Anyone have schematics?
Detailed blueprints of the inside of Discovery? I don't know if any exist, but I'd freaking LOVE to see some if they do.
(for instance I'd really like to know where Access Way 2 - shown in one scene in 2010 - is supposed to be.)
Detailed blueprints of the inside of Discovery? I don't know if any exist, but I'd freaking LOVE to see some if they do.
There's also the luxurious use of space craft and space-age technology in the film - the aesthetic that defined this as Kubrick's first classic and indeed as a film worthy of some note well into the future.
Your first sentence is absolutely right.
Your second sentence left out PATHS OF GLORY (1957). SPARTACUS, classic or not, fell prey to studio interference. Kubrick had more freedom with THE KILLING in 1956, which is a near-classic at least.
STRANGELOVE is an undisputed classic, but I still like FAIL-SAFE all the more. It was the right thriller at the wrong time.
I recently re-watched this classic for the first time in a few years and was immediately struck at just how much I had missed from the "grand picture" or "grand narrative" of things that the movie empathizes, and indeed, showcases to brilliance.
First of all there's the theme of the film - that of a humanity who's evolution had been interfered with by a mysterious alien civilization learning to stand for the first time - indeed the process of ageing that comes with a high-level extraterrestrial contact.
There's also the luxurious use of space craft and space-age technology in the film - the aesthetic that defined this as Kubrick's first classic and indeed as a film worthy of some note well into the future. I can see Star Wars drew a lot from this film. Personally, I never grew tired or bored with what was presented, I just ate it all up and marveled in the imagery and the mind-bending concept.
I would welcome fellow BBSers thoughts on the film.
Clarke denied that to his dying day, I believe. It's even explicitly mentioned in his novel 2010.Presumably, IBM failed to notice the simple one-letter shift in the name of HAL.
It was also denied by Kubrick. Clarke claimed the name was derived from "Heuristically programmed ALgorithmic computer", which has always seemed a very contrived explanation to me. However, I wonder if it was a subliminal thing. Of course, we'll probably never know know unless some note is uncovered in Kubrick's voluminous archives. I do like the notion that Kubrick hid a deeper meaning in the movie that he didn't even tell Clarke about.Clarke denied that to his dying day, I believe. It's even explicitly mentioned in his novel 2010.
Probably not - at least not to the Film's production team; (the film started fpre-production in 1964).HAL also stands for hardware abstraction layer, but I don't know if that concept was around in 1968.
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