Yeah, I must admit I watch the TOS/JJ movies regularly as opposed to annually or less with the TNG entries.Can't recall the last time I watched one, they seem so ick compared to the 1st 6, like lifetime/syfy movie like.
I like First Contact best of them, but don't like the goofball planetside scenes. The writers' treatment of Cochrane seems to be 'ha ha look at the country bumpkin!'
Didn't help they offed the Galaxy-class Enterprise and replaced it with the super-ugly Sovereign-class.
Didn't help they offed the Galaxy-class Enterprise and replaced it with the super-ugly Sovereign-class.
the TNG movies just feel like extensions of the TV shows. For some reason the TOS movies don't feel like that.
And yet, for me, the wonderful cinematography and lighting on GEN made it by far the most atmospheric and cinematic of all the TNG movies. The D looked magnificent in some shots, and way the bridge was shot is pure magic.It's because TNG went straight to movies without "resting". And so everything about it, right on down to the recycling of sets and props and models, just made the films feel like big-budget TV-movies.
I watch Generations sometimes, but I haven't sat through "First Contact" since the time my mother was watching it on Labor Day last year. I originally bought Insurrection on DVD, watched it once, never watched it again.This thread inspired by the TNG section and a conversation there...
Do you watch the TNG movies?
TOS, on the other hand, had a 10 year gap and was completely retooled when it made the leap to the movies. The production design made a very strong shift from the 60s aesthetic to the Star Wars era of motion-control. This is symbolized with the Enterprise Refit rolling out of drydock, and all the other films surfed on that new foundation.
And yet, for me, the wonderful cinematography and lighting on GEN made it by far the most atmospheric and cinematic of all the TNG movies. The D looked magnificent in some shots, and way the bridge was shot is pure magic.It's because TNG went straight to movies without "resting". And so everything about it, right on down to the recycling of sets and props and models, just made the films feel like big-budget TV-movies.
The biggest problem is that it played out like a direct-to-video release.
I mean, the biggest action scene in the whole movie is the destruction of a bird of prey (itself a recycled FX shot from TUC).
Are you insinuating that a sci-fi needs action to be worthy of a theatrical release? Or that a Star Trek movie needs action?
Because: 2001, TMP, TVH, Enemy Mine, Moon, Sunshine
If you actually watch the season-end TNG episodes back to back -- Encounter of Farpoint, Best of Both Worlds, Redemption, Unification, Descent -- before watching Generations, it fits in pretty nicely and is in fact the best two-parter of the entire run. It's only in comparison with the TOS movies that it feels tired and underdone.And yet, for me, the wonderful cinematography and lighting on GEN made it by far the most atmospheric and cinematic of all the TNG movies. The D looked magnificent in some shots, and way the bridge was shot is pure magic.It's because TNG went straight to movies without "resting". And so everything about it, right on down to the recycling of sets and props and models, just made the films feel like big-budget TV-movies.
There was nothing wrong with the cinematography and lighting of Generations.
The biggest problem is that it played out like a direct-to-video release.
I mean, the biggest action scene in the whole movie is the destruction of a bird of prey (itself a recycled FX shot from TUC).
They could have kept the same look and feel as the series, but with a 200 million budget, imagine what could have been. Something on an epic level. None of this "one madman wants to get to an energy ribbon" sillyness.
Killing Kirk and destroying the Enterprise D were the 2 final nails in the coffin.
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