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CBS/Paramount sues to stop Axanar

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Yeah, I think I mentioned earlier this might just be Axanar taking a strong stance to intimidate Paramount/CBS. What they get from it, I don't know, but the point is, he wants to send a clear message: i'm not rolling over. To use another baseball analogy, he's saying, "if you really want to play ball, i've brought a home run hitter to match yours."
Good luck with that.
 
What are the odds of this judge not granting an injunction against Axanar while this plays out?
 
Depends on how much CBS lawyers will push the injunction. I will give credit to Alec for getting a good law firm to do this Pro Bono. The game is on, time to get the popcorn.
 
Good luck with that.

Hey, I didn't say it would work. If nothing else, it's possible give him a little bit of leverage (meaning more than none) during settlement talks because there will be incentive to wrap it up quickly, knowing he has strong representation that won't just roll over.
 
Hey, I didn't say it would work. If nothing else, it's possible give him a little bit of leverage (meaning more than none) during settlement talks because there will be incentive to wrap it up quickly, knowing he has strong representation that won't just roll over.
If you say so. At this point, I don't believe that CBS has or will have any incentive to do anything except to go forward with their lawsuit.
 
Yeah, I think I mentioned earlier this might just be Axanar taking a strong stance to intimidate Paramount/CBS. What they get from it, I don't know, but the point is, he wants to send a clear message: i'm not rolling over. To use another baseball analogy, he's saying, "if you really want to play ball, i've brought a home run hitter to match yours."

What they get from it is the threat of generating costs and dragging it out, which is leverage towards deflecting maximum monetary damages. They also get time to try to reverse engineer some plausible argument other than "the IP was abandoned because CBS/Paramount weren't doing it the way "real fans want". Dragging in unsettled subject matter like any new media ambiguities also allows clouding the pure IP argument and adds a threat of more costs. They also create a barrier of ambiguity against crowdfunding suits, because many fans may be willing to let their money ride pending an outcome for a considerable while.

Also, they get to postpone the day when their work product (script) is finally assessed by all the fans instead of being just an idealistic assertion anyone can align to.

This sort of amounts to them licensing the film as official, doesn't it? I can't imagine a big company like CBS or Paramount doing that. I think that sets a very dangerous precedent and would encourage more high quality fan films.

I would imagine a permanent stipulation that Axanar would stop work on the film would NOT be a license, but the opposite. it would be Axanar agreeing to permanently cease doing their project at least with CBS IP, as a condition of CBS dropping the case.

I don't necessarily disagree with your assessment, I really hope nobody is crazy enough to do business with people like this in the future...

Well, I can dream anyway.

If they get rid of the cause of their bad history and bad business judgment, and industry professionals take it over, then I think they might have a shot, otherwise I think it would be too difficult to keep inside legal and PR bounds. The more viable a new studio looks, the more likely I think that professionals may want to run it.
 
What they get from it is the threat of generating costs and dragging it out, which is leverage towards deflecting maximum monetary damages. They also get time to try to reverse engineer some plausible argument other than "the IP was abandoned because CBS/Paramount weren't doing it the way "real fans want". Dragging in unsettled subject matter like any new media ambiguities also allows clouding the pure IP argument and adds a threat of more costs.

Exactly what I was trying (and failing) at articulating.
 
I think you misunderstand everything i'm saying so i'll quit while i'm behind.
It sounded to me like you said that Axanar having the legal representation that it does is some sort of incentive for CBS to settle. I flat out disagreed with that. But if that's not what you meant, then I retract my statement on the matter.
 
It sounded to me like you said that Axanar having the legal representation that it does is some sort of incentive for CBS to settle. I flat out disagreed with that. But if that's not what you meant, then I retract my statement on the matter.

My fault for being inarticulate. See the comment above I quoted from muCephi.

Remember, another goal for Axanar is to come out of this with a positive image-- finding some sliver to cling to as a victory. If his camp can somehow get CBS to drop (or greatly reduce) monetary damages, and allow SOME form of the film to survive, there's a way to make that look like a win. At the same time he can then convince his supporters to stay on his side, painting CBS as the big bad corporate evil enemy that squashed "the real fans"-- but hey we sort of beat them, right?
 
I think parody/fair use is one of the few places where the defense can hang its hat. They'll argue (possibly) media rights/new media. Social media is making some lines blurrier in these areas, but with a copyright that is well-documented and an IP that did not go dormant (just because there's nothing on TV doesn't mean the IP is dormant. There are tie-in novels, for one thing), I think defense has an uphill slog.
My own thinking is the thing about the court system is that what may be very clear to various points of view in a case has sometimes been unclear during the court proceedings. For oh so many various reasons. This is why the innocent are not always exonerated, the guilty are not always convicted.

My concerns include a ripple effect on our fan productions at large. As well as trust in crowdfunding from this point. I've seen a shift in my own thinking about donating since this first week of January.

The New Media film rules are in flux at this time, far from in place, as the courts all over are struggling keep up with, as jespah mentions, the new social media advances that are blurring what has been clear in the past. Law regarding New Media is in play and will continue to be so for some time.

That a respected IP litigator with some history of case winnings has accepted a pro bono case suggests, for me personally, an unknown factor.

And I have great and very sincere sympathy for those who are experiencing or will be affected by the fallout as this proceeds to its unknown to me conclusion.
 
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Law regarding New Media is in play and will continue to be so for some time.

While that may be true, I would assume there are some severe limits. To put it another way, a non-Disney party selling a Mickey Mouse computer game was not immediately legal just because it was a computer game, even if computer games were new and fancy. I don't expect whatever "new media" law you're referring to, to cross that line either.

Frankly, I'm not even sure how it's relevant. Someone want to enlighten me on what I'm missing here? (And this is a serious question. I feel like there's something I'm missing.)

That a respected IP litigator with some history of case winnings has accepted a pro bono case suggests, for me personally, an unknown factor.

I do also find that interesting, and I'm not sure what to make of it. I can't see how they could get an actual win though. Maybe the point is just to keep them out of bankruptcy court, and for them that is a win?
 
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