Imagine if Cameron does this AND manages to write a decent script? Now that would be good.
[Correct me if I am wrong, but is the lack of blur in moving objects one of the reasons why CGI can look fake? Isn't having a bit of a blur needed for realism?
Imagine if Cameron does this AND manages to write a decent script?
(Now - cue someone with a list of plot points they find illogical about the film, demonstrating no understanding of what a story is as distinct from plotting).
Ah, fuck your smug self-satisfaction. Avatar's characters were dull and lifeless, especially Jakesully. I paid my $16 just like everyone else and walked out of the theater entirely bored by them. I'm glad Cameron's hard work neted him a squillion dollars, but don't think that just because people paid to see the film they were as enamored of its every aspect as you were.
On second thought, Col. Quaritch was kind of interesting, I guess. But that's because Stephen Lang is awesome.
Proof positive of what I've been saying since Avatar: Current 3D tech is inadequate and gimmicky. As currently presented, it has the potential to pull audiences out of the story. Let's hope the upgraded approach produces noticeably more realistic results.He said that Avatar 2 would be shot at 48 or 60 frames a second to reduce an effect called "strobing" that can blur moving images, particularly those in 3D.
:facepalm:
Correct me if I am wrong, but is the lack of blur in moving objects one of the reasons why CGI can look fake? Isn't having a bit of a blur needed for realism?
Twice the frame rate mean twice the shutter speed, right? Which means it'll look like shit. In my opinion of course. Didn't I read an article about that strobe effect from Saving Private Ryan that no one really likes because it's already way too over used just a few days ago?
http://www.youtube.com/watch?v=SpPnfEME02A
I hate it personally.
And doubtless when he succeeds again there will be legions of people complaining on the Internet that it gives them headaches and takes them out of the movie. C'est la guerre.![]()
And doubtless when he succeeds again there will be legions of people complaining on the Internet that it gives them headaches and takes them out of the movie. C'est la guerre.![]()
So what is it about technology that turns people into pricks when they encounter someone who points out legitimate flaws and shortcomings about their new favorite toy?
(Warning from mods expected and accepted without argument.)
If Cameron has developed a way for 3-D to not look like shit, then more power to him. And maybe this is the next step to removing the glasses from the equation in a theatrical setting. But no one has made (and in my opinion can make) a case for 3-D being NECESSARY for telling a story. It can be done with sound, and color, and even to a degree high-resolution imagery. But no one can come up with a legitimate reason why 3-D is necessary to tell the story of The Great Gatsby, for example, except as a gimmick to sell tickets and an excuse to bump prices. And sell 3-D TVs to those who leap before they look, of course.
Alex
Wait, since when is color and high resolution in any way necessary for telling a story?
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