Good dialogue wouldn't affect the ratings - that's hardly what anyone's watching those movies for - so why bother with things like good dialogue, non-stupid characters, intelligent plotlines, etc?
Because some writers just do that as a matter of course - it's kind of our raison d'etre, regardless of whether it'd affect the ratings. It'd just be more fun
I so want to write one of those cheesy creature features...
It's not like it'd take more than an afternoon... it's basically monster Mad-Libs.![]()
Actually, a friend of mine wrote one--and there were multiple drafts and revisions. It sounded like a lot of work.
I'm jealous anyway.
Good dialogue wouldn't affect the ratings - that's hardly what anyone's watching those movies for - so why bother with things like good dialogue, non-stupid characters, intelligent plotlines, etc?
Because some writers just do that as a matter of course - it's kind of our raison d'etre, regardless of whether it'd affect the ratings. It'd just be more fun
Funny how writers like that never seem to get any work.
Okay, how do I get invited to the red-carpet premiere of "Mega Python versus Gatoroid"?
speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.
Okay, how do I get invited to the red-carpet premiere of "Mega Python versus Gatoroid"?
Because some writers just do that as a matter of course - it's kind of our raison d'etre, regardless of whether it'd affect the ratings. It'd just be more fun
Funny how writers like that never seem to get any work.
No, they just get work writing books.
speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.
!
I so want to write one of those cheesy creature features...
It's not like it'd take more than an afternoon... it's basically monster Mad-Libs.![]()
Actually, a friend of mine wrote one--and there were multiple drafts and revisions. It sounded like a lot of work.
I'm jealous anyway.
It's not like it'd take more than an afternoon... it's basically monster Mad-Libs.![]()
Actually, a friend of mine wrote one--and there were multiple drafts and revisions. It sounded like a lot of work.
I'm jealous anyway.
They are very specific in what they are looking for in a script. Certain things have to happen, and at specific times in the script. A friend of mine worked on one, and it's a very tough template to follow.
speaking of rubbish films, here's a random true story - back in Spring of 2008, Uwe Boll actually asked me if I could write a sequel to In The Name Of the King, set in China.
Three years on, I still never got beyond two paragraphs of brainstorming, so I guess the answer to that one is no, I bloody can't!
(I'm not sure whether this is because I just couldn't come up with that sort of story, can't handle the medium, or just couldn't do it for *him*)
Why? Crappy low budget films that people get a kick out of watching have been around for decades.My disappointment in humanity grows.
Why? Crappy low budget films that people get a kick out of watching have been around for decades.My disappointment in humanity grows.
There's crappy, and then there's The Asylum level of crappy. And then there's Uwe Boll.
i'm still waiting for one of you guys to write the script for ZomBEES!
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