Ending on a pre-planned high note rather than running a show until it starts to wane can apply to an episodic show with soft arcs just as it can to a more heavily arc-based show.
But that doesn't make it any less foolish to assume that
has to be at 65 episodes every single damn time. There's just no logic to that. It should be when the creators feel the time is right, not just when some arbitrary number is reached. And given how many shows have thrived for far longer than that, I'd say it's rather strange to assume that any creators would run out of steam after a paltry 65 episodes.
... but I go into an animated show expecting it'll run for a maximum of 65 episodes so I'm just glad it had a good, successful run and reached that number.
Maybe it's a generational thing. In the '80s, it was commonplace for animated shows to have hundreds of episodes.
He-Man had 130 episodes.
She-Ra had 93.
The Real Ghostbusters in its various forms had 147.
The Transformers had 98.
Robotech had 85.
Teenage Mutant Ninja Turtles had
193. If you're satisfied with 65, maybe you've just been raised with low expectations and don't know what you're missing.
There are of course economic considerations as well, and that's primarily what drives ending shows after 65 episodes. In the animated TV marketplace these days there are substantially diminishing returns in running a show for longer than 65 episodes.
Listen to me carefully.
I know that it is because of the conditions of the marketplace. I am not ignorant of that. I am saying that
I think it is wrong. I am aware of how it is, but I am arguing that it should not be that way. So stop lecturing me as if I'm some moron who can't get the reality of the situation through his head. There's a huge difference between being ignorant of a situation and
protesting a situation. I am doing the latter. Do you comprehend that now?
The DCAU was a great achievement, but Warner Animation has been running every DC show since the DCAU ended as a standalone.
Again -- DUH. Stop telling me what I already know. I'm fully aware of the situation, but I
disagree with the approach.
There's something to be said for that approach in terms of keeping things fresh and trying out new approaches.
Why can't you understand the simple point I'm making here? Keeping things fresh and trying out new approaches is good,
if it comes from creative need and preference. Cutting every show off at exactly 65 episodes, like Procrustes cutting his guests' feet off if they were too tall for his bed, is not good creative decision-making. The arguments you're making
would be valid if they weren't being applied to the policy of making
a single specific number the obligatory cutoff point every single time. It's just bizarre to think that every show needs to end at the same number of episodes. That's a decision made for arbitrary business reasons, and for you to try to argue that there's some kind of valid creative motivation behind it is nonsensical. Creativity is not something you can program with precise numerical values.
Saying "shows should end before they burn out" or "shows should end when the creators are ready to move on" is valid. But saying "shows should end at 65 episodes" is a completely different, unrelated argument, and one that's wholly and utterly incompatible with those other arguments. You're trying to lump two completely contradictory ideas together as if they were the same thing.