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Actor/Professional Writer "collaborations..." really?

So in the case of The 34th Rule, I ended up writing the actual novel, though Armin and I cracked the original story together. Being the good, honest man that he is, Armin never hesitates to tell readers this. At first, I suggested to him that perhaps he shouldn't do that, but that never stopped him. A class act, that man, and I am very fortunate to be able to call him a friend. (My friendship with Armin and his wonderful wife Kitty was a great benefit of working on The 34th Rule.)

So there you have it.

Wow.

And as for him telling people, he's only living by a few Rules of Acquisition:

#218 "Always know what you're buying."
#189 " Let others keep their reputation. You keep their latinum."
#58 "There is no substitute for success."
#285 " No good deed ever goes unpunished."
 
A fine, seemingly workable plan. Except that after I handed Armin a hardcopy of the first draft of the first chapter, something else happened. Armin loved what I had written so much that he wanted to leave it virtually unchanged. The same thing occurred with the second chapter, and it soon became readily apparent to the two of us that I would essentially write the novel by myself. As it turned out, that worked out well for both of us. Armin really liked my writing, and I learned that I worked best as a solo artist.
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I'm sorry, but any actor who won't take the time to add a scene where his character single-handedly defeats Worf and Data just doesn't deserve his name on the cover;)

Thanks for the insight. I don't think anyone who's met Armin would doubt his ability to do a novel solo, given his vocabulary. Plus, I imagine his Union position requires a good amount of writing
 
^ It sounds like you and Mr. Shimmerman already had a good working relationship going into the novel. If you don't mind more storytelling, how did you guys meet, and what motivated the two of you to write a Trek novel in the first place?

EDIT: To DRG3, obviously (didn't see there was a third page).

Fictitiously yours, Trent Roman
 
^ Armin and I met through a writing partner I had at the time, with whom I had sold a story to the Voyager producers (for the first-season episode "Prime Factors"). Armin, it turned out, wanted not so much to direct (as so may actors do), but to write. In fact, as a young man, Armin thought that he would end up being a writer.

Well, my writing partner introduced me to Armin, and the three of us met several times to come up with Deep Space Nine stories that we could pitch to the producers of the show. Armin and I did get along well, but we only met a few times before taking our tales in to Paramount. None of our stories sold, but because Armin thought that they were really strong stories, he suggested that we pen a novel. Our other writing partner was not interested, but Armin and I decided to go forward with it--which resulted in The 34th Rule.

After that, Armin and I kicked around some other ideas, both for the show and for publication, but in the end, we decided to pursue other projects. In truth, I am more comfortable writing by myself. Still, it was through our collaboration that Armin and I first got to know each other, and from which sprang our friendship.

In crafting the episode stories we pitched to DSN, Armin and I did form a good working relationship, but that really progressed a great deal when we worked on the outline for The 34th Rule. As you might imagine, the tale you can tell in a forty-two-minute television episode is necessarily far less complex than the one you can tell in a 135,000-word novel. Armin and I worked hard on expanding our original story--completely reworking it, really--to formulate our literary effort. That process really cemented our working relationship, and as I said, also served to propel us into a friendship.

And just so you know (and because I frequently see people do this), Armin spells his last name with two ms, not three--Shimerman, not Shimmerman.
 
Well, I think Hugh Laurie (snip) would argue with you on that. :)

Sorry to resurrect this and just comment on one really ickle part of it, but I found this on the BBC news website last week and thought I'd share:

Laurie book 'tops French sales'


The French version of a spy spoof novel by actor Hugh Laurie topped book sales in France in March, according to book magazine Livres Hebdo.

The translation of Laurie's The Gun Seller, released in France in January, is called Tout Est Sous Controle or Everything's Under Control.


The book, first released in the UK in 1996, tells the story of an ex-soldier drawn into a Bond-style terror plot.
 
Well, I think Hugh Laurie (snip) would argue with you on that. :)

Sorry to resurrect this and just comment on one really ickle part of it, but I found this on the BBC news website last week and thought I'd share:

Laurie book 'tops French sales'


The French version of a spy spoof novel by actor Hugh Laurie topped book sales in France in March, according to book magazine Livres Hebdo.

The translation of Laurie's The Gun Seller, released in France in January, is called Tout Est Sous Controle or Everything's Under Control.


The book, first released in the UK in 1996, tells the story of an ex-soldier drawn into a Bond-style terror plot.
I love that book but lost my copy a couple of years ago. I was about to buy a new copy in a bookshop last week when I noticed that the publisher had added the daub "WRITTEN BY THE STAR OF THE TV SERIES 'HOUSE'!" to the cover. I'm really anal about buying books with tie-in covers to TV and film adaptations so you could probably imagine how I felt about an advert for something completely different on this cover.

I somehow missed this thread last year. DRG3's account of working with Armin Shimerman is so interesting.
 
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