Just got back and I mostly loved it.
Years is definitely a different film from its predecessors and it's better for it, although I am grateful the film returned to the original's isolated setting. That set-up works far better because that's what both Boyle and Garland best excel at creating.
Spoilers ahead...
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As someone who is always curious about weird sociological and psychological developments resulting from post-apocalyptic worlds (most notably in isolated situations like
Snowpiercer), I was thrilled to see
Years giving us fascinating insights of not just how uninfected survivors would live, but also how the infected themselves would develop in the intervening years.
I loved seeing how the infected species mutated into different variants, from the original mindless runners to slug-like crawlers to the giant, intelligent Alphas. I was particularly delighted that the film answered my own question of whether the infected could reproduce, but I didn't expect their children would initially be uninfected (which leads to a disturbing notion that I do not want to think about). I'm curious to see if
The Bone Temple will continue to expand on the infected hierarchy or maintain the course with has now been established.
While we didn't get to see quite as much of the culture of the human survivors, I loved seeing what glimpses we did get. During Spike's victory party, I briefly wondered if their new society had developed cultish leanings (as seemingly suggested by the classroom setting) much like
The Wicker Man,
Midsommar, or
The Third Day, but instead they seemed like a relatively healthy community. I especially thought of
The Third Day since it is also set on an island with a tidal causeway. Instead, it looks like the Jimmys are the real cult but more on them later.
Instead, we got a better look of how a single individual would survive on his own, for better or for worse. I figured Dr. Kelson wasn't as insane as Jamie made him out to be, but he's definitely not quite sane either. I have a certain degree of respect for the work he created and I can even admire the beauty of his bone temple. There are real life examples of bone-decorated holy sites around the world and I've been to couple of them (in Rome, outside of Prague), so I can appreciate what he was striving for.
Nonetheless, it was still disturbing to see his nonchalant and
quick work of Erik's decapitated head into a skull for the temple...and then proceeded to give it to Spike. At least that sequence prepared us for the even more disturbing moment of doing the same for Isla after Kelson euthanized her...and then Spike taking her skull to the top of the temple. I'm thrilled Kelson wasn't killed during the Alpha attack and he'll be returning in the sequel, which presumably focuses is on his temple but it's entirely possible the Jimmys have their own, even more disturbing bone temple.
As for the Jimmys, that was definitely a wild turn at the very end. I was mildly annoyed at how io9 was trying to spoil the ending in their headlines alone, to the point that of calling the ending controversial which caused my mind to go in all sorts of directions. This especially happened when I noticed all of the Jimmy markings during Jamie and Spike's hunt and I suddenly feared that they referred to Cillian Murphy's Jim, even though I knew he wasn't going to appear in this film. In that sense, I was deeply relieved by the unexpected and ridiculous twist that we got instead.
Lastly, I was blissfully shocked to hear the familiar chords of Godspeed You! Black Emperor's "East Hastings" during Spike's message to Jamie. I didn't even consider the possibility that Boyle would convince them to reuse their music again and I kept help but wonder if they requested the same stipulation as they did with
Days about seeing the film before granting the rights. Regardless, hearing their music played at exactly the right moment made me tear up, but even more so with Spike's heartbreaking farewell message.
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Back to
Days and
Weeks discussion (only mild
Years spoilers):
I couldn't find a review thread (although I thought I saw one).
Watched this today.
I liked the first half of this film a lot. The second part was a bit too out there for me and I felt the film strayed a bit from the Zombie genre in favor of trying to be profoundly spiritual.
Wonder if they will try to tie in events from the previous two movies in the next one.
I suspect
The Bone Temple will continue on with the themes and societal developments of this film before moving onto the bigger picture in the third film. Boyle has already said that Jim won't appear until the
end of that film, which suggests his appearance is a set-up for a different story in the final part.
I will say I was a bit disappointed that
Years didn't do anything with
Weeks' idea of the virus mutating within asymptotic people, but perhaps the third film will pick up that thread.
What baffles me even more is how Zombie Don is able to show up everywhere they go. How is he following/tracking them in his current state when regular humans can't? How does he survive all the bombings and just show up at every turn?
That was definitely a case of too many coincidences which took me out of the film a bit, but it's zombie action film, so I wasn't too bothered by it. I will say that it did fit into the idea of the infected already mutating with Alice's blood and perhaps that correlated with Don's heightened perception.
Rewatching weeks I actually thought the set up was interesting, Don ditches his wife and then she is found again and all the truth is about to spill out leading to some intense drama. But before any of that happens, he gets infected and kills her. It feels like a reshoot or dropped plot point suddenly. They just brought the wife back so she could infect the husband? The whole thing went nowhere.
Actually, I think that was one of my favorite parts of the film. I got the sense that Alice deliberately infected Don with the kiss (she does bite his lip, I think), delivering delicious poetic justice onto him and then in turn, his infected state put her out of her misery. I don't think it was a dropped plot point but a deliberate thematic choice, one of the few good ones the film had (along with the recurring theme of the military fucking things up).