They're not mutually exclusive.
The whole reason for the quote function is to, y'know, quote something, so others who read your post won't have to scroll up to see what the heck you're talking about.
I cared about the show, and I enjoyed ANIS too. I enjoyed all of them, for one reason or another.They're not mutually exclusive.
And ANIS is a fun episode.
They don't have to scroll, it's enough to just click on that blue arrow icon next to the user name...The whole reason for the quote function is to, y'know, quote something, so others who read your post won't have to scroll up to see what the heck you're talking about.
Is this, like, an advertisement or something?And just for the record, I haven't been snipped yet. I am fully functional.
And just for the record, I haven't been snipped yet. I am fully functional.
That's a fine sentiment as long as the "artists" are more imaginative and talented than the average suit. Bryan Fuller vs. the ABC philistines who cancelled Pushing Daisies or Josh Whedon vs FOX, sure, I'll side with the artists. In the case of UPN vs B&B, I don't see any reason to take sides.I always believed studios should let the artists do their damn jobs without interference.... in that the artist should present their idea for a show, if they don't like it, tell them no.... otherwise, sign them up and let them have their freedom of creativity to make the show they already planned before the meeting.
The stories don't belong to the "artists," they belong to the suits. The "artists" can go write their own original series without the big brand name, and then they'll see how far that gets them. The big brand name is by far the single most valuable thing Star Trek has going for it.Same goes for the creators/artists of the story/show..... the moment it looks like others are meddling in your creation, pull out and take your ideas and stories with you.
The West Wing was a "talk talk talk" show, with only a few scenes of violence in the whole seven seasons, and it was one of the most critically acclaimed and highest-rated shows of its time.Think about it..... there's no active starship, it's still being worked on..... thus very little alien contact or conflict and it'd all just revolve around talk talk talk..... which I thought was what many complained TNG did too much of.
Yes, JMS was the kind of writer who was good at that sort of thing. (The ratings sucked anyway.)Didn't Babylon 5 do internal politics episodes as well to give a good understanding of how the Earth government was run? It worked there.
Okay fine. Writers at the same level of talent as the DS9 writers. Same difference. But it wouldn't matter whether they had done Trek or not. It wasn't creative burnout - Berman and Braga simply never wrote at the level of the DS9 writers. I don't think they were capable of it. They certainly never demonstrated the kind of nuanced, sophisticated, arc-based writing that you'd need if you were shooting for West Wing in Space.And this talk about "You need DS9 writers" is bunk, really. They just needed a new writing staff, some new blood and creativity who hadn't done Trek before. Berman WANTED to hire a wholly new staff and I say it would've worked.
And to defend the suits, I've heard of cases (not many, but some) where they improved a show. Some exec came up with the idea of keeping Sylar mysterious and faceless for several episodes on Heroes, to build up dramatic tension. Good call. The ABC philistines should get credit for having the sense to stay out of the Lost writers' way.
Yes, JMS was the kind of writer who was good at that sort of thing. (The ratings sucked anyway.)Didn't Babylon 5 do internal politics episodes as well to give a good understanding of how the Earth government was run? It worked there.
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Okay fine. Writers at the same level of talent as the DS9 writers.
Same difference. But it wouldn't matter whether they had done Trek or not. It wasn't creative burnout
Right after ENT, Braga worked on Threshold for CBS. It probably wouldn't have done him any favors around the office if he'd blamed the suits for kneecapping ENT just to try to clear his name with the comparatively small online Trek community. Indeed, it's often the case that people become more honest about such things as time goes by, so I don't see anything fishy about it.
“It was actually set on Earth for a while – the building of the first starship.... We wanted to do the launch of the first starship and take it maybe a little bit more retro."
*gasp* A prequel series, going retro?!![]()
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