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21 Dec 2013: 50th anniversary of The Daleks

Watched the second episode yesterday, "The Survivors", launching the DVD at a quarter past 5 PM, which I read was the time the first episode, "An Unearthly Child", was broadcast. (Did it habitually air at 5:15, or did the start time "float" a bit?)

Now, I've watched the serial a few times already, but it's not like I've memorized every line. So, seeing it last night "reminded" me of a few things I had forgotten.

The Geiger counter in the Dalek lab had English signage. Obviously, that was done as a convenience to the audience, but "retconning" we can now attribute that to the TARDIS telepathic circuits.

The "stun" blast used to immobilize Ian kinda' parallels the situation in 1977's Star Wars when Stormtroopers incapacitated Princess Leia. One of the few, if not the only time such a setting was used in either property.

Those first Dalek operators must have really practiced with the casings. Just after Russel hits the stage floor, one of the Daleks glides across the room and makes a tight turn, not quite a "pivot", to direct the plunger and gun straight at Russell's back, all in a single, fluid motion. From some accounts I've read, the first version of those "costumes" employed a tricycle type arrangement hidden by the "skirt". But the operators didn't "pedal" with their feet. Instead there was a chain drive mechanism, similar to that on a single speed bike with the pedals at arms' height and powered by the operator's hands. In later stories, that mechanism was dropped and the operators simply "walked" while sitting, the traction of their shoes pulling or pushing the casing. But that first design, while complicated, made for some graceful articulation that was later lost.

Fans "joke" about Hartnell flubbing a particular line, saying "gloves" instead of "drugs" and then correcting himself, all of which remained in the final cut and broadcast. This incident is noted in the recent docu-drama when we see David Bradley as Hartnell watching the episode with his granddaughter. It was probably an actual "blooper", but it actually works for the scene, adding another level of realism. The Doctor is horribly weakened by cumulative radiation sickness. He's barely conscious and in a state of near delirium. Who can blame a person running a fever for saying one word when he means another, especially if it sounds similar.

And speaking of radiation sickness, I particularly liked how William Russell handled the condition. Ian notices that the Dalek blast induced paralysis has finally waned. With a bit of renewed confidence he starts to walk the length of the cell. But then he doubles over, clutching his lower abdomen by the time he's reached the door. If what I've read is correct, one major symptom of radiation sickness is severe abdominal cramping, a condition I don't often see depicted in films or TV. It's a minor thing to some I'm sure, but again, it added that extra "something" to the scene.

Sincerely,

Bill
 
At roughly 5:40 PM, Saturday, February 1, I completed my viewing of the first Dalek serial. It was an interesting experience, attempting to watch it in conditions as reasonably close to those of the first audience. Normally, I'll view a "classic era" story in "omnibus" format (effectively a movie with credits only at the very beginning and the conclusion) if I have a particular serial on VHS recorded from a 1980s PBS broadcast. Or, if I have the DVD, I'll play them in immediate succession. Occasionally, I'll play a single episode each evening until I finish the story. But this is probably the first time I've played a single episode per week, emulating the pacing of the original broadcasts.

You know, it does make a difference! Some (but not all) younger viewers who have been conditioned by the faster editing of modern productions have noted that "classic" Doctor Who appears slow with repetitive scenes of escape (ie, running through numerous corridors). But some of that perception comes from watching the stories in a "single sitting". Viewed as they were originally aired, 23 minute cliffhanging episodes at weekly intervals, they feel more action packed. Of course, that sensation will be even greater if the person has not previously seen the story and has not learned the details.

Last time I posted in this thread, I gave a fairly detailed overview of the second episode, "The Survivors". I won't bother covering every facet for the remaining material, else this post will grow to "War and Peace" proportions. Instead, I'll just note a couple of items.

This is probably the fourth, maybe the fifth time I've viewed this serial, but there's one particular item I finally caught in this latest playback. Barbara Wright was wearing Thal "slacks"! I finally noticed it during the cave scenes. She and Ganatus explore one of the tunnels while the rest of the group search another. They find a fissure in an otherwise dead end and Ganatus ties a rope about his waist so he can rapel down the other side. Barbara ties the other end of the rope to a rock and places a length of it under her sandal and presses her weight upon the woven strands. Wait...a sandal? Shouldn't she be wearing "pumps" as part of her dress? Hold on, she's not wearing the skirt and jacket she did at the beginning of the story. Those are the pleather looking pants the Thal males wore! It made sense. They were far more practical than the skirt given she, Ian and a scouting team of Thals would be marching for a couple of days through dangerous swamps. Thinking back, yeah, she sported them at the beginning of the expedition, but I just never noticed it. Nothing was conveyed via dialogue (not that the info-dump was needed). She simply had them for that part of the adventure. It would have been a lot more obvious if she donned what the Thal women wore, leotards that bared the legs. No, Barbara came across as a far more practical person and pants would offer greater protection. In case you're wondering, the Thal males wore sandals, so they had no more protection for their feet than Barbara. I guess the Doctor and Ian fared best in terms of footwear.

Why focus upon such a detail? Eh, it's the little things like that that added to the atmosphere of believability.

Next Saturday, I'll watch "The Edge of Destruction" and the week after, its conclusion. Too bad we don't have "Marco Polo" so I can remain in sync with the original broadcast dates.

Sincerely,

Bill
 
Too bad we don't have "Marco Polo" so I can remain in sync with the original broadcast dates.

People that still believe in "those rumours" think we may get an announcement on Feb 22 for an amazing discovery...

...but I don't... sadly...
 
That's pretty cool! Those loops of wire mounted upon the sides (antennae?) makes me think of the "Gumbies" from Monty Python when animator Terry Gilliam drew them.

"My brain hurts!!!"

Sincerely,

Bill
 
I've read, the first version of those "costumes" employed a tricycle type arrangement hidden by the "skirt". But the operators didn't "pedal" with their feet. Instead there was a chain drive mechanism, similar to that on a single speed bike with the pedals at arms' height and powered by the operator's hands. In later stories, that mechanism was dropped and the operators simply "walked" while sitting, the traction of their shoes pulling or pushing the casing. But that first design, while complicated, made for some graceful articulation that was later lost.
They only had a chain drive mechanism for the story The Dalek Invasion of Earth. I think it was to make them easier to move in the outdoor scenes. The mechanism made them sit higher so they bolted on an extra dodge'em car looking bumper, which made them look like they were on mini parade floats, to hide it and to make up for their new hight. The up side of the chain drive was they moved more smoothly on the studio floor but they were noisy and had a bad steering radious. There's a great scene in "Flashpoint" with the Supreme going over their plans that shows off both problems. The Supreme rolls into the room and does a little lap to get into a forward facing position. He then starts talking and four flunky daleks start circling him with their chain drives rattling and sqeaking the entire time.
 
Thanks for the clarification, Captain Crow. I remembered seeing an "X-ray" type illustration that detailed the operation several years ago. I just assumed that was the first method, but your explanation makes more sense.

Sincerely,

Bill
 
I've read, the first version of those "costumes" employed a tricycle type arrangement hidden by the "skirt". But the operators didn't "pedal" with their feet. Instead there was a chain drive mechanism, similar to that on a single speed bike with the pedals at arms' height and powered by the operator's hands. In later stories, that mechanism was dropped and the operators simply "walked" while sitting, the traction of their shoes pulling or pushing the casing. But that first design, while complicated, made for some graceful articulation that was later lost.
They only had a chain drive mechanism for the story The Dalek Invasion of Earth. I think it was to make them easier to move in the outdoor scenes. The mechanism made them sit higher so they bolted on an extra dodge'em car looking bumper, which made them look like they were on mini parade floats, to hide it and to make up for their new hight. The up side of the chain drive was they moved more smoothly on the studio floor but they were noisy and had a bad steering radious. There's a great scene in "Flashpoint" with the Supreme going over their plans that shows off both problems. The Supreme rolls into the room and does a little lap to get into a forward facing position. He then starts talking and four flunky daleks start circling him with their chain drives rattling and sqeaking the entire time.

AFAIK you are mistaken. The tricycle was to my knowledge never implemented. The idea was toyed with, when the Daleks were designed (The cutaway referenced is probably a production sketch (at least there is one shown in The Dalek Handbook)) but it was never implemented due to its cost (The budged seemed to be very tight*). For The Dalek Invasion of Earth they were put on bigger pneumatic tires, which required the higher bumper.

A extremly good source on the Dalek props in the classic series is here: http://www.dalek6388.co.uk/


* Another example on the tightness of the budget. The also toyed with the idea to have the hemispheres on the skirts glow, which would have required mounting a car battery in each of the four props - Four car batteries were too expensive, so no dalek bumps pulsing with power.
 
AFAIK you are mistaken. The tricycle was to my knowledge never implemented. The idea was toyed with, when the Daleks were designed (The cutaway referenced is probably a production sketch (at least there is one shown in The Dalek Handbook)) but it was never implemented due to its cost (The budged seemed to be very tight*). For The Dalek Invasion of Earth they were put on bigger pneumatic tires, which required the higher bumper.
I pretty sure they did for that story since you can actually hear it, especially in that scene from "Flashpoint" I mentioned, when they move. Also the DVD text commentary mentions why it was added during "The Daleks" just after Ian and the Doctor notice the discs on the Daleks backs and Ian says;"Perhaps that accounts for their increased mobility". It even points out the noise in that scene from "Flashpoint" and talks about the pros and cons (noise being one of them) of the mechanism.
 
Interesting! I havent't seen that serial nor do i own the DVD. It would be interesting to know who wrote those text-commentaries and where he or she got those informations from. The Dalek Handbook, which i would rate on an equal level to a DVD text-commentary on reliability as a source, claims otherwise.
 
I thought about opening a new thread for this, but I think it fits here, too.

Someone made an awesome animation movie that fills in the blanks between Victory of the Daleks and Stolen Earth/Journey's End with some nice scenes on Hartnell era Skaro.

[yt]https://www.youtube.com/watch?v=Fbf28RPy4FY[/yt]
 
I thought about opening a new thread for this, but I think it fits here, too.

Someone made an awesome animation movie that fills in the blanks between Victory of the Daleks and Stolen Earth/Journey's End with some nice scenes on Hartnell era Skaro.
Yea, I found that about 6 months or so back and really enjoyed it. Next time I go through NuWho, I'll be sliding it in after Stolen Earth/Journey's End
 
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