^^Huh? Kira and Ro didn't die and get resurrected, they just had a brush with death.
I'd call having your heart cut out far more than a brush with death...Christopher said:
^^Huh? Kira and Ro didn't die and get resurrected, they just had a brush with death.
Allyn Gibson said:
What was perfunctory about Janeway's demise? She got turned into the Borg Queen, her cube got eaten by the Burrito of Death, Seven got through to Janeway's consciousness in her final moments, and Q (Lady version) takes Janeway's soul into some sort of heaven.JoeZhang said:
Because it was done in such a perfunctionary manner,
The only thing that would make this death any more definitive would be if there were a body. But I think that a Borg Cube, blasted by pure anti-proton, wouldn't leave much in the way of wreckage. Matter, anti-matter -- creates a lot of radiation, but not a lot of debris.
She's deader than Marley.
The problem, Joe, is that at some point, someone has to stay dead if it's actually going to mean anything. Because if death is something that people "get better" from, then the sense of jeopardy is diminished.it just read like the set-up for another story - as someone else mentioned, I'll be very surprised if she stays dead.
It's the soap opera or comic book problem. Death as a short-term plot point results in lazy, consequence-free storytelling. And it guts the dramatic impact of any story in which a character dies.
I'm reminded of something Alan Moore wrote, in his introduction to DKR -- stories have an end. I cannot imagine a better, more fitting ending for Janeway than to lose her life at the hands of the nemesis that, in many ways, defined her career. To become their Queen was a cruel and ironic twist of fate, and yet it was so perfect a fate that to "undo" her death would to cheat the character of its fitting end.
Allyn Gibson said:
Q (Lady version) takes Janeway's soul into some sort of heaven.
Steve Roby said:
Allyn Gibson said:
Q (Lady version) takes Janeway's soul into some sort of heaven.
Which is exactly the wrong thing to do if you want the readers to believe Janeway's dead, as far as I'm concerned. If you want readers to be absolutely certain a character's dead (and you're not reading a theological fantasy like The Chronicles of Narnia), you don't give that character any dialogue after she's supposedly died.
Steve Roby said:
Allyn Gibson said:
Q (Lady version) takes Janeway's soul into some sort of heaven.
Which is exactly the wrong thing to do if you want the readers to believe Janeway's dead, as far as I'm concerned. If you want readers to be absolutely certain a character's dead (and you're not reading a theological fantasy like The Chronicles of Narnia), you don't give that character any dialogue after she's supposedly died.
kickinitoldschool said:
...one of the screenwriters of the movie say they consider the novels canon and reads them all the time...
When, near the end, the whole Destiny trilogy turns out to have been a dream of Questor's . . . well that just came from way out of left field. But then when his internal nuclear reactor overloaded and laid waste to planet Earth, causing a race of supermutants to arise and take over . . . then it all made sense. Mack, you pulled it off again.David Mack said:
^ Don't feel bad. Most of the folks I've seen speculating about what will happen in these books have been utterly wrong. So you're far from alone.![]()
David Mack said:
^ Don't feel bad. Most of the folks I've seen speculating about what will happen in these books have been utterly wrong. So you're far from alone.![]()
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