Not bad overall, but I hate stories about vast, overarching, all-powerful conspiracies. They're crap. In reality, the larger a conspiracy gets, the more impossible it is to keep it secret, because there are just too many ways for it to be compromised or exposed. So huge, untouchable, entrenched conspiracies are about as believable as UFO abductions. Not to mention that conspiracy/paranoia-based stories are so damn predictable and formulaic, which makes them boring to me.
And could they have made it any more formulaic in that climactic scene with the mayor's aide in the interrogation room? "All right, I'll tell you. The name of the person I called, which I am about to tell you, is the name I'm about to reveal, which is -- are you listening? Good, because I'll tell you now that the name, which is the name of the person I called, I mean, is...." The only difference from the usual stilted cliche is that he was silenced by a lawyer instead of a gunshot. Sheesh.
That was a good scene with Captain Gates, though. Except that the way she pushed Beckett to move on and erase the crime board at the end there made me wonder (damn, now they've got me doing it) if she could be secretly part of the Vast Evil Conspiracy. I mean, she wants Castle out of the way and so do the conspirators. Although I guess we already had the previous captain turn out to be part of the VEC, however grudgingly, so that would be repetitive. But then, as I just said, the problem with conspiracy stories is that they're formulaic, that every trusted authority figure turns out to be in on it. So the question is, just how much are they embracing the cliches?
There HAS to be a better ship contraction than Caskett!
I vote for no contraction at all.