Amusing.
aridas thinks the nacelles are too low. (-:
Attaching the nacelles to the stabilizer/supports would simply look more conventional. Not what I was hoping for.
Here is an early take on the present idea as I began to work toward what I'm presently modeling.
I also had size constraints in mind with this design. I wanted it to be roughly the same size as my Class F at about 26-27 ft. so it could be accommodated aboard a starship. This is a rough layout in terms of interior spacing.
And here is a basic size comparison that helped guide me.
Initial concept for the nacelles that I am modifying as I go.
We know MJ initially envisioned something more exotic for his shuttlecraft, but time and money were a serious constraint. Enter AMT that alleviated the money issue, but there was still a time constraint and the real challenge of construction. So AMT came up with a concept they thought could work and they could build within the time allowed. MJ gave them some feedback and signed off on it. The result was the
Galileo mockup--one of the best looking fullsize mockups for an SF vehicle on television and maybe even film. It wasn't perfect and it still had compromises, but it sold the idea very well. One can argue that the Class F design isn't as exciting as it might have been, but taken in context I think it's actually a very good design for its purpose. Its deceptively simple shape helps lend it a measure of utility in design. In context of the
Star Trek universe we can buy the conceit that the shuttlecraft (like the Enterprise) looks the way it does largely out of form follows function--it looks the way it does to get the job done effectively.
Not SF hardware often goes the way of form needing to be appealing first and then rationalized later--otherwise most SF hardware would look little removed from what NASA dreams about or actually builds. For far future SF that's not sexy enough. We like to think that far future hardware could be as far removed from what we familiar with as a jet fighter is removed from 17th century sailing ship. To anyone from over a hundred years or more in the past a modern jet fighter would look impossibly alien. Now you can do that easily when you're illustrating a book cover or describing something in print or even fashioning something for a big budget sci-fi feature, but when you're faced with very real time and budget and resource constraints of weekly television production then you have to scale back your expectations and get clever in going for what you can get.
Today anyone who critices what TOS looks like is out of their fucking mind because it speaks of a complete lack of appreciation for what the producers were faced with. GR and MJ and the rest were trying to build a far future world on the constraints of 1960's television with only pencil and paper, wood and some metal, glue and paint and a few lights. They were not futurists or professional SF illustrators, but television people. In light of all the obstacles they faced they did an outstanding job.
As fans we like to imagine what might have existed "beyond the bulkhead" in the greater universe that TOS depicted. To that end we imagine exotic aliens and exotic looking ships beyond what we've already seen. Some go overboard and imagine things that never would have been made even if the budget and resources allowed. But some also make the effort to remain at least somewhat consistent with what was already seen or inferred on the screen. And from there it becomes subjective interpretation (as evidenced by the endless discussion regarding the hangar facilities).
And so here we are.