Finally, time ran out. They had managed to get some required footage, but none of it was up to the standard they had envisioned. Suddenly they not only found themselves strapped for time to finish the other shots, but the entire ending of the movie was in jeopardy. ‘‘I knew we could try and do something about the sequence once we got back to the studio,”’ he commented. ‘‘We could go in close or do an optical or something to save it. But what we couldn’t do was get back to the location to grab the remaining shots. So my first priority was to get the crew moving down to the valley and over to where the shuttlecraft was waiting for us.”’
Disaster had been just barely averted. But a new, gaping hole in the plan had appeared. When we saw the Trona footage at dailies, one thing became glaringly apparent: The footage simply did not work. Not only was the smoke blowing the wrong way, but the immobility of the suit gave the Rockman a stiff, unnatural look (as Harve put it, the monster looked more like a Lobsterman than a Rockman). Although somewhat relieved that they wouldn’t have to use footage they had never been happy with, the team now had to brainstorm an alternative plan.
What was this creature supposed to look like? Was it humanoid in shape, or simply a mass of throbbing energy? They rechristened the creature ‘‘The Rock Blob" ’’ for lack of a better name. And so, at the eleventh hour, the team found a new, urgently pressing problem foisted upon them.
—Captain's log : William Shatner's personal account of the making of Star Trek V, the final frontier, p. 135–136.