I'm pretty sure you have to register the copyright before you can sue for infringement.
Nope.
Ideas typically aren't that original anyways. For instance, I had an idea for a plot similar to Gene Roddenberry's Andromeda a full year before it came on the air. Same for Early Edition. Heck, if it was just an idea, you really can't prove that the person they were talking to didn't have a nearly identical idea earlier and they just decided to write it up that night because they heard you "repeat" it.
So? Or is this just words to move a goal post? Basically what you're arguing is that you "copyright fraud" would be hard to prove.
If you gave the guy a really detailed story with characters and everything, that has a consistent plot, that you never even wrote notes on but just kept the entire thing in your head, and they went home and wrote the entire story in one night, between their amazing ability to write up a story from memory and your staggering lack of judgment, I'd say they deserve their copyright.
Lol. Ok.
Depends. If I've written a book, but haven't registered the copyright, and I tell you about it and you rush home and create a similar book based on what I told you, then register a copyright on the similar book, I'm pretty sure that qualifies.
YOUR BOOK IS COPYRIGHTED FROM THE MOMENT OF CREATION. Regardless of registration. If you want to talk about copyright, at least know how it works.
What a layperson would consider "stealing" is usually pretty clear cut, whereas copyright is not. You said as much...
...Thus, by using the word "stealing", you imply a malice and intent where none might exist.
Malice and intent don't disqualify the act.
"I didn't mean any harm by speeding, Officer." is not a good defense.
"I didn't intend to hit someone with my car, Officer" does not disqualify the act of hitting someone.
It might mitigate damages, it might get you off, but, you still broke the law.
Sure you are. You said that copyright infringement is theft, and the courts determine is someone is infringing, so if someone is too poor to afford a defense (since you have no right to a lawyer in civil cases), they're found guilty and are therefore thieves.
It is theft, but the civil case is about copyright infringement. And no one is making anyone infringe. And it's these sorts of ideas, that it's OK to take someone else's property, because it doesn't "really exist" and there's no "harm" is ignorant and gives people the idea that they can do what they want with someone else's work. You are spreading ignorance.
By putting my character in a work that then then register for the copyright. You can say it's not likely, but then it doesn't have to be them. Anyone could do it.
Sigh. Again, you REALLY, HONESTLY believe that CBS and Paramount are watching fan films so they can steal characters from fans? Do you think the people they pay A LOT of money to to create content are going to risk their jobs, their reputations by stealing Lt. Gargleblaster from KorNadda from a fan film?
No more than I can imagine a situation where they'd have to worry about someone registering a copyright on a fan film.
That actually would be a worry. More of a hassle. Because if some fan did copyright Lt. Gargleblaster and then a writer for Star Trek created a character Capt. Throathummer, that fan might go, HEY, they stole Lt. Gargleblaster from me, I'ma gonna sue.
And now, they have to get lawyers involved. And their lawyers are EXPENSIVE. Too expensive to really want to deal with a delusional fan.
Nah! They could just require them to agree to surrender the copyright or grant a permissive license if that were the problem. The real problem with fan submissions is that they might be copying their ideas from someone else.
1. Why should they do either of those?
2. What if that person decides they don't want to surrender copyright?
3. Why would they grant licenses? There is no advantage to them GIVING out licenses. There's very little advantage of them SELLING licenses.
The very real problem of fan submissions was if they were rejected and then similar ideas appeared in later episodes. All submissions probably had to sign a waiver of their rights before submitting scripts, but, in the end, was it really worth it? Well, maybe for Ronald Moore it was.
One where multiple fan letter campaigns keep a show alive long enough for it to have sufficient episodes for syndication.
Was that Enterprise? Did that fan letter campaign keep Enterprise on the air? Did I miss seasons 5, 6, and 7? Guys, why didn't anyone tell me!?!?!?!?!!?!/