Rii
Rear Admiral
So apparently Kick-Ass is 'morally reprehensible'. I don't know, nor care, but the controversy reminded me of another film I saw recently - some of you may have noticed - which I've heard described as such: Antichrist.
I think any film which is decried by some as misogynist and others as misandrist - although to be fair, the former label appears far more common than the latter - simply must have something going for it, and I'd be lying if I said I hadn't spent the next few days thinking about it. There are still some things I'm unclear about, though.
Much of the difficulty I've had in interpreting the film comes down to distinguishing between what elements of 'she', if any, are unique to her experience as a person vs. being 'of woman'. I think 'he' can be read straightforwardly as 'man', but 'she' is more complicated.
One scene in particular that I struggle with is the epilogue where the faceless ghosts of women emerge from the forest. I see them as either all the witches who - like she - were put to death, or more broadly as all the female victims of men. But what does their emergence signify? To him? That is, in part, how does he feel about his brutal murder of she?
The animals are also a mystery to me. The deer, the fox, and the crow. What's going on there?
I see the film as contrasting male rationality with female emotion and instinct, ultimately condemning the former for its hubris and callousness; in effect, for its lack of humanity. She was killed - the witches were killed - because they approached too close to the existential truth. Man desires order, structure, action and reaction. Everything - including her - is a process to be controlled, a puzzle to be solved. In Eden he discovered, as the local wildlife observed, that 'chaos reigns'. She made the same discovery and made it first, during the previous summer, but where he rejected it, she ran from it, fought with it, and ultimately accepted it, coming to see herself - and he - as instruments of a brutal nature, of pain and suffering, whose desire for sexual pleasure in the face of the process of pregnancy leading to death which follows represent an ultimate evil.
I think any film which is decried by some as misogynist and others as misandrist - although to be fair, the former label appears far more common than the latter - simply must have something going for it, and I'd be lying if I said I hadn't spent the next few days thinking about it. There are still some things I'm unclear about, though.
Much of the difficulty I've had in interpreting the film comes down to distinguishing between what elements of 'she', if any, are unique to her experience as a person vs. being 'of woman'. I think 'he' can be read straightforwardly as 'man', but 'she' is more complicated.
One scene in particular that I struggle with is the epilogue where the faceless ghosts of women emerge from the forest. I see them as either all the witches who - like she - were put to death, or more broadly as all the female victims of men. But what does their emergence signify? To him? That is, in part, how does he feel about his brutal murder of she?
The animals are also a mystery to me. The deer, the fox, and the crow. What's going on there?
I see the film as contrasting male rationality with female emotion and instinct, ultimately condemning the former for its hubris and callousness; in effect, for its lack of humanity. She was killed - the witches were killed - because they approached too close to the existential truth. Man desires order, structure, action and reaction. Everything - including her - is a process to be controlled, a puzzle to be solved. In Eden he discovered, as the local wildlife observed, that 'chaos reigns'. She made the same discovery and made it first, during the previous summer, but where he rejected it, she ran from it, fought with it, and ultimately accepted it, coming to see herself - and he - as instruments of a brutal nature, of pain and suffering, whose desire for sexual pleasure in the face of the process of pregnancy leading to death which follows represent an ultimate evil.
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