Such a sad case. You have two modes: the immature flaming nonsense as you do here, and in other forums, and the other, where you scream that you have made some point, which would not require
you return post after post, day after day to argue (or defend) if you actually had solid ground to stand on.
Defending anything too much is (usually) the evidence of an indefensible position.
Its your business if you want to support a weak plot device, but you're not convincing anyone that the film's choices to get to A4 were motivated by continuity of character that stands on the polar opposite of film examples presented (which you typically ignore).
Continue abusing your moderator position by flaming and making baseless accusations--its what you do, and endless examples are easy to find on this board. When you cannot force your often hollow arguments on any number of subjects or ideology (about anything) on others, you attack, then pretend you were simply having some sort of conversation. There is no conversation with you, as you are so shaking with--frankly disturbing--levels of rage and desperation in trying to force your myopic, "my way or no way" views on others. The moment your opinion is rejected/dismissed (all for legitimate reasons), in comes the lies and flames, as seen in this thread.
Grow up. Its a movie, not real life. That brand of keyboard warrior crap stopped being in fashion ages ago, but I'm sure you will continue be as abusive as ever.
...and that's the problem with Thor in the final minutes of
Infinity War: he was already presented as a man knowing that in the protection of those he cares about, absolute lethal force is necessary. As mentioned days ago, his actions in the New York battle from
The Avengers was Thor doing what was necessary against the doomsday threat posed by the Chitauri; Erik Selvig's life was in danger--that was on Thor's mind from the second Selvig's compromised mind was revealed to him Thor was emotionally invested in the fight--he had
someone to lose, so he could not--and would not pull back or halfass his duty. Character continuity has to inform every appearance going forward, and if it did not at any point after
The Avengers, then that's a failure on the part of the writers--which is clear in the final moments with Thanos, where once again, Thor was facing a doomsday threat--only its potential (now) made the Chitauri seem like playing softball in the park by comparison. No other character--as developed--would have shared the same level of understanding about the infinity stone threat, but stop short of the lethal blow...unless the plot needed them to suddenly
act out of character for the purposes of a sequel.
Its the equivalent of your random, experienced movie vampire hunter (in the last minutes of the film) hammering the stake into the vampire's chest
stopping short of piercing the heart to have some final word, when the known threat--if having even a moment of opportunity--will take it...and he does by slapping the stake away, knocking the hunter across the room, and making his escape. That would be weak plotting effectively making the hero look like an idiot, instead of the writers just creating a believable conflict which prevented victory.
That's the Thor situation, and its a poor way to move to a sequel.