The JJ Prise is much the same. Some people like it, but they are in the minority...
There are so many of us in this minority, that we have become the majority.The JJ Prise is much the same. Some people like it, but they are in the minority...
Proof?
I'm sure some people out there like the looks of an AMC Pacer. It doesn't change the fact that it's one of the ugliest cars ever, because the proportions of the thing are so "off", most notably the oversized windows. The JJ Prise is much the same. Some people like it, but they are in the minority, like people who are tone-deaf or color-blind. It's hard to quantify what those proportions are mathematically, but people know it when they see it. Call it golden mean or whatever else. But it's definitely a "thing". A good artist knows how to get it right. Bad ones, and bad managers like JJ who oversee them, don't. And then they double-down on their bad-taste by not changing it when people criticize.
I'm sure some people out there like the looks of an AMC Pacer. It doesn't change the fact that it's one of the ugliest cars ever, because the proportions of the thing are so "off", most notably the oversized windows. The JJ Prise is much the same. Some people like it, but they are in the minority, like people who are tone-deaf or color-blind. It's hard to quantify what those proportions are mathematically, but people know it when they see it. Call it golden mean or whatever else. But it's definitely a "thing". A good artist knows how to get it right. Bad ones, and bad managers like JJ who oversee them, don't. And then they double-down on their bad-taste by not changing it when people criticize.
Picard: Report, Lieutenant.
Worf: A highly localized distortion in the space time continuum.
Data: Sir, something is emerging.
<NuEnterprise appears out of the rift>
Riker: That looks like the old Enterprise but something's a little off.
Data: Sensors indicate that the ship's Fibonacci sequence is asynchronous with normal matter. It does not conform with the Golden Ratio.
Picard: Just what ratio does it conform to?
Data: 4:3, Captain.
Riker: That explains the black bars on the viewscreen.
I'm studying Pseudoscience at Miskatonic Univerisity on a Venkman Scholarship, so I can say with some authorty that the Fibonacci proportion is a real thing.
Long term McDonaldologists know that JJ Abrams is secretly an owner of twelve McDonald's franchises in the San Fernando Valley in Southern California. I intend to demonstrate objectively, using established scientific principles, how the nuEnterprise adheres to both the Golden Arches Ratio and the McRibonacci Proportions at several points of measurement in order to be the best subliminal food marketing tool known to man.
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Also note the repeated use of the McDonald's trademarked gold and crimson color scheme repeatedly throughout the films:
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Here, the Enterprise even travels to a planet of Ronald McDonald worshipers in their gold and crimson outfits and white clown makeup:
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And just when you're being bombarded by all that subminal messaging, they hit you with an overt Filet o' Fish product placement:
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It's insidious, but ingenious and effective. And objectively, it's the most perfect product placement/starship ever devised. That's just science.
I used to be a Treknologist like you.Which doesn't change the fact that "treknologist" is not a real thing, seeing how "treknology" is not a real thing.Bill, that's simply not true. The "treknological" fandom is one of the oldest known Trek fandoms.
I suppose there are people in the world who perceive themselves to be exceptionally knowledgeable in the technical background information of Star Trek, much the same way there are "experts" in the fictional history of comic books. Still, that's not a real discipline with certifications or a relevant knowledge base; it's more of a hobby for people who think they're really really smart.
And those people call themselves "treknologists".
Well, they were SUGGESTED later. It's a bit of a stretch to say that they were "described," mainly because 99% of the things in nature that humans find aesthetically pleasing don't actually conform to any recognizable golden ratio.Fine, so the aesthetic qualities of the ratio were only described later.
It's not.That doesn't mean that the ratio is not ubiquitous in the natural world
You mean the link to the blog post that referenced a scientific paper that doesn't actually mention the golden ratio in any way shape or form? Yes, I deleted that.and don't think I didn't catch you deleting the link to the scientific paper about it.
Since our intellectual development has taken place in a world full of the ratio, we subconsciously expect to "see" that ratio. It looks "normal" to us.
That's basic psychology.
I've seen the hypothesis before about the proportions of the OS Enterprise conforming to the Golden Ratio (one instance here - there have been others just on TrekBBS) though I've never been quite sold on it. I've not seen this particular article, but I think it runs into the same sort of problems presenting a convincing argument.An article (not the documentary I was talking about above about Phi in relation to Connie's design:
http://www.goldennumber.net/uss-enterprise-golden-ratio-design/
article said:Jefferies started with a blank page and a marker, and with a very pragmatic design ethic. He reasoned that “a starship’s engines would be extremely powerful and potentially dangerous, and positioned them far away from the core of the ship, with the added benefit of modular design so that they could be ejected quickly in an emergency.” His design documents revealed that he was also a very exacting designer. He specified the dimensions on his designs to the 1/10000th of an inch. This was clearly beyond any practical level of accuracy in the construction of the small-scale models used on the Star Trek set and indicates that he was working with a mathematical precision based on geometric formulas and relationships.
article said:Given the elegance of its design, it’s not too surprising that golden ratio relationships are incorporated into the design of the USS Enterprise, in its overall dimensions and in the details of the small design features, as revealed in the illustrations below.
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