It was a professional production, not a fan film
^^^^If i'm a fan-film-maker and I suddenly find myself making money the first thing I do is call up Paramount/CBS and be open and honest with them. I'm sure they'd find a way to make the situation work, and they probably would appreciate my honesty and forthrightness.
Maybe I agree to give the profits to the studio or even to charity, or worst case we stop production and refund people's money and cut our losses.
But what I don't do is go back to kickstarter and ask fans for more money.
^^^^
That's EXACTLY what you do - It's called negotiating for a LICENSE.
Actually, negotiating for a license is something entirely different than what I was talking about. Negotiating for a license would be done before doing any filming. What i'm trying to express is that if a fan-film inadvertently starts making money, the best thing to do is to just ask CBS/Paramount what to do--- if for no other reason than to protect yourself from litigation.
^^^^
That's EXACTLY what you do - It's called negotiating for a LICENSE. Here's the thing though: Paramount/CBS isn't required to grant you one; and if they do not, that's NOT an invitation to go off and market products for the IP you are attempting to license. The IP holder has the right t control WHO it grants a license to; and it's HOW they make a profit with said IP.
Fixed.The thing is AP would have had to negotiate not just one license but two. Axanar's story elements come from the TV series, but is also intended in movie format. It would seem hard enough to get one but two is unlikely. So he must have knew the chances were slim for both companies to say yes. So it was better for him to produce something first, as a proof of concept. I believe that was Prelude... Now at this point, this is where AP messed up. He could've gotten away with Prelude without a license IMO, but at that point, his ambition of growing Axanar into a major franchise got the better of him. Before his second donation campaign, he should have went to CBS/Paramount to discuss some licensing deal using Prelude as his proof of concept, it would've increased his chances. If successful he could have run several Kickstarter and Indiegogo campaigns without any problems. His downfall was not his early success, but his arrogance generated from it.
Jesus. You click on it, and there's a donate button. At least the Indie Go Go campaign is closed. But, DAMN, the move is listed as "the ground-breaking independent Star Trek film." Not fan film. Independent Star Trek.
Idiots.
You know what's ground breaking? What it means for the rest of fan films.
The thing is AP would of had to negotiate not just one license but two. Axanar's story elements come from the TV series, but is also intended in movie format. It would seem hard enough to get one but two is unlikely. So he must of knew the chances were slim for both companies to say yes. So it was better for him to produce something first, as a proof of concept. I believe that was Prelude... Now at this point, this is where AP messed up. He could of gotten away with Prelude without a license IMO, but at that point, his ambition of growing Axanar into a major franchise got the better of him. Before his second donation campaign, he should of went to CBS/Paramount to discuss some licensing deal using Prelude as his proof of concept, it would of increased his chances. If successful he could of run several Kickstarter and Indiegogo campaigns without any problems. His downfall was not his early success, but his arrogance generated from it.
"Axanar feels like Star Trek because it is made by two of the biggest Star Trek fans in the world..."
It might of started out as an honest attempt at a big budget fan film
The way this has been developing it's become rather evident this was never about bringing a great fan film to fans, this was about Alec Peters becoming a Hollywood hot shot producer.
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