Since Simon & Schuster is a division of CBS, Titan is CBS IP. Ares being derivative of Titan doesn't help AP much. Sorry.
He won a contest. Opinions vary, of course, but Simon & Shuster (in 2005) thought that it was the best starship submitted to them.
We get it. You don't like it. Is it really necessary to be so rude about it?And they went with one that looked like a Nova had a one night stand with a Sovereign?
We get it. You don't like it. Is it really necessary to be so rude about it?
I wasn't being rude at all - I was, in fact, giving an opinion on the design
No. You were blunt in your opinion, like you were in a private conversation with your buds. This is actually a public forum and proper decorum and social etiquette says you should go out of your way to be nice in criticism of other's artistic works. Especially so when they are right here, talking to you. So, by being blunt, you were rude.I wasn't being rude at all - I was, in fact, giving an opinion on the design
Weird theory I heard recently: Someone I know thinks the way the fundraisers were set up was intentionally designed to duck through a loophole. The first fundraiser was for Prelude (which was to be used as advertisement for the full film). The third (and any subsequent fundraisers) was/were to be used to film and edit the full film, Axanar. However, the second fundraiser was used to fund Ares Studios and Axanar Productions, which could be used for profit, and do not, themselves, use any CBS/Paramount IP. By doing this, they built a separation between the film, itself, and Axanar Productions.
This theory got me wondering, even if it wasn't intentionally designed this way, the separate fundraisers and the scope of each of those fundraisers, effectively have the same effect.
This Kickstarter is for the full-length feature Axanar. Unlike the short film, which we shot in two days and cost $75,000, the 90-minute Axanar feature will take about 20 days and cost about $650,000. So we are breaking up our costs into discreet sections which should allow us to reach significant milestones, as we don't expect to raise all $650,000 at once. This first Kickstarter will be for the sound stage and set construction. Anything over what we need for that will be applied to the feature production costs.
Interesting. I hadn't considered that.... So if they never have another fund-raiser for Axanar, they are still not obligated to spend their money for more than building the studio?If they decide they "need" to spend 650,000 on the studio and sets then, well, they did disclose it up front and budgets change.
No. You were blunt in your opinion, like you were in a private conversation with your buds. This is actually a public forum and proper decorum and social etiquette says you should go out of your way to be nice in criticism of other's artistic works. Especially so when they are right here, talking to you. So, by being blunt, you were rude.
The one thing I've come to despise about the communications coming out of Axanar Productions is how they can be very correct in denotation, but give people a completely different impression of what they're saying. It's the opposite of transparent.
Here's a quote from the 31 July 2014 Internet Archive capture of the Axanar Kickstarter.
See how clever it is? They clearly say that the first Kickstarter is for the sound stage and set and anything over what they need for those two things will be applied to the other production costs.
Then they lay out the budget.
100,000 for set construction
125,000 for the sound stage (which they disclose is meant to be used for future profit-making endeavors such as David Gerrold's "Running Dark" and a sci-fi film school)
25,000 for the Axanar Heroes vignettes
50,000 for Axanar pre-production
350,000 for Axanar production
Taken together the quoted material and the budget could lead donors to believe that anything above 225,000 raised would be put into the Axanar film, but that word "need" provides the out. If they decide they "need" to spend 650,000 on the studio and sets then, well, they did disclose it up front and budgets change.
Weird theory I heard recently: Someone I know thinks the way the fundraisers were set up was intentionally designed to duck through a loophole. The first fundraiser was for Prelude (which was to be used as advertisement for the full film). The third (and any subsequent fundraisers) was/were to be used to film and edit the full film, Axanar. However, the second fundraiser was used to fund Ares Studios and Axanar Productions, which could be used for profit, and do not, themselves, use any CBS/Paramount IP. By doing this, they built a separation between the film, itself, and Axanar Productions.
This theory got me wondering, even if it wasn't intentionally designed this way, the separate fundraisers and the scope of each of those fundraisers, effectively have the same effect.
The second KS, effectively, wasn't "hey, we're making a fan film, help fund it," but rather "hey, fund our desire to build a studio, which, BTW, can be used to make a fan film."
Interesting. I hadn't considered that.... So if they never have another fund-raiser for Axanar, they are still not obligated to spend their money for more than building the studio?
While using CBS' IP and the promise of a Star Trek film in the future.
As I read it, they stated very definitively that the first Kickstarter was only for studio and set costs. They implied that anything raised above 225,000 would be put towards the film, but the wording was such that there was no guarantee they would commit to it. Whether this was intentional or not, I don't think anyone can say.
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