As usual, the devil will most certainly be in the details. And without the details, none of us can make an objective assessment one way or another.
It's interesting that Richard Roeper's review matter of factly said In Time was based on "Repent Harlequin", as if he gleaned that information as matter-of-factly as seeing it in a credits sequence.
Well, fuck, now it seems that the settlement story was false. Oh well, eventually it'll reach a conclusion.
http://airlockalpha.com/node/8760/no-settlement-in-harlan-ellison-in-time-lawsuit.html
Until then...
Sir Rhosis
Well, his goal was supposedly to get the movie scrapped, and so far he has not gotten a credit. Therefore, this round goes to the good guys.
Oh yeah, you'll have to explain that one.
Oh yeah, you'll have to explain that one.
It's very simple. People who make visual art are prostitutes. Painters, photographers, actors (theatre and film), script writers, directors, carpenters, craft services, every last one of them. That's how writer/director/producer Andrew Niccol completely voided any right to his own reputation or integrity, while Ellison, a prose writer, get the simple courtesy of being referred to as a human being that exists.
This isn't a case of one person accusing another of stealing from him, this is a case of a person accusing 20TH CENTURY FOX, the amoral, faceless corporation, of stealing from him. That way, it doesn't matter how slanted, off-base, or flat-out wrong Ellison's accusations are, he's morally correct by default, since he's the underdog going up against a faceless corporate entity.
It's interesting to speculate on if the reaction to the lawsuit would've been any different if Niccol had made "Im.Mortal" with an independent studio.
We use essential cookies to make this site work, and optional cookies to enhance your experience.