Well to start with, I've seen animation from France, Japan, China, Korea and Israel who can produce more mature entertainment. I'm no expert on the matter otherwise I wouldn't have asked for input, but you can go check out the links upthread or watch the stuff mentioned like Persepolis, Waltz with Bashir, or The Triplets of Belleville and see for yourself how stuff we make doesn't stack up too well as being mature.
And 'more mature' doesn't mean crap shows like King Of the Hill & South Park or pieces of shit like A Scanner Darkly, it means movies like Perfect Blue, Tokyo Godfathers, Millenium Actress, Akira, and Metropolis (not to forget Paprika, Steamboy and a few others) or TV shows like Death Note. That's the kind of animation and stories that we should be seeing
in North America, but we don't. And that is why anime's popular, and getting more so everyday.
Exactly.
But Pilot Ace has a point about the industry (both Japan and the domestic licensors here in the states and probably elsewhere like the UK and Australia.) hurting for sales. This is attributed to declining birth rates in Japan and their economic recession which has created staff shortages and lots of lay-offs in this article. While the industry still operates quality and originality has been down slightly as of late. Hopefully, it's a temporary thing.
The US anime import industry has lost 3 major players, Geneon in 2007, and Central Park Media and Kadokawa's USA branch last year. ADV also went bankrupt and zombified itself as Section 23 aka Sentai Filmworks and now only puts out half-assed sub only releases. The bell seems to be tolling for Bandai Entertainment as well. However, including Bandai, that still leaves us with 5 companies, 6 if you include NIS America which recently announced it's entry into the anime business and more still if you include Sony, Dreamworks, and Disney which release the occasional film or series.
I wouldn't say either situation is dire but both industries were steamrolling along much better in the past then they are now.
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