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1966 Batman series on Blu-ray and DVD November 2014 discussion

Catching an episode of the Batman show in syndication as a tyke in the early 70s was my first-ever exposure to the very idea of super-heroes. Thus a lifelong obsession was born....

It was the episode in which Roddy McDowall's Bookworm traps the Dynamic Duo in a giant cookbook, IIRC.
 
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Oh, I'm so disappointed they never brought Bookworm back. Roddy McDowall was always fabulous, and the Bookworm had a nifty gimmick, very literary. (Although of course McDowall did get a second shot at Batman villainy, voicing the Mad Hatter on B:TAS.)
 
Funny...I'd long misremembered it as a Mad Hatter episode until I caught it recently on Me-TV.....
 
The only time I remember Bruce's parents being mentioned on the show was during a conversation with Dick about the dangers of his secret identity being revealed. I seem to remember them sitting on the couch in Wayne Manor, in their civilian clothes.

It's an official DC comic produced by their digital-first division, although there is a trade paperback collection coming soon. The Green Hornet crossover is written by Kevin Smith (the director), who's written a number of GH comics before.
Thanks. I'll watch for the TPB. I don't think I want to subscribe to their digital service.
There's also a monthy print edition. Issue #13 comes out tomorrow. You might be able to find the back issues in the long box at your local comic shop.
I'm afraid to go back to the comic shop. I've been away too long. :rommie:
 
^Perhaps because you associate McDowall more with that role?
It would be a coincidence, because I didn't watch BTAS, and I didn't know/remember McDowall was the Bookworm until I'd recently seen the episode again. More likely it was the hat.
 
^Makes sense. Bookworm was a one-shot character, not likely to be remembered, and his ensemble did include a most distinctive, gimmicky hat (with a built-in reading lamp). So I can see why you'd mix him up with the Mad Hatter.

The interesting thing about Hatter is that he's just about the only major comics villain in the show who was routinely referred to by his real name, Jervis Tetch, as well as his criminal name. I always wondered why they made that exception.
 
Bruce's parents' murder was, I believe, mentioned in the first two episodes of the series. It had been years since I'd seen the series and that took me by surprise. What also somewhat impressed me was how restrained the humor was early on. They didn't overplay the corniness and square personalities of Batman and Robin and some episodes actually had emotional content. Later, the series shifted to more overt satire and goofy comedy, losing what made the series so damned funny and exciting at the same time. The first season is gold, especially the initial episodes and the wonderful False Face story.

I love that era of television.
 
Unlike a lot of camp, Adam West never actually winked or nudged at the audience, even when things got ridiculous. He always acted as if he was the only serious performer surrounded by absurdity (including some of the dialogue he was forced to deliver). That's what made it so great. Even though he had his quirky mannerisms that people make fun of (just like Shatner), he was a great superhero role model for a kid. The "Boy Scout" Bruce Wayne rather than the angsty brooders we've had from Michael Keaton onward.
 
Oh, it wasn't just West. All the good-guy performers played it with great seriousness -- most of all Neil Hamilton, who put such over-the-top conviction and passion into everything Commissioner Gordon said. It was only the villains, and some of the guest stars, who played it in a openly comical way.

But then, the whole point of that style of camp is having the actors play the absurd situations with such utter, exaggerated gravity that it becomes comical. The other classic example of that aside from Batman is Airplane! The reason that film hired actors like Leslie Nielsen and Lloyd Bridges and Peter Graves and Robert Stack is because they were known for very intense, solemn dramatic performances, so that the juxtaposition of their dead-serious authority with the ludicrousness of their dialogue and situations would be comically incongruous. Batman did much the same thing, casting respected dramatic actors like Hamilton and Alan Napier in key roles.
 
Details announced today!

Warner is holding a panel at Comic-Con in San Diego later this month (on 7/24 from 6-7 PM in Hall H) with Adam West, Burt Ward and Julie Newmar to fill in all the details.

9-10PM E.S.T. Today. Very excited for all the details on the special features and the official specs!
 
I was wary at first to hear that Len Wein was writing the script, since I've always found his dialogue style kind of stilted and corny. But then I realized that's probably perfect for Batman '66.
 
This November, DC will be publishing an adaptation of Harlan Ellison's story, with a script by Len Wein and art by Jose-Luis Garcia Lopez.

I'm in. :)

Cool news. Garcia Lopez is one of the all-time greats of comic illustration and any new work from him is a reason for high anticipation -- this project especially. His clean line-style always brings back fond memories of his packaging/design work on the Super Powers toy merchandise.:)
 
Was there a particular reason that Ellison's script wasn't produced? Batman versus Gentleman Junkie or something? :rommie:
 
. . . After the show premiered, I was completely obsessed with Batman. I remember riding in the car with my grandfather and passing a gas station with a sign out front advertising a "Batman Kit! 99 cents w/fill up!" I was convinced that this was a full Batman costume and I had to have it. Imagine my disappointment when it was this. :lol:
Original, unbuilt, mint-in-box Aurora Batman model kits are fetching prices in the high triple-digits these days.
 
Was there a particular reason that Ellison's script wasn't produced? Batman versus Gentleman Junkie or something? :rommie:

Ellison's script wasn't produced because it was never written. :)

He didn't get past the pitch and outline because Dozier wasn't allowed by ABC to buy anything from Ellison. Den of Geek explains

Why didn't we get to see "The Two-Way Crimes of Two-Face?" Brain Movies editor, Jason Davis provided Den of Geek with some background information, which confirms the idea that Ellison's difficulties working with ABC stemmed from a physical altercation with Adrian Samish, head of ABC's Broadcast Standards and Practices department, which ended with Samish threatening that "Ellison will NEVER work on ABC again!" A threat Samish apparently made good on. From Mr. Davis:

Indeed, Ellison only pitched to Batman because Samish was leaving ABC; in a case of poor timing, his storyline went to the network for approval on Samish's last day on the job. Ellison remembers sitting in executive producer William Dozier's office as several storylines were approved while his was deep-sixed with the phrase "Ellison doesn't work on ABC." The vendetta evidently continued after Samish left ABC for Quinn Martin Productions, where Ellison's superb storyline for an episode of The Manhunter (in Brain Movies, Volume 3) was cut off before going to script.

Ellison was, in some ways, his own worst enemy. He made it difficult for himself to get work because he made it impossible for people to buy work from him. "The Two-Way Crimes of Two-Face" fell victim to Ellison's personal reputation.
 
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