• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Sigourney Weaver talks Alien 5... again...

It's pretty straight forwards; they didn't detect the signal because at some point in the intervening years, the ship was damaged by a geological shift. It's more explicit in the script, but if you look at the scene with Newt's parents, you can see there's a massive rent in the hull. Indeed I think they entered through that breach, which I presume took them straight into the cargo hold.
 
It's not specifically mentioned, but when the Jordans turn up at the Derelict, you can see that one of the "arms" is broken and has collapsed. Cameron intended that volcanic activity had damaged the ship and wrecked the transmitter.
 
Yeah, but it's an easy detail to miss. As I said the script is more explicit in that it describes a fresh lava flow cutting through it. Presumably that proved too difficult or expensive of an effects shot to pull off so they just had the ship cracked down the side. Even so, there's nothing in the dialogue that directly explains why nobody got the signal, but the damage to the ship is meant to infer an obvious explanation.

And just for the sake of reference. ;)
[yt]https://www.youtube.com/watch?v=iusPorC4wZE[/yt]
 
It's not specifically mentioned, but when the Jordans turn up at the Derelict, you can see that one of the "arms" is broken and has collapsed. Cameron intended that volcanic activity had damaged the ship and wrecked the transmitter.

OK, I get it. Thanks. But, just to be clear, none of this is in the theatrical release.
 
It's not specifically mentioned, but when the Jordans turn up at the Derelict, you can see that one of the "arms" is broken and has collapsed. Cameron intended that volcanic activity had damaged the ship and wrecked the transmitter.

OK, I get it. Thanks. But, just to be clear, none of this is in the theatrical release.

No, at the time Cameron didn't have the clout to argue that certain sequences HAD to be left in, and Fox were only interested in how many showings they could cram into theatres in the days before the multiplex. He felt the only three things he could really lose were Ripley's daughter discussions (a major character issue for explaining her devotion to Newt), the Hadley's Hope sequences, and the sentry guns.
 
You know, I honestly don't remember the last time I saw the theatrical cut. Ever since the SE came out, it just seems a little redundant.
 
Check out the blu ray extras for some snippets about editing, Cameron and the composer James Horner never spoke to each-other after Aliens until Cameron wanted him to work on Titanic as scoring was done but then scenes were re-edited and had to be re-scored again, hence the re-use of some cues (Ripley's chestburster nightmare/Deitrich being grabbed/Bishop impaled by the queen for example) due to lack of time.

Then again, after the way the studio screwed him over making Alien 3, I'm surprised Fincher ever wanted to make a movie again!
 
Cameron's actually pretty good at removing a significant amount of material from his films without gutting them. He did it with Aliens, T2 and Abyss. IIRC he says the key is in removing whole subplots rather than specific scenes. That way you avoid plot-holes, minimise continuity errors while and the number of small edits can add up to a substantial amount of footage.
 
I loved Ridley Scott's Alien (1979) and James Cameron's Aliens (1986). If only Alien 5 could be a time travel back to the end of Aliens to make sure Alien 3 never happens. ;)
Alien 3 should have been about the Sulaco's arrival at Earth with Ripley, Hicks, Newt and Bishop still alive but the Gateway spacestation has gone dark because an alien sample was already brought to there. All the action takes place on Gateway with Earth below.
 
^Wasn't that pretty much what the first draft of Alien 3 was? IIRC it was a hackneyed bag of shite.

Now as much as I hate the way Alien 3 disposed of the supporting cast, I do respect the film for what Fincher tried to do. Doubly so after finding out just how much crap the studio put him through in the process.
 
...Now as much as I hate the way Alien 3 disposed of the supporting cast...

Agree, that is what I hated too. If Alien 3 had the supporting cast survive beyond the opening credits into the body of the film, then I would have liked it because they were not just killed off.
 
^The way I look at it, the Aliens may exist in Predator universe, but the Predators don't exist in the Alien universe. Kind of a one-way crossover in my mind.

I don't know from what I've heard Ridley Scott wants Blade Runner and Alien to be in the same universe and some guy on tv tropes mentioned that he could see L.A. in Predator 2 turning into the L.A. from Blade Runner.
 
I can totally see Blade Runner co-habiting the same universe (and 'Soldier', incidentally) but Predator just feels like a poor match. It's entirely subjective of course.
 
You know, I honestly don't remember the last time I saw the theatrical cut. Ever since the SE came out, it just seems a little redundant.

Funnily enough the last time I saw Aliens it was the theatrical cut and I actually enjoyed it better than the last time I saw the SE. It's better paced and really works just as well without all the additional scenes. You don’t need to see all the stuff with Newt’s parents to have any understanding of what happens later, you don’t need to know about Ripley’s daughter in order to root for her in saving Newt, if anything I think it dents Ripley’s character because it’s really not Newt she’s interested in saving it’s Newt as a proxy for her daughter. it’s funny but Hudson’s sharp sticks speech feels off kilter, and whilst the sentry guns are kinda cool, the scene becomes a little boring, and makes the Aliens look stupid because they just keep running at the guns. (I appreciate there’s an argument that they’re doing this to wear the ammo supplies down but this doesn’t make a lot of sense, they can’t know how well supplied the marines are, and the Aliens are finite in number, there can only be, what 157 of them max?)

Prior to this last viewing of Aliens I’d decided my order and was pretty clear about it: Alien, Aliens, Alien 3, AVP, Resurrection, AVPR (this was before Prometheus) but having watched the theatrical version of Aliens again I’d put it back at the head of the list again.

One final point from me on the whole Lambert issue. Alien is a film about rape and sex, but to my mind everything that happens in it that could be considered sexual is oblique and creepy and unnatural and in this context the Alien raping Lambert seems a little obvious and, sorry, no better way of putting this, vanilla compared to everything else that’s in the film. So it may have been Scott’s intention, it may not, but it’s not how I choose to interpret that scene.
 
ALIEN RESURRECTION:

On the off-chance that they'll invent effective cloning technology, they keep DNA samples of Ripley on ice for a few centuries, just in case..... errrrr.......

Well, considering she and the alien fell into a giant pit of fire in Alien 3, they probably just tried to salvage whatever DNA they could find. It was all jumbled together, which is why there were so many hybrid clones in all those tubes. It probably wasn't until Alien Resurrection that they were effectively able to isolate the Xenomorph DNA.
 
ALIEN RESURRECTION:

On the off-chance that they'll invent effective cloning technology, they keep DNA samples of Ripley on ice for a few centuries, just in case..... errrrr.......

Well, considering she and the alien fell into a giant pit of fire in Alien 3, they probably just tried to salvage whatever DNA they could find. It was all jumbled together, which is why there were so many hybrid clones in all those tubes. It probably wasn't until Alien Resurrection that they were effectively able to isolate the Xenomorph DNA.

Pretty sure they say the DNA was taken from blood samples found on Fury-161, presumably drawn by Charles Dance's character who's name escapes me. One assumes the company tried to make use of it to little effect (so far as we know.)
After the company went under, I just assumed that the samples were forgotten about in some cold storage facility for centuries until someone rediscovered them, leading to what we saw.

I find it interesting that in an odd way, Prometheus actually validates the idea of a human-alien cross. Or at least given the technology we saw with the black goo, it makes a lot more sense that the genetic crossing can be a two way thing.
Indeed it seems to indicate that the larval aliens aren't entirely parasitic if they're leaving something of themselves in the host's bloodstream.
Maybe it's a marker of some sort--something akin to a pheromone perhaps--that genetically labels a host so other aliens won't attack, as we saw in Alien 3?

You know, I honestly don't remember the last time I saw the theatrical cut. Ever since the SE came out, it just seems a little redundant.

Funnily enough the last time I saw Aliens it was the theatrical cut and I actually enjoyed it better than the last time I saw the SE. It's better paced and really works just as well without all the additional scenes. You don’t need to see all the stuff with Newt’s parents to have any understanding of what happens later, you don’t need to know about Ripley’s daughter in order to root for her in saving Newt, if anything I think it dents Ripley’s character because it’s really not Newt she’s interested in saving it’s Newt as a proxy for her daughter. it’s funny but Hudson’s sharp sticks speech feels off kilter, and whilst the sentry guns are kinda cool, the scene becomes a little boring, and makes the Aliens look stupid because they just keep running at the guns. (I appreciate there’s an argument that they’re doing this to wear the ammo supplies down but this doesn’t make a lot of sense, they can’t know how well supplied the marines are, and the Aliens are finite in number, there can only be, what 157 of them max?)

Prior to this last viewing of Aliens I’d decided my order and was pretty clear about it: Alien, Aliens, Alien 3, AVP, Resurrection, AVPR (this was before Prometheus) but having watched the theatrical version of Aliens again I’d put it back at the head of the list again.

Oh I agree, the theatrical cut works fine and as I said, Cameron is very good at editing his films down. That said, while the film certainly didn't *need* all that extra stuff, I felt it did improve things without feeling like padding. YMMV of course.

One final point from me on the whole Lambert issue. Alien is a film about rape and sex, but to my mind everything that happens in it that could be considered sexual is oblique and creepy and unnatural and in this context the Alien raping Lambert seems a little obvious and, sorry, no better way of putting this, vanilla compared to everything else that’s in the film. So it may have been Scott’s intention, it may not, but it’s not how I choose to interpret that scene.

That's your choice of course. Interpretation is in and of itself a subjective thing, I was merely arguing that the implication was there, that it was deliberate and that it was in keeping with a running theme which, as you say ran through the whole film.

The way I look at it though is that there are certain degrees of interpretation. Was Deckard a replicant? Possibly. Even probably...but maybe not. Did Travis really kill Old Yeller? Almost certainly...but we don't know for sure because we didn't see it. Was Lambert raped? ...well the thing apparently removed her clothes and took long enough finishing her off for her to make those blood curdling, panicked noises over the intercom for almost the entire time it took Ripley to run across the ship.

Whether there was a rape or not isn't for certain, but we do know for a fact that it left her at least half naked. *Something* weird happened there that it didn't do with any of the other victims.
 
Last edited:
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top