About 100,000 words hopefully. Though I might need to do some editing and add a chapter or two in here and there. I'm just hoping I don't lose interest in it like I have with the others odds and ends I've started over the years.
I've always thought this is bullshit.I have always read that you should only submit to one publisher at a time. They tend to dislike having to contend with other publishers if I remember right. Are you sure it's a good idea to send your's out to everyone at the sametime?
I've always thought this is bullshit.I have always read that you should only submit to one publisher at a time. They tend to dislike having to contend with other publishers if I remember right. Are you sure it's a good idea to send your's out to everyone at the sametime?
my understanding is that turn around on a novel usually takes several months up to a year. This is just too long. Also, it's in my best interest as a novelist to take the best deal available.
As I've been writing it, my characters have thrown some curve balls which actually work quite well, so it's a question of just making it all fit.
As I've been writing it, my characters have thrown some curve balls which actually work quite well, so it's a question of just making it all fit.
Man, I LOVE it when that happens. I wrote a two-hour TV script and it turned out three pages from the end that the best friend was actually a bad guy.
I didn't see it coming, and it was great being surprised that way.
--Ted
I didn't mean "bullshit" in the sense of it not being true, I meant "bullshit" in the sense that it shouldn't be that way. With everything else that's similar to submitting manuscripts to publishers, the one doing the submitting is under no obligation to do it one at a time. If a company told prospective employees not to send their resumes to other companies they'd be laughed at. As I mentioned with the band thing, all of them know I'm auditioning for other bands, and they don't care, so is everyone else.Nope. Once a legit publisher finds out you're doing simultaneous submissions, kiss any offer you might get goodbye.
You JUST.DON'T.DO.THAT.
It's slap in the face to the publisher and shows him/her ultimate disrespect. It shows you're non-descriminatory to the publishing house and that "anyone" can publish your book, and you have no idea how that particular house presents itself to the public, or what target audience it courts.
--Ted
I didn't mean "bullshit" in the sense of it not being true, I meant "bullshit" in the sense that it shouldn't be that way.Nope. Once a legit publisher finds out you're doing simultaneous submissions, kiss any offer you might get goodbye.
You JUST.DON'T.DO.THAT.
It's slap in the face to the publisher and shows him/her ultimate disrespect. It shows you're non-descriminatory to the publishing house and that "anyone" can publish your book, and you have no idea how that particular house presents itself to the public, or what target audience it courts.
--Ted
I have a professor being co-opted by a secret spy agency (similar to Bashir and Section 31) but it turns out he runs a brothel full of intelligence agents and assassins.As I've been writing it, my characters have thrown some curve balls which actually work quite well, so it's a question of just making it all fit.
Man, I LOVE it when that happens. I wrote a two-hour TV script and it turned out three pages from the end that the best friend was actually a bad guy.
I didn't see it coming, and it was great being surprised that way.
--Ted
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