Yep.It wasn't that. The "parallel planetary development" idea was built into the pitch for the series as a whole, so that they could do budget-light episodes which used existing costumes / props / sets / back lot settings already owned by the studio, freeing up funds to produce other stories for which new costumes would need to be designed and made / new props and models would need to be designed and built / new sets would need to be constructed / new special effects would need to be designed and produced.
All of those things had to be paid for, so it became a basic financial balancing act for a generally effects-heavy TV show: If more than the average amount had to be spent to produce this episode, there necessarily had to be another episode (or episodes) which would cost a corresponding amount less than the average to produce.
Wouldn't dream of it.And don't even get me started on Planet Nazi...
Not to mention Kirk later saying, "They threw me a few curves" to McCoy, when describing his evening.
Well, that was just a comment on Drusilla's figure. Ah Gene, you scamp.
I kept waiting for TOS to do a disco planet/parallel planet episode, but alas that was before that dance craze came and went.
The subtext is quite clear: Kirk and Drusilla had sex.
There's the lamp going down, a very common trope to indicate that sex has occurred, and right after their kiss, at that [https://tos.trekcore.com/hd/thumbnails.php?album=55&page=40]. There is Claudius's statement that it happened ("Because you are a man, I gave you some last hours as a man.") [http://www.chakoteya.net/StarTrek/43.htm].
I grant that subtext isn't the text. And, even the text itself is quite often open to debate as a representation of what happens in-universe.You must grant that the subtext is what you think happened, not what you know. And I say the subtext is purposely misleading:
https://www.trekbbs.com/threads/bread-and-croutons.307822/#post-13757571
I think it's pretty clear the Captain got some action in "Bread and Circuses" just like he did in "Wink of an Eye".
I grant that subtext isn't the text. And, even the text itself is quite often open to debate as a representation of what happens in-universe.
But I'm curious: what is the reason that you think in this case the subtext would be "purposely misleading?" We know the reason why subjects such as sex would not have been referenced directly on American network television of the 1960s, especially when questionable morality was involved. It was because it was considered indecent to portray it at all, in contrast to murder and violence. So, only indirect references could be made, and the less direct, the better. But in this case, what function would it have had to imply that something happens when it "really" doesn't? After having gone to the trouble to mislead us, why is there no reveal that things happened otherwise?
Better than the writers intended? Yeah, that answers my questions. Thanks.But we can fill in the blanks with a more realistic Kirk, a fleshed-out human being who's a little better than the writers even intended.
A Piece of the Action has got to be my least favorite episode of the entire run.
The problem with The Omega Glory is that without the "plot twist" there is no story.
Patterns of Force really just feels like a "use these costumes" story, not a tale dying to be told.
Miri: oy. Drop the "another Earth" entirely, make it a lost Earth colony, just recolor the standard planet model and you've got me sold.
Tomorrow is Yesterday is an "actual Earth" story, as are City on the Edge of Forever, Assignment Earth and arguably Spectre of the Gun. These aren't societies which are "like Earth." They are Earth (or an illusion of same). So, yeah, I exclude them.
A Piece of the Action has got to be my least favorite episode of the entire run.
I don't know about that. I guess I'll disagree, actually. The idea that it's not possible to be a benevolent Nazi is both pertinent today, and also evidently not everyone considers the idea obvious.Patterns of Force really just feels like a "use these costumes" story, not a tale dying to be told. The series was kind of losing creative steam here.
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