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CBS/Paramount sues to stop Axanar

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Okay. I 'think' I'm understanding, or at least a bit more.
Take Prelude a $10,000 dollar venture which by time Alec was in Germany it was reported as a $70,000 venture. By then the collection of snippets was already released and the awards were flowing in. A year latter, over $130,000 was attributed to that 22 minute film and at some point you have to ask, If donor funds are being stuffed away in hidden accounts? Could it be as simple as adding 46% to each cost? Does a Captains chair cost $2,000 or $920 dollars?
It's going to take someone greater than I to boil down to the truth.
 
Take Prelude a $10,000 dollar venture which by time Alec was in Germany it was reported as a $70,000 venture. By then the collection of snippets was already released and the awards were flowing in. A year latter, over $130,000 was attributed to that 22 minute film and at some point you have to ask, If donor funds are being stuffed away in hidden accounts? Could it be as simple as adding 46% to each cost? Does a Captains chair cost $2,000 or $920 dollars?
It's going to take someone greater than I to boil down to the truth.
And, that's why we have Judge Klausner. We can only speculate. He'll be the arbiter of truth.
 
OT, but what the hey....the references to the Dr. Seuss estate caused me to think of this: my "day job" is at a big box home improvement retailer. The chosen Christmas motiff this year is "How the Grinch Stole Christmas" with a likeness of the green slimebucket right behind the check out lines, pictures of Whovians holding hands around the Christmas tree and body outlines with the faces cut out so you can have your family portrait taken as Whovians. Now setting aside the obvious IP infringement (I imagine my store is a one-off and not likely to come to the attention of the Seuss estate and it's aggressive lawyers) just how tone-deaf is it to use what may be the most powerful screed against the commecialization of Christmas in American literature as decoration for a retailer with over 2000 stores that put up Christmas stuff before Halloween? Anyway, back to our regularly scheduled program...
 
The outline I offered provides a high level starting point, and isolates an unexplained balance.
If they said X, I would take it as Y:
X: "The investment group payment for the studio was 250k and it went to Axanar."
Y: "Ok, 150k of the million is a misstatement of the amount they were going to give.
Am working on using/adapting this in my own conversations. I'm noticing it may be a bit of a learning curve for me. Meaculpa. I keep returning to trying to understand how we 'got' here. For me it may be I'm needing to see the picture? Before I can have/feel confidence in entering into an effective high level conversation? Workin' on it.
 
Am working on using/adapting this in my own conversations. I'm noticing it may be a bit of a learning curve for me. Meaculpa. I keep returning to trying to understand how we 'got' here. For me it may be I'm needing to see the picture? Before I can have/feel confidence in entering into an effective high level conversation? Workin' on it.

To me its becoming simple, in spite of taking lots of words around it:

1. CBS says you raised 1.5 million, you should have about a million left after the info you've shared.
2. Where is it?
3. If you spent it, will we find it essentially all has gone to build up Industry Studios?

The rest is interesting but not, I think, central.
 
So if I'm understanding this correctly; through Kickstarter, etc., there has been about $1.5 million raised. Plus the alleged $150K Alec contributed plus an estimated $200K from donor store, conventions, etc and the $400K from the secret investors for a total of $ 2.25 million. Or, is the total $ 1.5 million including Alecs donation, the $ 400K and the $200K?
 
Either way, there should be money left because they didn't do anything\much for the past year with the money in regards to the movie...
So if the money is gone, what did he\they spend it on?!?
That's the, literal, million dollar question...
 
So if I'm understanding this correctly; through Kickstarter, etc., there has been about $1.5 million raised. Plus the alleged $150K Alec contributed plus an estimated $200K from donor store, conventions, etc and the $400K from the secret investors for a total of $ 2.25 million. Or, is the total $ 1.5 million including Alecs donation, the $ 400K and the $200K?

The 1.5 million is what CBS cited in their filing.

I am assuming for the sake of argument that CBS' assessment filed in 11/16 probably includes any money raised from sales up to sometime recently, since they are arguing revenue came from sales as well as donations, so they'd have to assess it somehow (the "over 1.5 million" language however leaves wiggle room for what they haven't totaled up yet). No way to know whether any money collected at conventions etc is in their tally; but if Axanar put it on their Quicken notes, then the studios have that info too. But give that all as part of the 1.5 million, for the sake of getting a ballpark estimate of the big picture, even though it could be more.

My original outline (see below) cited the 1.5 million less the costs quoted by Axanar Productions for work spending donations up to the end of 2015.

It points out a ballpark gap in the publicly explained cashflow which is about a million.

Now, Axanar did say that their studio buildout would likely get up into the range of 400k before they finished. But they sold off the asset, so one wouldn't expect Axanar funds to be doing any further infrastructure work, that should be in the hands of the investors.

Of course, there could be legit expenses. They probably paid some sort of tax on the donation money raised as corporate income, but then again, they might have written it all off against the studio costs not showing a profit.

Alec paying the rent as part of his reimbursement process is essentially donor money spent on rent, so that would be expected anyway and doesn't signal anything to me about what cash is or is not present. He is just painting it as some great sacrifice on his part. Terry was told Axanar is out of money, but I am not sure what that means, coming from someone who signs a document saying Vulcans are not proveably Trek.

here is my outline again:

--------------
money that should have been around for 2016 expenses:

400k (what Alec said the investor group kicked in to take over the studio asset; the claimed studio buildout cost is subtracted below in the 641k for Axanar)
150k - what alec says he has put into the project this year
731k (1.5 million C/P say was raised from crowdfunding (and merchandising?)-(128k+641k costs up to the end of 2015, per the Axanar annual report))
------
1381k

burn rate to keep the place open through 2016:
180k/year rent
50k/year guesstimate utilities, phones
120k/year guestimate salaries and perks
-------
350k

Difference:
about 1 million $
 
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Enmity: In a guest commentary, an anonymous AxaMonitor reader publicly worries about the information vacuum on Axanar’s website, dashed hopes as the lawsuit moves forward and how the Axanar controversy may have permanently riven Star Trek's fan community.
 
Enmity: In a guest commentary, an anonymous AxaMonitor reader publicly worries about the information vacuum on Axanar’s website, dashed hopes as the lawsuit moves forward and how the Axanar controversy may have permanently riven Star Trek's fan community.

This reader didn't really criticise anything at all about how Axanar has been executed, even the IP issues, except to say they sometimes experience disappointment with what they read. And they said they check Axamonitor "throughout the day".

They substituted a "biggest issue" of fans who will permanently never agree, going at each other forever in a mindless rage, and permanent damage between the studio and fans.

As if holding a critical opinion of Axanar is simply some hating which does permanent damage to the fan community, compared to their reasonable view that they are willing to hold their nose and not criticise anything as long as they get the "quality entertainment" promised.

Honestly, I cannot grasp how someone could be checking Axamonitor "throughout the day" and not even comment on any of the specific misconduct; and I also note it has been a party line of Axanar that opposing it either by fans or by the studios just does harm to Trek overall. Not that one couldn't step back and make this observation validly and independently, yes some damage may be done from the event depending how you weigh things; but the absence of any critical reflection at all on Axanar itself leaves me wondering. But there's a thousand takes out there, I imagine.

I also didn't pick up on where they said, as the intro said, they are afraid to speak out. Did I miss that? I don't really care how Axacamp characterizes anything on your site, but it seemed a bit unclear to me so maybe its something to edit.
 
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Enmity: In a guest commentary, an anonymous AxaMonitor reader publicly worries about the information vacuum on Axanar’s website, dashed hopes as the lawsuit moves forward and how the Axanar controversy may have permanently riven Star Trek's fan community.
Please let your guest commentator know that the Star Trek fan film community is alive and well. We will weather this storm and continue to keep the spirit of Gene's vision around for all to enjoy.
 
The 1.5 million is what CBS cited in their filing.

I am assuming for the sake of argument that CBS' assessment filed in 11/16 probably includes any money raised from sales up to sometime recently, since they are arguing revenue came from sales as well as donations, so they'd have to assess it somehow (the "over 1.5 million" language however leaves wiggle room for what they haven't totaled up yet). No way to know whether any money collected at conventions etc is in their tally; but if Axanar put it on their Quicken notes, then the studios have that info too. But give that all as part of the 1.5 million, for the sake of getting a ballpark estimate of the big picture, even though it could be more.

My original outline (see below) cited the 1.5 million less the costs quoted by Axanar Productions for work spending donations up to the end of 2015.

It points out a ballpark gap in the publicly explained cashflow which is about a million.

Now, Axanar did say that their studio buildout would likely get up into the range of 400k before they finished. But they sold off the asset, so one wouldn't expect Axanar funds to be doing any further infrastructure work, that should be in the hands of the investors.

Of course, there could be legit expenses. They probably paid some sort of tax on the donation money raised as corporate income, but then again, they might have written it all off against the studio costs not showing a profit.

Alec paying the rent as part of his reimbursement process is essentially donor money spent on rent, so that would be expected anyway and doesn't signal anything to me about what cash is or is not present. He is just painting it as some great sacrifice on his part. Terry was told Axanar is out of money, but I am not sure what that means, coming from someone who signs a document saying Vulcans are not proveably Trek.

here is my outline again:

--------------
money that should have been around for 2016 expenses:

400k (what Alec said the investor group kicked in to take over the studio asset; the claimed studio buildout cost is subtracted below in the 641k for Axanar)
150k - what alec says he has put into the project this year
731k (1.5 million C/P say was raised from crowdfunding (and merchandising?)-(128k+641k costs up to the end of 2015, per the Axanar annual report))
------
1381k

burn rate to keep the place open through 2016:
180k/year rent
50k/year guesstimate utilities, phones
120k/year guestimate salaries and perks
-------
350k

Difference:
about 1 million $
I think you may be making too many assumptions. There's so many murky details: For example, the $1.5 million that CBS cites in its motions has an unknown provenance.

Here's what we do know, based on public data from Kickstarter and Indiegogo: As of January 2016 when Axanar's Indiegogo campaign was abruptly terminated, Axanar had raised a total of $1.2 million to produce its feature film.

Here's what we don't know:
  • How much did Axanar spend between July 2015 (the end of the reporting period in the annual report) and now? We can calculate the known rent payments at $12,000 x 15 months (thru October 2016). The other $3,000 in monthly expenses is claimed by Peters and Axanar spokesman Mike Bawden but we really have no confirmation of what those additional monthly expenses encompass (other than an unknown monthly obligation to pay utilities).
  • How does CBS get to $1.5 million in total income? Did it come from:
    • The supposed $400,000 asset transfer from Axanar Productions Inc. to the for-profit Industry Studios entity supposedly managing the commercial studio? We have no confirmation this transfer ever happened. The claim that Axanar is out of money indicates it may well have never happened.
    • The undisclosed income that came from Axanar's non-crowdfunding revenue streams (e.g., direct donations, licensing, merchandise sales through the Donor Store, "retroactive donations"—actually Blu-ray/DVD sales of 'Prelude'—convention donations and merchandise)? This amount has been variously estimated in the $200,000 range but we have no confirmation.
  • How much did it cost to complete the work required to open Industry Studios for business? We know by his own admission that the costs went far beyond what Peters estimated in the Kickstarter campaign. We know something about the scope of work (from this September article in the Santa Clarita Valley Business Journal) but ultimately the cost remains unknown.
  • Is Axanar really out of money? Peters claimed that in May to former CTO Terry McIntosh, and Peters' statement last week after the summary judgment motions were filed implied it, given that he says he's been paying the rent since May.
While we certainly can estimate fixed costs (essentially, $15,000/month), everything else is a big blank until Axanar's financial records become public (against the planned efforts of Peters' attorneys).

So is a lot of its money unaccounted for? Certainly, but accurate estimates will prove fruitless without access to the records that CBS/Paramount have. The plaintiffs' motions have focused just on the inappropriateness of Peters' personal expenses but have sidestepped questions about what the rest of the money was spent on. Those answers may not come until the trial, if ever, depending on how the plaintiffs choose to build their case.
 
Enmity: In a guest commentary, an anonymous AxaMonitor reader publicly worries about the information vacuum on Axanar’s website
Are you sure? I didn't read it that she/he was worried about the information vacuum there. I'm pretty sure the note just mentions not reading much outside of the vacuum there other than fff and AxaMonitor. I didn't read a voicing of dread of speaking out because of fear of repercussions. Maybe a paragraph of it or something got left out when uploading it?

The writer does seem worried about the fan community though. And mentions disappointment in the incomplete perks received so far.

"but every day brings either new hope, new disappointment, or both."

It was a heartfelt very human piece.
 
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Blogging Pro Tip: You can always create a page on WordPress for Past Clients and leave it in draft mode until you actually have something to put in there.

PS Analysis of Plaintiff's Partial S/J motion is up:
http://www.semanticshenanigans.com/axanar-plaintiffs-summary-judgment-motion/

Thank you, as always, for your kind support. Defense motion analysis blog post will be up later this week; it depends a bit on when my partner can get the blog about our most recent show up.
 
I think you may be making too many assumptions. There's so many murky details: For example, the $1.5 million that CBS cites in its motions has an unknown provenance.

I contend that reducing the thing to a few high level numbers of income and expense, one can see how big is the gap of accountability, even if some of it is murky.

Here's what we do know, based on public data from Kickstarter and Indiegogo: As of January 2016 when Axanar's Indiegogo campaign was abruptly terminated, Axanar had raised a total of $1.2 million to produce its feature film.

Ok.

Here's what we don't know:
How much did Axanar spend between July 2015 (the end of the reporting period in the annual report) and now? We can calculate the known rent payments at $12,000 x 15 months (thru October 2016). The other $3,000 in monthly expenses is claimed by Peters and Axanar spokesman Mike Bawden but we really have no confirmation of what those additional monthly expenses encompass (other than an unknown monthly obligation to pay utilities).

The latter half of 2016 could have been a big sink of expenses. I'm not disagreeing, I'm not speculating when the money was spent or whether it was spent.

Did the report end at end of 3d quarter, or end of 2nd quarter? The two dates are both cited above.

  • How does CBS get to $1.5 million in total income? Did it come from:
    • The supposed $400,000 asset transfer from Axanar Productions Inc. to the for-profit Industry Studios entity supposedly managing the commercial studio? We have no confirmation this transfer ever happened. The claim that Axanar is out of money indicates it may well have never happened.
    • The undisclosed income that came from Axanar's non-crowdfunding revenue streams (e.g., direct donations, licensing, merchandise sales through the Donor Store, "retroactive donations"—actually Blu-ray/DVD sales of 'Prelude'—convention donations and merchandise)? This amount has been variously estimated in the $200,000 range but we have no confirmation.
Suppose as an alternate view where you have to take the items separately:
1.2 million crowdfunding
400k studio sale
150k Alec reimbursing Axanar
200k [speculated] revenues from model sales and supplemental fundraising
--------
1.950 million to spend

My CBS model is 1.5 million+400k+150k = 2.050, or 100k more. Not that far apart.

It didnt seem reasonable to me that CBS would try to incude the 400k and the 150k in their damages claim, because these would be in large part double-counting the donor money. But I could be wrong.

How much did it cost to complete the work required to open Industry Studios for business? We know by his own admission that the costs went far beyond what Peters estimated in the Kickstarter campaign. We know something about the scope of work (from this September article in the Santa Clarita Valley Business Journal) but ultimately the cost remains unknown.

I did speculate a bit upstream that maybe the donor money has for all practical purposes, once you subtract out all Prelude and Axanar movie-specific costs reported, gone in great majority to Industry Studios (rent, utilities, salaries, fees, physical buildout). What you say tends to support that more than contradict it.

My budget outline itself doesn't try to speculate where it went. I just try to point out there is a measurable hole in accountability.

  • Is Axanar really out of money? Peters claimed that in May to former CTO Terry McIntosh, and Peters' statement last week after the summary judgment motions were filed implied it, given that he says he's been paying the rent since May.

Agreed, we don't know. This was my assessment upstream too. But I don't see how that affects a high level look at the cashflow, and a posing of the question "where is it?".

While we certainly can estimate fixed costs (essentially, $15,000/month), everything else is a big blank until Axanar's financial records become public (against the planned efforts of Peters' attorneys).

I made my own estimate of monthly costs, and your estimate is about a third tighter than mine.

So is a lot of its money unaccounted for? Certainly, but accurate estimates will prove fruitless without access to the records that CBS/Paramount have. The plaintiffs' motions have focused just on the inappropriateness of Peters' personal expenses but have sidestepped questions about what the rest of the money was spent on. Those answers may not come until the trial, if ever, depending on how the plaintiffs choose to build their case.

To me the question is whether it is reasonable to say "the numbers offered up to now don't add up at all, where did it all go", even acknowledging that there is softness around whether CBS figured the 400k and 150k in.

Maybe the part of 2015 you point out isn't covered in the 2015 Annual Report is part of it.

Whether or not the unaccounted money is a half million or a million, I think the key point is there is a big hunk of money not accounted for, and ask, do you have it or did you spend it? If you spent it, what did you spend it on?
 
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