Or Ares Digital, which is now in place for delivering all-new digital content. I am of the opinion that this is the end reason Ares Digital was conceived and implemented.
It was my understanding that this was all Axanar, headed by Terry. At least, their statements to this point give that distinct impression (I believe it was in the first Axanar thread, where Terry was answering questions).
Interesting. If they have any patent applications in the works, CBS/P should definitely discover them/research them; they are potential assets to be recovered if they were developed on CBS' dime.
New on AxaMonitor today:
PETERS: NO COMMENT on whether he is a member of the investor group buying the Ares Studios assets from Axanar Productions — Donors will find out first — Attorneys say they're OK with studio sale — Claims the studio is not an asset worth any money. Read more »
![]()
I have been wondering about how they have insisted that the investor group is focused on the rent. Why isn't the investor group buying the soundstage/ or is it somehow implied they are getting it?
Now we see Axanar Productions claiming that 'they have no assets'. OOOOKKKKK, then what was the 2nd kickstarter about? "Building infrastructure for this and future productions"? Sorry for being such a noodge about your own words.
Journalists and other commentators should, I think, attach a permanent constantly revisited flag to this assertion that "they have no assets". What concrete consequences is AP seeking to create out of this assertion? How does it square with the Kickstarter?
I'd like to know how they became "cash strapped". I don't remember the initial estimates for Prelude/Axanar, but it was way WAY less than 1.3 million. I know they upgraded everything, carpet included, but they were also "just weeks away from filming" a few short months ago.
How do you go from wildly exceeding your target donations and being ready to film to being cash strapped in three months?
Here is another reframing that those following the case should really focus on.
It seems its still as simple as "follow the money". Not the fans, not the quality, not Alec's bans.
They say that in spite of wildly exceeding their planned budgets, they are in a cashflow pinch and they have no assets of value and they have a bunch more work to do before they even produce a film. So where has all the money gone?