^
McCoy is, as always, the voice of compassion.
I remember reading somewhere that the Next Generation episode "Too Short A Season" was originally supposed to be about this conflict - back when that plot was intended to feature William Shatner as a guest star.
Since the episode as is makes much of an elderly Admiral's tortured reaction to an ugly situation he's implicated in, it might have provided an interesting coda for this episode, after the point Vietnam was already a matter of history.
But yes, the episode's ending is unusual for Star Trek. Even in episodes where Kirk makes bold, risky moves - like "A Taste of Armageddon", which was also intended as a Vietnam alelgory (Eminiar and Vendikar... stare at those words for a few minutes and get back to me) Kirk has little doubt that his upsetting of a social order centuries in the making will have a largely positive result.
That episode, incidentally, can also be seen as a little more critical of Vietnam, in the way the war was killing Americans daily without so much as touching a single building in the country.
Upsetting the delicate equilbriums with aplomb is something Kirk does a lot. Eden imagery is used in "The Apple" too, but here the role of the starship crew as the snakes doesn't bother Kirk in the slightest - the immortal child-life of the computer-lead beings is simply no way to live, and he'll show them why.
One could express reservations about Kirk's solutions to either episode's problems, but it's only in "A Private Little War" that Kirk himself expresses reservations. Which I would see as one of the episode's strong points, even if it means it's not the most optimistic viewing for the program.
Really? I could see the series doing a blockade of starships the same way they showed ships during "The Ultimate Computer", the same effect of the Enterprise flying at the camera repeated four times.
More unusual is the idea of a two-parter. The only two parter episode the series ever did was out of necessity; they wanted to dump the pilot episode on viewers, but it needed a wraparound story, and as a result they needed two episodes... but besides that necessity Star Trek never touched the idea.
McCoy is, as always, the voice of compassion.
I remember reading somewhere that the Next Generation episode "Too Short A Season" was originally supposed to be about this conflict - back when that plot was intended to feature William Shatner as a guest star.
Since the episode as is makes much of an elderly Admiral's tortured reaction to an ugly situation he's implicated in, it might have provided an interesting coda for this episode, after the point Vietnam was already a matter of history.
But yes, the episode's ending is unusual for Star Trek. Even in episodes where Kirk makes bold, risky moves - like "A Taste of Armageddon", which was also intended as a Vietnam alelgory (Eminiar and Vendikar... stare at those words for a few minutes and get back to me) Kirk has little doubt that his upsetting of a social order centuries in the making will have a largely positive result.
That episode, incidentally, can also be seen as a little more critical of Vietnam, in the way the war was killing Americans daily without so much as touching a single building in the country.
Upsetting the delicate equilbriums with aplomb is something Kirk does a lot. Eden imagery is used in "The Apple" too, but here the role of the starship crew as the snakes doesn't bother Kirk in the slightest - the immortal child-life of the computer-lead beings is simply no way to live, and he'll show them why.
One could express reservations about Kirk's solutions to either episode's problems, but it's only in "A Private Little War" that Kirk himself expresses reservations. Which I would see as one of the episode's strong points, even if it means it's not the most optimistic viewing for the program.
Imagine seeing several constitution type starships around the planet, barring the Klingons from getting access.
1. The money simply didn't exist for what you propose above.
Really? I could see the series doing a blockade of starships the same way they showed ships during "The Ultimate Computer", the same effect of the Enterprise flying at the camera repeated four times.
More unusual is the idea of a two-parter. The only two parter episode the series ever did was out of necessity; they wanted to dump the pilot episode on viewers, but it needed a wraparound story, and as a result they needed two episodes... but besides that necessity Star Trek never touched the idea.