Fear Itself
James Swallow makes so much of this tie-in writing thing look easy. The escalation of conflicts, the lack of any need for a B-plot, the introduction of the theme and denouement of the piece in bookending sequences in Saru’s quarters (one where he fights of a holographic attacker, one where he disengages that protocol and engages with Burnham instead), the clockwork changing of the situation so one particular conflict never grows stale… This is textbook tie-in fiction, building on characters in ways we wouldn’t see on screen, connecting to past canon (great use of Peliar species), and wrapping it all in a perfectly paced tale of escalation of both physical and emotional stakes. The first quarter or so, in particular, is effectively flawless. I found the mounting tension as Saru discovers the Gorlans and then can’t keep himself from investigating further utterly enthralling, featuring surprising but believable turns of character and a great mystery partially fueled by the UT not working.
After that, I do think things become a bit more by the numbers. Once the hijacking happens, the UT starts working and some of the sense of mystery in the story is lost. There are a lot of characters just acting really aggressive and dumb for a solid part of the middle of the story, not even in their own best interests, just in prejudicial and irritating ways. And sure plenty of people in real life behave that way, but it isn’t as interesting a conflict as something a bit more carefully considered, where the different interests are genuine but incompatible. We, for instance, lost the ability to have a more complex discussion of immigration and self-determination when the planet was completely barren (instead of, say, a bit disappointing) and the Peliar admiral didn’t care about them at all and just wanted them to die. Just friction then for Saru to deal with. It's also true that there's tension the whole time about Saru defying orders, but in the end, by contrast with said craven stupidity, Saru does universally rather well. That leeches some tension out of the final moments – we know that Georgiou should basically be all compliments. If Saru hadn’t been there, this colony would’ve been dropped in an impossible place and been screwed. So I do think there is a slightly better story here, one with a bit more mystery, difficulty communicating, and subtlety; as it stands, it reads well and has a nice moral but doesn’t quite feel entirely genuine.
That all said, for my money it's absolutely the best of the Disco tie-ins so far by virtue of Saru’s outstanding characterization and the telling of a story that feels paced well and built properly. And man, that first quarter is just stunning. Saru getting to the cargo bays and seeing the refugees inside, the scale and mystery of it was as intensely fascinating as anything I've ever seen in a Trek book. That the later answers weren't as subtle as I'd hoped and came a bit too soon is unfortunate but not exactly unsatisfying; this book still makes good on all of its promises, and wraps the narrative in a powerful theme. The worst thing I can say about this is that it is absolutely what you'd expect from tie-in fiction; I wasn't surprised much in how things turned out, but I was satisfied.
Next up: The Way to the Stars. I love Una McCormack; I love Tilly; I can't imagine this will be anything other than an absolute joy.
James Swallow makes so much of this tie-in writing thing look easy. The escalation of conflicts, the lack of any need for a B-plot, the introduction of the theme and denouement of the piece in bookending sequences in Saru’s quarters (one where he fights of a holographic attacker, one where he disengages that protocol and engages with Burnham instead), the clockwork changing of the situation so one particular conflict never grows stale… This is textbook tie-in fiction, building on characters in ways we wouldn’t see on screen, connecting to past canon (great use of Peliar species), and wrapping it all in a perfectly paced tale of escalation of both physical and emotional stakes. The first quarter or so, in particular, is effectively flawless. I found the mounting tension as Saru discovers the Gorlans and then can’t keep himself from investigating further utterly enthralling, featuring surprising but believable turns of character and a great mystery partially fueled by the UT not working.
After that, I do think things become a bit more by the numbers. Once the hijacking happens, the UT starts working and some of the sense of mystery in the story is lost. There are a lot of characters just acting really aggressive and dumb for a solid part of the middle of the story, not even in their own best interests, just in prejudicial and irritating ways. And sure plenty of people in real life behave that way, but it isn’t as interesting a conflict as something a bit more carefully considered, where the different interests are genuine but incompatible. We, for instance, lost the ability to have a more complex discussion of immigration and self-determination when the planet was completely barren (instead of, say, a bit disappointing) and the Peliar admiral didn’t care about them at all and just wanted them to die. Just friction then for Saru to deal with. It's also true that there's tension the whole time about Saru defying orders, but in the end, by contrast with said craven stupidity, Saru does universally rather well. That leeches some tension out of the final moments – we know that Georgiou should basically be all compliments. If Saru hadn’t been there, this colony would’ve been dropped in an impossible place and been screwed. So I do think there is a slightly better story here, one with a bit more mystery, difficulty communicating, and subtlety; as it stands, it reads well and has a nice moral but doesn’t quite feel entirely genuine.
That all said, for my money it's absolutely the best of the Disco tie-ins so far by virtue of Saru’s outstanding characterization and the telling of a story that feels paced well and built properly. And man, that first quarter is just stunning. Saru getting to the cargo bays and seeing the refugees inside, the scale and mystery of it was as intensely fascinating as anything I've ever seen in a Trek book. That the later answers weren't as subtle as I'd hoped and came a bit too soon is unfortunate but not exactly unsatisfying; this book still makes good on all of its promises, and wraps the narrative in a powerful theme. The worst thing I can say about this is that it is absolutely what you'd expect from tie-in fiction; I wasn't surprised much in how things turned out, but I was satisfied.
Next up: The Way to the Stars. I love Una McCormack; I love Tilly; I can't imagine this will be anything other than an absolute joy.