Angie in another thread brought up something I really agree with -- acting choices are hard and yet when they deliver, they deliver! For example, I thought John Billingsley did a marvelous job with a character who was written rather two dimensional. And yet John's acting choices made the character come to life.
Here's a perfect example, in my mind -- Trip comes to Phlox confused about the cogenitor role in producing offspring. Phlox could've said with a leer, "I have pictures." Instead, Phlox said with gusto, "I have pictures!" It took Phlox from being creepy to just funny and odd.
I also liked Reed and Trip's first meeting where the tactical officer is "fretting" about things and laid-back Trip tells the guy to "keep his shirt on." Reed could've fretted with less anal-ness and Trip could've just been angry. Instead the interplay helped create a relationship between two characters that lasted almost into season 3.
Did you ever notice amazing feats of acting and choices that seemed to help the character resonate and come to life?
Here's a perfect example, in my mind -- Trip comes to Phlox confused about the cogenitor role in producing offspring. Phlox could've said with a leer, "I have pictures." Instead, Phlox said with gusto, "I have pictures!" It took Phlox from being creepy to just funny and odd.
I also liked Reed and Trip's first meeting where the tactical officer is "fretting" about things and laid-back Trip tells the guy to "keep his shirt on." Reed could've fretted with less anal-ness and Trip could've just been angry. Instead the interplay helped create a relationship between two characters that lasted almost into season 3.
Did you ever notice amazing feats of acting and choices that seemed to help the character resonate and come to life?