I just like the way they show the evolution of American transportation through the ages.
Corrected that for you.

I just like the way they show the evolution of American transportation through the ages.
I just like the way they show the evolution of American transportation through the ages.
Corrected that for you.![]()
I much preferred "Wherever You Will Go" that was used in the early promos for the series.
^ Scott Bakula can't convincingly play a villain to save his life, but that's the only flaw in the otherwise great two-parter. But the opening credits may be the most brilliant part of it.
Well, he was insecure and not all that smart or skilled, and may say he was somewhat of a loser, but only because he was ambitious. I wouldn't say he was unfit for the society - he was moderately successful, being the XO of a ship (which is not that bad and must be already a higher position than most Terrans in the Empire, let alone non-Terrans), even becoming the captain for a while, and coming close to becoming an Emperor. In the end he was played by Sato, but getting played and killed by someone close to you is something that must have happened to a lot of people; Terran Empire is dog eat dog world, people kill each other all the time. (That's how MU Kirk became the captain of Enterprise, remember.) Mirror Archer was also ruthless and racist and a real bastard - and he planned to kill all non-Humans once he gained the power. Most MU Humans in this episode and "Mirror, Mirror" were what I consider villains. The only exceptions are Forrest, who wasn't that bad and Trip who was neither here nor there, but Archer, Sato and Reed were all nasty bastards/bitches, Mayweather was a despicable sycophant, and out of the aliens, Phlox was an evil bastard, too. The only people I could see as the sympathetic side were the rebels and the aliens that the Terrans tortured.^ Scott Bakula can't convincingly play a villain to save his life, but that's the only flaw in the otherwise great two-parter. But the opening credits may be the most brilliant part of it.
I never interpreted him as a villain in MU. MU's society was very byzantine and I thought the point was that he was unfit for that society. He was a loser and he sucked in byzantine.
That's why his anger at hearing how succesful Archer is in PU, trying to suppress the realization that his life is a sad failure for nothing, a loser and weakling in a society where brutal success is your only value as a human being.
But perhaps I'm indeed just translating bad acting?
Most MU Humans in this episode and "Mirror, Mirror" were what I consider villains. The only exceptions are Forrest, who wasn't that bad and Trip who was neither here nor there, but Archer, Sato and Reed were all nasty bastards/bitches, Mayweather was a despicable sycophant, and out of the aliens, Phlox was an evil bastard, too.
Well I have expressed several times that I love the visuals in the opening credits. It captured the grand nature of the show. But the theme we ultimately received just didn't match. This is a ship and crew striking out on one of the first great space quests of humanity and all they got for it was a cutsy pop song. In my opinion, I think it should have been more epic, more heroic. It should have been bombastic and sweeping. It needed to say "a hero this way comes" not my heart has some faith or something with an electric guitar. (Sorry for the rant. This is my one sore spot with the show I just can't get past.)
This is an example of what I think we needed stylistically.
[yt]http://www.youtube.com/watch?v=bmnYUCln6bQ[/yt]
Again, this is ONLY an example. For our purposes, it needs to be a little faster, have a few more strings and some dramatic play with the wind instruments but you get the idea. And they also need to keep the choir!
Ok. I love the song and Russell Watson has an amazing voice. I just didn't think it was appropriate for the show. But rather than beat this dead horse, here is what I said about it earlier in the Enterprise Forum...
Well I have expressed several times that I love the visuals in the opening credits. It captured the grand nature of the show. But the theme we ultimately received just didn't match. This is a ship and crew striking out on one of the first great space quests of humanity and all they got for it was a cutsy pop song. In my opinion, I think it should have been more epic, more heroic. It should have been bombastic and sweeping. It needed to say "a hero this way comes" not my heart has some faith or something with an electric guitar. (Sorry for the rant. This is my one sore spot with the show I just can't get past.)
This is an example of what I think we needed stylistically.
[yt]http://www.youtube.com/watch?v=bmnYUCln6bQ[/yt]
Again, this is ONLY an example. For our purposes, it needs to be a little faster, have a few more strings and some dramatic play with the wind instruments but you get the idea. And they also need to keep the choir!
Wonderful: After hearing it over and over, you start liking it anyway. And if you fall too deep in the show you start to relate to the lyrics, too. So somehow it makes you happy, even though you hate it. Especially in episodes that are taking place far from Earth. However, the best part about it is in “In a Mirror, Darkly...” If it wasn't for the standard theme song, the mirror theme music wouldn't sound as good. It contrasted with everything negative in the original one, it killed all the cheesy enthusiasm for exploration and advancement of the humankind, and replaced it with something quick-paced and much more dark and infernal.
I love the Transformers OST. I don't think it would be a suitable score for a Trek series thoughThe problem for me with that King Arthur one is that it sounds like music from Transformers.
I think a lot of the problem is the arrangement--it's just too deliberately inspirational to work as the main theme, which we usually hear after something dramatic just happened in the tease. It totally kills the drama of my favorite tease, "Twilight."
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