Ok. You win the thread for today.
Ok. You win the thread for today.
Looking forward to seeing how the "I'm not a jaywalker because I don't really exist" defense works against oncoming traffic.
Loeb & Loeb attorney: Your Honor, we would like to introduce this as exhibit one.I understand Alec's attorneys have to defend him, but really, have they looked at anything Alec's said? Look at the Indiegogo page.
"Axanar is the first fully-professional, independent Star Trek film."
"...we are not licensed by CBS..."
"Axanar feels like Star Trek..."
Then there's the Vulcan scene.
Reading the response, I know they had to say something, but it was maddening going through it.
Referring to the Prelude as a "mockumentary" is a reach. There's nothing in the description of that video that would make anyone think it was a parody.
"Axanar is the independent production that proves a feature-quality Star Trek film can be made on a very modest budget -- approximately $80,000 in the case of the short film that you just watched -- and outside of the studio system. Filmed in Hollywood, this effort, our short proof-of-concept film to show what our professional and highly talented cast and crew can deliver, was made possible by generous donations to our first Kickstarter effort by fans like you. Prelude to Axanar is told in a retrospective documentary fashion, but the follow-up feature-length film that is currently in production will unfold as a traditional film that is told chronologically would. You are fans of Star Trek. We are fans of Star Trek. Together we can make amazing things happen!
This 21-minute short film, Prelude to Axanar, premiered Saturday, July 26th, 2014, at San Diego Comic Con, and features Richard Hatch, Tony Todd, Kate Vernon, JG Hertzler and Gary Graham -- Gary reprises his role of Soval from "Enterprise." The makeup and hair was designed by Academy Award winner Kevin Haney and Star Trek veteran Brad Look of Makeup Effects Lab in Hollywood. Top that off with the amazing visual effects of Tobias Richter of The Light Works, and sound by Academy Award winner Frank Serafine, and the result is Prelude to Axanar: something unlike anything you have ever seen before. We have our loyal donors to thank for this and we couldn't be more grateful!"
Alec is just digging a deeper and deeper hole for himself. Again, if I was a possible Doe in this, I'd try to talk some sense into him.
Neil
See Note 6 at the bottom of page 13 of the document, they got the definition from dictionary.reference.com. Should we presume it's an accepted source of definitions in the legal world?I just read that HR piece in a KTLA5 voice, and it then made better sense
Also, W&S don't seem to have the same interpretation of 'mockumentary' (as they describe Prelude) as most of us have.
I doubt that CBS legal team will allow that kind of nitpickery without a fight. What kind of precedent would it set if you had to thread the needle and point out detailed examples of every copyright violation and prove the EACH instance was not "fair use, parody, or transformative"?The CBS lawyer team only have to read this thread to gather most of the evidence Axanar's lawyers demand. Also, some poor intern might have to watch all of Trek to gather all instances of the things mentioned in their motion.
Since they could claim the scenes are inspired by STIV and not literally lifted from the film (unlike the background shot in STC's "The White Iris"), that could be iffy.Not only do we have Vulcans, in the three minutes purported to be from the film, we have shots of Vulcan that were lifted directly from Star Trek IV. That would be copyright infringement right there, no?
I doubt that CBS legal team will allow that kind of nitpickery without a fight. What kind of precedent would it set if you had to thread the needle and point out detailed examples of every copyright violation and prove the EACH instance was not "fair use, parody, or transformative"?
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