It's pretty rough around the edges and slightly creepy.A sample of the series is reborn with today's technology, Unreal Engine 5. A single filmmaker drives all the aspects of production with a little help in specific disciplines. This is a no-budget experiment that uses apps that are freely accessible to everyone. It is not AI generated slop, but does use AI powered tools such as marker-less mocap, voice cloning, face replacement, 'creative' upscaling and AI-processed facial performance capture.
This is absolutely fascinating. I'll be rewatching it closely and checking into the linked resources and assets.Skip to 5:35 for the making of portion.
Yeah, so he's doing motion capture of himself playing all the parts. If he had one or two performers with more theatrical training it would go a long way to fixing that.The ship scenes and the sets are perfect, and parts of the faces match, mostly around the eyes. The bodies move around too much though![]()
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