Heretics, all of you! You will be smited!![]()
Geez, took long enough for someone to write the proper reply!

Heretics, all of you! You will be smited!![]()
That a very similar list to what I was thinking. I'd also add "I Wanna Be Your Man" (LOL, Ringo) - incidentally, a song written very quickly by Lennon/McCartney for the Rolling Stones - "Drive My Car", "Hey Bulldog" and "Ticket To Ride" to that list too. And maybe also "I Me Mine" and "The End".They did bring rock and roll into the public zeitgeist and they did solidify the rock and roll song structure. Also, some songs are very well written.
I really don't know how anyone can consider the Beatles a "rock and roll band". Yeah, they were a massively successful pop band, but I think I can count the genuine rock songs they released on one hand. No self-respecting rock band I can think of would put out stuff like "Octopus' Garden", "Honey Pie", "Bungalow Bill", "Yellow Submarine", "Penny Lane", etc. And there's not one single actual rock song on Sgt. Peppers.
Going off what I have and remember (meaning I'll miss some songs):
Come Together
I want you (She's so heavy)
Back in the USSR
While My Guitar Gently Weeps
Birthday
Helter Skelter
I Saw Her Standing There
Twist and Shout
Please Please Me
From Me To You
Revolution
That's Paul's "granny music" for you.The Beatles are so last century.
Heretics, all of you! You will be smited!![]()
Geez, took long enough for someone to write the proper reply!![]()
I haven't heard all of their music, but the songs I have heard just haven't really done anything for me. A few of them are catchy and the rest of them sort of blend together. I think I'm completely alone in feeling like this!
I'm going to a Beatles Rock Band party in a few weeks and I'm not looking forward to it at all.![]()
^ Just about anything by Zeppelin makes me want to run from the room, covering my ears and going "la la la la I can't hear you la la la la!" (Perhaps some of you think that you feel the same way about the Beatles. I doubt if you do - because there is no way you've heard anything by the Beatles as often as I've heard "Whole Lotta Love" or "Communication Breakdown" - but if so, I am sorry.)
Nuthin' wrong with their talent or anything and there used to be lots of songs that I liked a lot. It's just that this is the band who's songs - all of them, since this was in the heyday of album rock - were played over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over over and over and over and over and over and over and over and over and over and over and over and over and ...
And so on...
...At every party, every EVERYthing, on every guy's car stereo, always, all the time.
So I burnt out. There aren't that many songs that can hold up to 482,215 replayings, and "Over the Hills and Far Away" and "Stairway to Heaven" aren't among them, IMO. And don't even get me started on "Whole Lotta Love" or "Communication Breakdown," OK?
Mistral said:As a "freak" during the early 80s, Led Zep was our idol and god(z). I can sooo relate to what you're saying here. Zep and Foreigner make me flinch on the best of days...
Nuthin' wrong with their talent or anything and there used to be lots of songs that I liked a lot. It's just that this is the band who's songs - all of them, since this was in the heyday of album rock - were played over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over over and over and over and over and over and over and over and over and over and over and over and over and ...
And so on...
...At every party, every EVERYthing, on every guy's car stereo, always, all the time.
So I burnt out. There aren't that many songs that can hold up to 482,215 replayings,
Nuthin' wrong with their talent or anything and there used to be lots of songs that I liked a lot. It's just that this is the band who's songs - all of them, since this was in the heyday of album rock - were played over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over and over over and over and over and over and over and over and over and over and over and over and over and over and ...
And so on...
...At every party, every EVERYthing, on every guy's car stereo, always, all the time.
So I burnt out. There aren't that many songs that can hold up to 482,215 replayings,
I have the same reaction with, and to, 'Time Warp Dance' from The Rocky Horror Picture Show-this song was played at middle school dances all of the time, and when I was in middle school, I didn't mind. But years later, when I was going to SF cons in Toronto, at every convention dance, guess what was playing there? The MOTHERFRACKING TIME WARP DANCE. Every year, every dance. Nothing new, just the same shit I heard before. And the other (mostly all white) convention goers would get on the floor-en masse-for this song, and this song only. Modern dance songs of the present day (this was the '80's)? No, just Staying Alive if we were lucky. Not even any Duran Duran or any of the other English Beat/New Romantic bunch (well, maybe a little). That wasn't all-they'd also play 'Sweet Transsexual' afterwards, as well as Trooper's 'Raise A Little Hell', and Meat Loaf's 'Paradise By The Dashboard Light'-great there, but floor-clearers and dance-halters elsewhere where people dance, in most clubs And, if you played these songs elsewhere you'd get hit by a rain of bottles followed by people taking over the turntables.
For a few years after that at every Ad Astra and Toronto Trek (now Polaris) convention, I've stayed out of the dance, just hanging out at the con suite instead. All because of those songs being played.
See, the way you feel about Zeppelin is the way I feel about the Beatles. But whereas interest in Zeppelin has kind of waned over the last 10-20 years, the Beatles obsession in pop culture just gets more obnoxious with each passing year.
I can't turn on the TV without getting bombarded with their music. I can't go into any internet forum without people gushing over how amazing the Beatles are and how music didn't exist before Lennon and McCartney and if you're bored by them then you're a total dipshit who doesn't understand music. Jesus, it's been 40 years. Can't we move on and find some other band to obsess about?
I love the Beatles, and I agree with you on that score as well-that's why I was glad to hear of the shutdown of the big oldies station in Toronto, 1050 CHUM and its transition into the news-only CP24 Radio. I also wish that Q107 would die off as well and the frequency taken over by somebody who plays new music, but...
This article sums up what I feel about constant regurgitation of past bands like the Beatles on radio:
All we hear is radio-ca-ca
EYE, September 4, 2003
Do you know JACK? Sure you do. The ads for Toronto's newest radio station are all over the subway: "Playing what we want" goes the slogan, with the station's logo bursting out of a jack-in-the-box, implying that the station's programmers are out of control! The posters list off what kind of crazy musical combinations you can expect: Tom Petty! Springsteen! The Cars! Meat Loaf! Now, proudly advertising Meat Loaf as a selling point in 2003 may constitute a bold, revolutionary act, but really, JACK FM is just the latest addition to a radio dial littered with microscopically focused niche stations boasting unintentionally ironic slogans that only draw attention to how rigid, formulaic and safe their playlists truly are.
JACK joins the likes of MIX 99 (whose mainstream-rock mix rarely veers more than a centimeter or two from the middle of the road), Q107 (whose definition of "Classic Rock" is flexible enough to include a regular rotation of Saga records), to the worst offender, 102.1 The Edge, whose conception of edgy music begins with the first Our Lady Peace album, ends with the latest Evanescence single, and wedges every last fake brow-pierced, phony-angst nü-metal mook into the sliver between. The irony is that JACK's former incarnation, KISS 92.5, while adhering to a top 40 format, managed to achieve something resembling true variety, bouncing from Eminem to Destiny's Child to Coldplay.
Now, for those of us who routinely seek musical guidance from college radio or CBC's Brave New Waves, and who spend more at Rotate This and Soundscapes than on food and shelter, the relentlessly uninspiring state of commercial radio is a topic as tired as the insincerity of televangelists. But as much as we are loath to admit it, radio is still an important cultural arbiter. For the casual music fan -- someone who buys maybe 10 CDs a year, simply based on liking something they heard on the radio or Much Music -- radio airplay represents validation, in the same way hipsters rely on New York or London to tell them what's cool. And more often than not, radio assumes the masses are brain-dead automatons incapable of appreciating anything beyond whatever narrowly defined genre parameters the station's corporate bosses deem most profitable.
The troubled state of the music industry is often portrayed as a battle between greedy major labels and unscrupulous music fans stealing music online. While the former portrays the latter's actions as cold-hearted theft, the question is rarely asked: did radio make them do it? The keys to any industry's growth are brand (in this case, band) loyalty and regeneration through the introduction of new products. The music industry is unique in that it relies on radio (instead of traditional advertising methods) to broadcast new-product information to consumers. Radio is failing them. As a result, those consumers have had to seek alternative outlets -- e.g., Kazaa -- to get that information.
Each week eye receives, on average, 75 CDs submitted for review, ranging from superstar acts like Radiohead down to indie techno artists burning beats off their laptops. This in itself is just a fraction of what's produced every week. Contrary to the music industry's doomsday prognostications, the actual amount of music being created has increased as the means of production (laptops, four-track recorders) and distribution (internet mail order, for example) have become more accessible.
Strangely, radio's response to this proliferation has been to become more conservative, and in doing so, it does a disservice to the music industry. Retro-minded stations like JACK and Q107 do nothing to promote the continued survival of the industry by playing songs we've heard a million times before from records we bought 20 years ago. CanCon regulations, initially devised to expose emerging homegrown talent, can now be satisfied by dropping the Hip or side one of 2112. And given that the careers of most Edge-endorsed alterna-rockers last about as long as their target listener's first sexual encounter, it's not exactly inspiring band loyalty among a new generation of music fans. Anyone remember Eve 6? Mudvayne? No wonder kids today would rather buy video games.
We're not saying these stations should scrap their Zeppelin records and play nothing but Godspeed You! Black Emperor, but there's no reason a Neil Young fan wouldn't appreciate The Flaming Lips, or a Coldplay fan wouldn't dig the emotional space-pop of Broken Social Scene. There's also no reason one of these stations couldn't just up and transform themselves into a station that could play both The Rolling Stones and The Constantines. As JACK (formerly KISS) and CHUM (formerly sports, formerly rock) have made abundantly clear, it takes very little time or thought to repackage.
Yes, radio is ultimately a business, concerned with the bottom line more than giving unknown artists exposure. But given the limited channels for quality new music on Toronto radio, soon these stations won't have any nostalgia left to sell. (Original article no longer exists, sorry.-Dusty)
What I wish more than anything in the world is for most of these boomers to just get up off of their asses, get to the local record store, and just buy the Beatles albums they want, without having to hear it on radio as well, and for EMI to start pushing the new bands that they've signed up just as aggressively as they push the Beatles.
Sorry, no. Their last real album, 'Innuendo', is a stunning eulogy to their dying singer. They had great musical virtuosity and variety. And songs like 'Killer Queen', 'Death On Two Legs', 'In Love With My Car', ''39', 'Somebody To Love', 'Tie Your Mother Down', and 'Who Wants To Live Forever?'.The exception to that is Queen. "Bohemian Rhapsody" aside, they suck.
It would in fact be very easy to overrate The Beatles, Stones or Elvis, and in fact it is done all the time. Even if I loved them madly, the amount of praise they get as the UNDISCPUTABLY BEST and THE GREATEST and so on seems excessive for anyone. There are no undisputable values in art.Not liking something doesn't mean it's overrated. It would be very satisfying to believe that one's own personal judgment is the correct one. I would love to consider Elvis overrated because I never did like him much - to me, he's always been what a childhood friend's dad referred to as a "moldy oldy." I'd love to be able to feel superior for my good taste. But come on - that's not the way it works. Elvis isn't overrated - it would in fact be difficult to overrate Elvis or the Beatles, at least in terms of the last several decades' worth of music. The plain fact is, I just don't care for him very much. I can't feel superior over that.
For the record, I am not particularly fond of Beatles, Stones, Elvis or Zeppelin, but Elvis is by far the most overrated on that list, in terms of musical contribution (as opposed to cultural).
i much prefer Queen. i think the Beatles're over-rated too.
I'm actually still fine with Foreigner...at longish intervals, in small doses. But Journey...I just try not to even think about it.
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