^^
I still call it character destruction, portraying Chakotay as someone who drown his sorrows in alcohol.
Again, you might, MIGHT, have a point if that's where the story ended.
And really, if you can't handle watching the downfall of a character, might I suggest you avoid fully 1/3 of William Shakespeare, including such classics as Romeo and Juliet, Julius Caesar, MacBeth, Hamlet, and Antony and Cleopatra?
But Chakotay's story doesn't end in the bottle. Chakotay, now, is not "someone who drowns his sorrows in alcohol." He's conquered that demon. He's slain the dragon. He's beaten the Catholic Priest to sink the basketball in the hoop.
And if you don't like seeing a protagonist struggle and then overcome the conflict, well, you'll have to avoid the vast majority of literature. Because "protagonist meets obstacle --> protagonist works to overcome obstacle --> obstactle is overcome" is pretty much the most basic plot outline there is.
You can call this what you like, but it's no more sensible than me saying "my mother is a fish." Mostly because neither of us are seven.
But oh joy, oh joy, we have C/7 coming up to solve his problems!
You're leaping to an unwarranted assumption based on not even a shred of direct evidence. There's
absolutely no reason to assume Kirsten Beyer is going to link Chakotay and Seven romantically, just because they're being paired as characters in the same plotline.
And again, Chakotay's not going to Seven to help solve his problems. You're misreading or misinterpreting. Chakotay is going to Seven to help her.
Again.
Chakotay is going to Seven to help her.
Why?
Because she, like he, was very close to Kathy the J, and she, like he, is going through a difficult time. Said difficult time is made worse by the fallout from "Destiny" and from the Caeliar.
Where do you get "Chakotay and Seven are going to become lovers to magically solve his problems" from that?