wants a steady diet of One & Done, Planet of the Week, Mystery of the Week, Lecture the Backward Planet Episodes, they have to realize that's not coming back. Not in this series, anyway.

I think of the Lorca heel-turn episode as being as close to a shark-jumping moment as I've ever seen in a Trek series.

That Lorca was from the Mirror Universe doesn't bother me. I would've liked if his being from the Mirror Universe became a deep, dark secret and we had a Captain where we know he isn't who he says he is, and they developed that over the course of several seasons. What they did with him after the reveal leaves a lot to be desired. So, I wasn't sorry to see him go after they did away with his complexity. I thought it was a wasted opportunity where they could've done more.

I think that's all reasonably consistent. Using elements of existing continuity is not inherently either a virtue or a vice. The question is whether a story uses them well.

This I agree with 100%.
 
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Come again? Do you remember the late 1990s? Nerd/geek culture had definitely gone mainstream by then.

I remember the 90s, but obviously a hugely warped and largely fabricated sheen. Like I don't remember the Bosnian war in real time, but I do remember it being important to watch Ren and Stimpy.
I stand by this statement though, at least in the UK, nerdy properties weren't the multibillion dollar things that they are now. Video games were still largely for nerds at my school, a lot of people I know my age have only played Final Fantasy 15 because the old ones weren't on their radar etc. I'm not saying nerd culture didn't exist, but it wasn't the same.

I don't follow your reasoning here. It's fair to criticize a show for throwing in gratuitous references to past continuity just to (supposedly) gratify fans. It's also fair to criticize a show for abusing and undermining its own past continuity. The two things are not related.

Yeah fair. I'm not arguing with that.


As I've commented before, we fans are not CBS; there's no particular reason we should care whether the owners of the property "make money and keep themselves on the air." What we want is quality material, not just any old thing they can slap the brand name on.

Yeah, I get that. We're just in a weird position being the type of fan who would come to discuss this stuff online. We're simultaneously the audience and the people that should be steered clear of if CBS wants to make money. I'm not saying you should care, of course our concern is quality material, it's just that paying attention to us is arguably counter-intuitive.


It baffles me whenever anyone asserts that ENT's Augment storyline "wasn't needed." The appearance of the Klingons was the most obvious longstanding unresolved mystery in the Trek universe. How was making a story out of it a bad thing? The story itself worked just fine, and it settled a question a lot of people had been debating for a long time.

It's not at all a bad thing, nor do I dislike the episodes. It just wasn't strictly necessary.
 
I stand by this statement though, at least in the UK, nerdy properties weren't the multibillion dollar things that they are now. Video games were still largely for nerds at my school, a lot of people I know my age have only played Final Fantasy 15 because the old ones weren't on their radar etc. I'm not saying nerd culture didn't exist, but it wasn't the same.

This is true. The Nerd Culture is different. Though "normal"/"regular" people playing video games was more common in my neck of the woods in America. Super Mario Bros, Mortal Kombat, MechWarrior 2... But I can't play video games for shit.

In high school, if you told me that one day Marvel would become as big as it has in theaters and that there'd be a new Star Wars movie coming out every year -- and that they'd be owned by Disney -- I never would've believed you.

On another note: I think a lot of Doctor Who fans in America today would've been TNG fans if this were 25 years ago.
 
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I have mixed opinions about DSC, as I've posted before (at length). I think it was probably the best first season of a Trek show other than TOS, but that's grading by an exceptionally low standard.

I dunno if I'd say that much.

Season 1 of DS9 was fine. I mean yes, there were clunkers like Move Along Home and The Storyteller. But there were many episodes which worked quite well - most notably Duet, which is undoubtedly one of the top 10 best episodes not only of DS9, but the entire effin Trek pantheon. It's remembered poorly because the show got so, so much better later on, but it hit the ground running.

For that matter, even though I don't like VOY, the first season of it is really no better or worse than any of the following seasons. Indeed, that's one reason why VOY feels so boring at times - because aside from the introduction of Seven, and getting a bit more indulgent of the characters in general, there was really very little different about the show from season 1 to 7.

That Lorca was from the Mirror Universe doesn't bother me. I would've liked if his being from the Mirror Universe became a deep, dark secret and we had a Captain where we know he isn't who he says he is, and they developed that over the course of several seasons. What they did with him after the reveal leaves a lot to be desired. So, I wasn't sorry to see him go after they did away with his complexity. I thought it was a wasted opportunity where they could've done more.

There was a really, really big missed opportunity here. They could have analogized Burnham's "bicultural" upbringing with Voq/Ash and the dichotomy between Lorca's public presentation and the mask he had to wear. That is to say, they could have made the whole season thematically about being stuck between two identities and what it means for the various characters. Unfortunately, as with many other things, they missed the chance to say anything remotely deep.
 
Season 1 of DS9 was fine. I mean yes, there were clunkers like Move Along Home and The Storyteller. But there were many episodes which worked quite well - most notably Duet, which is undoubtedly one of the top 10 best episodes not only of DS9, but the entire effin Trek pantheon
I completely agree with this. Some of the key tenets of DS9 were in place from early in season 1 as well - Bashir and Garak, for instance, and Vedek Winn starting on her path to become one of the greatest villains in Trek history (Khan who?). Ok there were some things that took a while to settle - Sisko being seen as and referred to as the emissary (notably by Kira and other bajorans), particularly when you consider Kira’s later comments that they would have done anything Sisko asked of them (toga party in ops anyone?), but I put that down to studio interference and allowed for a little character development in the context of the show.

I think tonally DSC has been the most consistent first season - because it’s mostly been dark and moody in more episodes than not. Compared with, say, ENT’s first season where you go from wide eyed wonder, to angst, to comedy scenes with Malcom and his birthday cake, etc. Don’t get me wrong, I like Enterprise, but DSC did seem to know what its tone was going to be right off the bat.
 
To be fair, what Superman wears on the outside of his tights are trunks, not underwear. The real problem with the costume you posted is all the gratuitous "Jim Lee lines" on the costume, making it look like some sort of weirdly plated armor — not the red trunks, which help to maintain a nice color balance. (If there's one character in comics who should obviously never need to wear armor, for heaven's sake, it's Superman.)
Well, I think it's close enough for the purposes of my joke :D
 
To be accurate, the first statement (as opposed to question) in your original post implies that you knew that no explanation for why Kirk didn't know about the MU had been given. Then you asked if it it had explained because you didn't watch any of the MU episodes. Your initial statement and ensuing questions seem to conflict.

Yeah, well, I'm over it. Feel free to get over it too.
 
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