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Aspiring writers?

Nerdius Maximus

Fleet Captain
Fleet Captain
Are there any in our midst? I'm not referring to fanfic, but to an actual Star Trek Novel that you've had an agent submit for publication. Just out of curiosity.
When I was younger, I devoured every Trek book I could get my hands on. My mother worked at a bookstore, and she'd always bring me big paper bags full of ST novels with the covers ripped off(The ones that are supposed to be destroyed), so I pretty much had my pick of any Trek book that was in print at the time.
I was constantly writing my own fan fiction(For myself and some friends, basically. The internet was a few years away at that point.) and dreaming of one day writing and publishing my very own Trek novel.
As the years rolled by, my fanatical obsession with all things Trek gradually devolved into casual interest, and I moved on to other things. In recent years, however, the hardcore trekker in me has been reawakened, and it's occurred to me that the one thing I really wanted to do as a kid was to be a Trek author, like Peter David, J.M. Dillard, Vonda N. McIntyre, etc. That was my dream, lame as it may sound to some.
Therefore, with that in mind, I've begun outlining a TOS-era novel, set sometime around the end of the second season.
Whether it gets published or not, I'll at least have the satisfaction of knowing that I tried. And I'll try again, if this attempt is unsuccessful. I'll keep trying until it happens. Wish me luck! Or you can point out any grammatical errors that might be lurking in my post and tell me I'm a shitty writer who should just hang it up. That would actually seem like a bizarre form of encouragement to me.:rommie:
 
Well, I honestly wish you the best of luck. If you're wanting to be a writer, my advice to you at this point is to write, write, and write some more. Don't talk about it, don't dream about it, do it. As for writing Trek (or pretty much any other media tie-in property or shared universe), the chances of a new writer getting such an opportunity as their first professional gig -- with rare exceptions -- are pretty slim. The more widely-traveled path is to concentrate on writing your own material, learn to finish what you start, and get a few credits under your belt before attempting to land a work-for-hire assignment.

Oh, and don't do any of the shit this guy did. Or, this guy, either. Avoid these pitfalls, and your chances go up. :techman:

Again, good hunting!
 
Well, I honestly wish you the best of luck. If you're wanting to be a writer, my advice to you at this point is to write, write, and write some more. Don't talk about it, don't dream about it, do it. As for writing Trek (or pretty much any other media tie-in property or shared universe), the chances of a new writer getting such an opportunity as their first professional gig -- with rare exceptions -- are pretty slim. The more widely-traveled path is to concentrate on writing your own material, learn to finish what you start, and get a few credits under your belt before attempting to land a work-for-hire assignment.

Oh, and don't do any of the shit this guy did. Or, this guy, either. Avoid these pitfalls, and your chances go up. :techman:

Again, good hunting!

I sincerely appreciate the advice and will take it to heart. I've actually been submitting stories to Asimov's and Analog, two publications that I read on a semi-regular basis. One rejection so far, from Asimov's, but an understandable one. In retrospect, the story contained too much of a supernatural element and would have been inappropriate for the magazine.
 
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^It's a longstanding rule in this forum to not post story ideas here. AFAIK that includes original stuff, too.
 
Dayton-thank you. I am now in trouble with my boss for visiting the BBS on company time. He'd never have known until I clicked the links on to your blog. I was laughing so hard I couldn't hide the BBS page fast enough when he came over to see what all of the noise was about.:lol:

I know from experience the world is full of idiots and fools. You seem to have found two very special ones, people who have worked hard to elevate idiocy to a new level.
 
That Lori Jareo character makes me laugh. Why would anyone want to re-imagine Episode IV?

Also, how would one go about contacting Pocket Books? I've checked their site a few months ago and didn't see any links for aspiring writers.
 
Yeah, you'd have to have quite an ego to assume that as a first-time Trek writer you can just waltz in with some kind of "special" story. I totally "get" the restrictions in the submission guidelines. They don't want to be flooded with a bunch of ill-conceived "Picard and Kirk travel back in time together together to fight the borg alongside Archer and stop 9/11 in the process" type horseshit.
The novel I want to write falls well within the guidelines. Firmly based in the TOS era, but grander in scope than the constrictions of a 1960's tv production budget would allow for.
 
Yeah, you'd have to have quite an ego to assume that as a first-time Trek writer you can just waltz in with some kind of "special" story. I totally "get" the restrictions in the submission guidelines. They don't want to be flooded with a bunch of ill-conceived "Picard and Kirk travel back in time together together to fight the borg alongside Archer and stop 9/11 in the process" type horseshit.
The novel I want to write falls well within the guidelines. Firmly based in the TOS era, but grander in scope than the constrictions of a 1960's tv production budget would allow for.

My story involved all new characters, just so I could have more creative freedom. Also, I'm only curious about how one goes about getting something submitted. There's no ego involved.
 
Yeah, you'd have to have quite an ego to assume that as a first-time Trek writer you can just waltz in with some kind of "special" story. I totally "get" the restrictions in the submission guidelines. They don't want to be flooded with a bunch of ill-conceived "Picard and Kirk travel back in time together together to fight the borg alongside Archer and stop 9/11 in the process" type horseshit.
The novel I want to write falls well within the guidelines. Firmly based in the TOS era, but grander in scope than the constrictions of a 1960's tv production budget would allow for.

My story involved all new characters, just so I could have more creative freedom. Also, I'm only curious about how one goes about getting something submitted. There's no ego involved.
I was actually referring to people like the ones described in Dayton's blog. I hadn't seen your post before I posted mine. No disrespect intended.:techman:
 
On a side note, though, you won't be able to publish a ST story using original characters as a first-time (Trek)writer.

CONTENT
We're looking for exciting science fiction stories featuring Star Trek characters established on screen, in either The Original Series, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, or Star Trek: Enterprise. Do NOT submit proposals for stories focusing on your own original characters, or characters invented for previously published novels.
 
You know it really is scary the kind of shit people pull? I really have to wonder what the hell people are thinking when they do stuff like that. Especially the first guy, I mean come on how this guy really think it's a good idea to insult the people he's wanting to work for and/or with?

It's not Trek, but I'm actually in the process of writing an outline for a originl story right now. But it's mostly something I'm doing just for fun, so I don't know if it's ever going to actually leave my computer.
 
On a side note, though, you won't be able to publish a ST story using original characters as a first-time (Trek)writer.

It can use original characters, so long as they aren't the focus of the story. You can have Kirk, Spock, McCoy and Ensign Chemise Rouge beam down to an all-new planet and interact with the all-new characters who live there, but the story has to focus on Kirk, Spock, and McCoy (and/or Scotty, Sulu, Uhura, Chekov, Chapel, etc.); it can't just shunt them off into the background and spend 250 pages detailing the tragic love affair between Ensign Rouge and Princess Diaphanous.
 
On a side note, though, you won't be able to publish a ST story using original characters as a first-time (Trek)writer.

It can use original characters, so long as they aren't the focus of the story. You can have Kirk, Spock, McCoy and Ensign Chemise Rouge beam down to an all-new planet and interact with the all-new characters who live there, but the story has to focus on Kirk, Spock, and McCoy (and/or Scotty, Sulu, Uhura, Chekov, Chapel, etc.); it can't just shunt them off into the background and spend 250 pages detailing the tragic love affair between Ensign Rouge and Princess Diaphanous.

Yeah, I phrased that poorly. What you said is actually what I meant. Thanks for clarifying that. BTW, I bought "Ex Machina" a couple years ago and sort of misplaced it. I finally got around to reading it. Great book!
 
I totally "get" the restrictions in the submission guidelines. They don't want to be flooded with a bunch of ill-conceived "Picard and Kirk travel back in time together together to fight the borg alongside Archer and stop 9/11 in the process" type horseshit.

Same here. I read the submission guidelines as a lark, because I'd heard they were VERY RESTRICTIVE(TM). Holy crap those are easy to follow. Stars of show = stars of books. No cop outs. Can't mix casts. Stick to what's been established.

I go through more, and greater complicated, steps than this when I first get ready to drive somewhere.
 
i intend to write a book, get it published, turned into a multimedia franchise and then wait for marco to beat down my door asking me to write a Trek novel.

hey, it's a plan, right?
 
i intend to write a book, get it published, turned into a multimedia franchise and then wait for marco to beat down my door asking me to write a Trek novel.

hey, it's a plan, right?
It is a plan, yes, but millions of people also have it. Can't you even come up with an original plan for World...I mean Trek Domination?
 
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