The CE3K soundtrack LP came with, as I recall, a 7-inch one-sided single of a disco version. Evidently, after "Star Wars and Other Intergalactic Funk," John Williams (or the soundtrack record producer) wanted to beat Domenico "Meco" Monardo to the punch.Oh, it was pretty common back then for movie soundtrack albums to include pop-song arrangements of the movie themes, to be marketed as singles and played on radio stations.
The CE3K soundtrack LP came with, as I recall, a 7-inch one-sided single of a disco version. Evidently, after "Star Wars and Other Intergalactic Funk," John Williams (or the soundtrack record producer) wanted to beat Domenico "Meco" Monardo to the punch.
Yes! Shaun Cassady – “A Star Beyond Time”(Wasn't there a pop or disco version of "Ilia's Theme" done for ST:TMP?)
As do I. As a rule, although I've never been a "vinyl snob" (and I consider it the height of hypocrisy to pay a premium for vinyl, claiming it's better than CD, and then rip it to MP3 and never actually listen to the LP again) neither have I ever been in any particular hurry to buy CDs to replace LPs that are in perfectly playable condition.I think I had that.
I had no ideaYes! Shaun Cassady – “A Star Beyond Time”
Super kitschy, but actually not all that bad …
Yep. Maureen McGovern had a hit with “Can You Read My Mind?” shortly after the film was released.Seems to me there was also a pop music version of Lois Lane's "Can You Read My Mind?" monologue in Superman: The Movie, back in 1979.
Precisely. It's all in John Williams: A Composer's Life.It's because Margot Kidder couldn't sing.
It's because Margot Kidder couldn't sing.
What’s the story here? An attempt to get a pop hit out of the ST III soundtrack? I admire the audacity, even if it sounds kind of like Temu Jean Michel Jarre to my ears.
What are your thoughts on it? Love? Hate?
What @Christopher said, adding in how other franchises did it as well, like this one:
♪ When in doubt, repackage it out ♫
GAAAAAAAAAAAAAAAAH, there's 80s and then they're making the 80s feel forced. That's forced. Granted, there's that other gem of a retooled song, which is this:
Yup, it's so (much of its time) that it's worth mentioning twice. And you wouldn't believe where else it's been!
is that the track that was playing the background of the Bar where Mccoy tries to hire a smuggler to go back to genesis?
What’s the story here? An attempt to get a pop hit out of the ST III soundtrack? I admire the audacity, even if it sounds kind of like Temu Jean Michel Jarre to my ears.
What are your thoughts on it? Love? Hate?
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