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Comic Books - What's wrong with the industry/format NOW?

I think the biggest problem is editors with delusions of grandeur. Individual writers should have more freedom to tell their stories without having to tailor their work to the "next big event" (read: civil war or brand new day).
Seconded. Since 1993 or so writers have had their runs constantly disrupted by the latest editorially-driven "mega event" story arc. People should be given space to develop their own creative takes on characters. I don't think the 00s events went on as long as 90s ones, but they're still pretty disruptive.
 
What good is a dramatic death when you know neforehand that the character, if popular enough, will be resurrected soon by some far fetched method? All the drama is meaningless because nothing really changes and staying in one place is deadly.

Doesn't that come with the genre?
Star Trek, Buffy, Farscape, superheroes...

Death doesn't mean anything, and it rarely does in sci-fi.

So why do we continue to watch? It's not always the destination, but the journey.
 
Yeah, I thought "The Death of Captain America" was the best story Marvel produced in the 2000s (Reborn was admittedly the weakest part of it, but I'm really looking forward to where things go from here). Didn't especially matter that I knew he'd return eventually as part of it.
 
I'd make the following changes:

1) Looser continuity. Let each book run with its own storylines/continuity. Cut out the crossover events. If someone complains that Superman is in deep space in Action and fighting Luthor in Superman. Ignore them!

2) Stop writing for the trade. Let each story take as many issues as needed with out padding it out.

3) Try and expand the fanbase out of the Comic book shop/40 year old fanboy ghetto.

4) For the mainstream superheroes ( Superman, Batman, Spider-man, X-Men) create storylines that can appeal to a wider audience. Sex and violence should kept to appropriate "all ages" levels.

5) Writers and Editors: You're not making movies!!!!!! Stop pretending that you are. Play to comics' unique strengths

6) More non-superhero comics.
 
The next big thing in terms of format will be web distribution, which is still in its infancy, but things like the iPad are probably indicative of where things will go over the next ten years.

Which is a shame because you can't CGC slab an iPad.

I'm afraid I do have to agree with you. There is a concerted movement to get people to stop buying physical stuff. People are being conditioned that they're having to live in little boxes, or are always having to be on the move, and the last thing people want to do is lug comic collections all around. So they want it all digital. Of course that means no archiving, and the premise of comic collecting will die eventually because, as I say, you can't slab an iPad.

I just hope that DC and Marvel make enough money to at least do limited print runs of their titles for us luddites and collectors.

Alex
 
I would say move to trades with cheaper paper and print "limited editions" for collectors... which is what DC was doing with some recently announced title, isn't it?
5 dollars for a comic book is simply too much, especially if they're meant to be 5 minute reads you dispose of/pass on.

Anyway, I guess at this point it's EiCs not wanting to take risks. I'm sure running a company within the umbrella of publicly traded and even bigger companies pretty much means they'll be as conservative as possible so as not to upset anyone.

It's sad. They've written themselves into a corner so much that only something like Captain America dying gets any play whatsoever. I mean, how is it the first person to think of doing a Twilight book is a dude who runs a manga company? I would have thought that would be an guaranteed seller.
 
Having monthly B&W books with work from new writers/artists using original and lesser-known characters would be nice to see. If the response is good to Author X and his Character Y stories, have them colored and printed up as a trade, if it sells well give him a monthly title. If the fans are clamoring for Character A to get his own book, try it out in the B&W book first, where it would be one title among a dozen, to see if you can actually tell a decent story with him and if the fans REALLY want it or if they just think they do.
 
Comics have the same problem that newspapers and magazines do - they're an analogue medium in a digital world.

Done right, a Marvel Comics iPad app could work very well. The problem so far is that they've introduced a significant gap between the paper release of an issue and the digital release, probably as a concession to the small comic book store owners that are their lifeblood.

I love comic books, but I got so far behind with Dark Reign and then Dark Reign: The List and then The Siege and so on and so on that I just couldn't see a way to catch up.

And don't get me started on the so-called "distinguished" competition.
 

Everything about that project sounds great:

--graphic-novel size releases (something people have been repeatedly requesting)

--freedom for writers to produce a large story without influence from the latest brand-wide cross-over events

--good choice of writers

--an interesting, well-considered take on an old character (based upon a recent interview by JMS)
 
Comic books lack an air of accessibility and the "special" feeling. It's just not like, say, reading a big Harry Potter book the way everyone went mad for those last 3 books. 70% of everything in comic books feels.... light and disposable. Then they suddenly need big events to make their books feel special, but the events are so 'crossover'-esque and so lacking of anything real that they end up becoming MORE like the stereotype of comic books, not less.

Every so often you get something like a Sandman or a Watchmen, something that feels "special", substantial, like you're reading a story that means something, it gets passed on down the years, and every few years there's a new crop of people discovering them......... ongoing superhero comic books cannot match that. Accessibility isn't just knowing information, it's making you care enough to want to know the information. It's about giving stories meaning with good writing, beginnings, and endings. It's about cultivating an "aura" that makes people not into it, want to be into it - something you can't do with light, splashy, event-y books - with so much convoluted continuity, and most of it is continuity nobody but the hardcore care about. It's like trying to compare one of these 20 year long soap operas, the young and restless, to, say, The Wire. In fact that's a good comparison, most of the comic book industry is the male version of daytime soap operas.

And then there's the ass-backward system of the direct market.
 
Yeah I would definitely have to say the sheer massiveness of these mega-crossovers are very intimidating. I have been cataloging my comics this weekend so I have been on the comic book database. I looked up some of the recent Marvel storylines and my God the number of comics connected with a single story arc goes over a hundred! It is a little easier if you have a central book like WWH or House of M, but I have no idea where to begin on Dark Reign or Secret Invasion. It is making the Ultimate Universe look rather appealing. Do we really need the Mighty Avengers, The New Avengers, The Dark Avengers, The Avengers Initiative, the Secret Avengers, the not-so Secret Avengers, the Avengers who don't avenge on Yom Kippur, and on and on?
 
The Jewish Avengers?! I would so buy that book! How many Jewish characters in Marvel comics anyway? I know the Thing is... and Spider-Man when JMS writes him...
 
For me it boils down to it not being worth the money for the entertainment I'm getting. It's far and few between finding comic books that have been worth reading. These days the only comics I read are graphic novels or trade paperbacks. Paying 3-5 bucks for 10 minutes of reading doesn't really seem worth it. On top of that, if you really like it, you have to wait a month, sometimes even a year just to read the continuation of the story. At this point in my life, I can't see myself going back to buying single issues of comic books, when I can get way more value from a book or tv.
 
For me it boils down to it not being worth the money for the entertainment I'm getting. It's far and few between finding comic books that have been worth reading. These days the only comics I read are graphic novels or trade paperbacks.
I agree, though even trade paperbacks are on the scant side; the recent Omnibus volumes are about the same value-per-dollar as a hardcover novel, which is good enough for my wallet. Also acceptable is Dark Horse's trade pricing as iPhone apps: $4 each. ;)
 
I would say that moving to digital distribution should be the next step. Imagine logging onto iTunes and buying the latest issues of Spider-man for $2. Or getting a trade for $8? I know that Marvel has sorted of started to do this, but they need to do this for all of their titles, especially as tablet PCs are starting to take off.
 
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